The Globe and Mail describes THE MEMORY OF WATER as "both gloriously funny and deeply felt Indeed, THE MEMORY OF WATER is so funny that it appears at first to be pure black comedy, with the newly bereaved sisters indulging wildly in witty bickering and dope-induced dress-ups Their quarrels over the fu-neral arrangements, their well-worn family roles, their unsatisfactory men and their mixed memories of a highly feminine working-class mother are hilarious In THE MEMORY OF WATER, [Shelagh Stephenson] skillfully charts the joyous and painful territory of family relationships with insight and compassion."

    In a series of elegant, nonchronological scenes spanning the years from 1946 to 2015, the play hopscotches through Mary Page Marlowe’s quiet existence as an accountant from Ohio—complicating notions of what it means to lead a “simple life.”

    The first volume of Roberta Sykes' three-volume autobiography, chronicling her childhood and teenage years in Townsville in the 1940s and 1950s, to the birth of her son, the result of a gang rape when she was 17.

    What he finds at Karnama is a disintegrating community, characterised by government handouts, alcoholism, wife-beating, petrol-sniffing and an indifference to traditional beliefs and practices. It is a depressingly familiar litany of social problems which confirms the smug racial stereotypes of the white community to which Billy initially belongs." "True Country offers no clear-cut solution to the realities of powerlessness. What it leaves us with is Billy's vision of the 'true country' which he shares with the unnamed Aboriginal narrator in the final pages of the novel.

    With a nod to his mentor, Harold Pinter, Mamet once again employs his signature verbal jousting in this battle of two women over freedom, power, money, religion—and the lack thereof. Broadway premiere, under the direction of the playwright, in fall 2012 starring Patti LuPone and Debra Winger.David Mamet is a playwright, director, author, essayist, screenwriter, and film director. His plays include Glengarry Glen Ross, Speed-the-Plow, American Buffalo, A Life in the Theatre, Oleanna, The Cryptogram, and Race.

    Marcus Hubbard, rich, despotic and despised, made a fortune during the Civil War by running the blockade and worse. In his family life he is equally injurious: one son he bulldozes while the other he holds in contempt for his frailty. By Marcus's side stands his mentally deranged wife and, finally, Regina, the adored daughter amoral, conniving, and beautiful as an evil flower. Marcus, it would seem, has been on the top of the heap long enough and someone must depose him. Turning the tables on a tyrant has always made for high drama, and when Hellman puts her brilliant talents to work on such a theme the result is a play of great theatrical intensity.

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    Born to poverty and limited opportunities, they're able nonetheless to enjoy the largely innocent pleasures of childhood, but the adult world around them inevitably impinges. The narrator's elder sister falls pregnant and is sent to Ireland to have and give up the child; newcomer Tony and his mum are in danger of real violence at the hands of Tony's violent Polish stepfather; and no child who plays the part of altar boy at the chapel wants to be left alone with the local priest. Observant, clear-sighted in its portrayal of the darker side of life yet utterly warm-hearted, Spit Against the Wind reminds us of the wonders of childhood without sentimentality but with gentle humor and great charm.

    At the tender age of eleven she is given to Bank Roll, who has his hand in every type of hustle, to settle a drug debt for her parents. Bank Roll is much older and once he sees how unique Lexi is, he breeds her to be his special girl, falling in love with her in the process. She loves him as well, but has him ripped away from her life too soon.While many use the ‘molested at a young age’ story as an excuse, Lexi takes the cards she is dealt and learns all she can because she’s a grown woman in a girl’s body. Not one to settle or let life take over her, she uses the gems she has learned over the years and dabbles in everything she can, just like her mentor. A few chance meetings put her in position to use what she has to get what she needs, and while still in her teen years not only is she on top of the world, but she is also running it. Lexi knows that street smarts can get you so far, but can her Savage instincts take her where she wants to be?

    Into her life saunters Cliff, a hard working, hard drinking truck driver. He is rough and witty and just as starved for love as she is. Produced to great success at New York's Circle Repertory, this delicate two-character drama starred Peter Weller and Patricia Wettig. The Woolgatherer features several excellent monologues. "Energy, compassion and theatrical sense are there."-The New York Times "[Mastrosimone] has a knack for composing wildly humorous lines at the same time that he is able to penetrate people's hearts and dreams."-Hollywood Reporter

    Lloyd, who lives with Mae, spends his time caring a little too much for the farm animals; he scorns to learn from a book, and treats Mae with angry disrespect. When Lloyd becomes ill, Mae goes searching for a diagnosis, and brings their simple, yet eloquent, neighbor Henry home with her, in order to help her read the difficult medical language. The ensuing love / hate triangle that brews between the three creates a toxic environment, and Mae, whose love and respect for Henry turn to impatience and resentment after an accident renders him helpless, determines that to escape the ill-luck of her life, she must escape the men who depend upon her.

    

    However, celebrations come to an abrupt end when the host suffers an horrific accident.As the victim lies in a coma, an almost unthinkable plan starts to take shape: could her suffering be their next work of art? The group is ecstatic in its new found project until things slip out of their control and, to the surprise of all, the patient awakes?pool (no water) is a visceral and shocking new play about the fragility of friendship and the jealousy and resentment inspired by success.Citizenship is a bittersweet comedy about growing up, following a boy's frank and messy search to discover his sexual identity. It was developed as part of the National Theatre Shell Connections 2005 Programme

    Dana was found wandering alone in the Mexican desert in the midst of a drug war. Sheriff Garcia takes her to the Silver Plains orphanage, having her declared a ward of the state temporarily so he can focus on searching for her parents. When the sheriff is killed, Dana has to face the prospect she's never getting out of Silver Plains. Dejected and downcast, her only hope lies in the comfort of a stuffed toy—Mister Fluffy Bunny.

    Concerned something has happened to her husband, Jill follows a string of clues to try and find out the secret Charles was keeping from her.