His present lifestyle is complicated enough before past indiscretions come back to haunt him. Once a gung-ho investigator of murderous criminals and violent crime, Fyfe has been taken off the frontlines and reassigned to the low-profile Fraud Squad — mistakes from years earlier conspired to condemn him to dull work that he doesn’t much enjoy. His enforced distance from solving murders bothers him particularly at the moment, as a series of seemingly drug dealing–related murders in the city is all anyone can talk about. When Chief Constable Sir Duncan Morrison asks him to look into the several hundred thousand dollars missing from the Catholic Church’s accounts, Fyfe expects the job to be little more than soothing the Archbishop’s worries — only to discover that things are considerably more complicated than they first appear. As he begins his investigation into the licentious Father Byrne and the accused embezzler Father Quinn (Byrne’s superior), Fyfe begins to find evidence that link the corrupt priests to racketeering kingpin Gus Barrie…and an armed robbery that occurred nearly a decade previously. For Fyfe himself, the spectre of the past rises with not only the reappearance of his ex-lover Sylvia, whose impending marriage throws him for a loop, but the return to British soil of the beautiful Angela — a sexy widow whose acquaintance he first made in the aftermath of the robbery ten years earlier. But this time Angela has blood on her hands and a million pounds in unmarked notes stuffed into her luggage. Any ordinary policeman would make the arrest and wrap up the inquiry. But David Fyfe is no ordinary policeman… Sleeping Dogs is a fast-moving, wryly humorous, expertly plotted crime novel with an outrageous finale. Praise for William Paul ‘Fyfe's engrossing ruminations on the human condition [means] readers will find themselves absorbed from beginning to end’Booklist Sleeping Dogs is the first of three books featuring DCI David Fyfe. William Paul has also authored a number of other books, including Seasons of Revenge and The Lion Rampant.

    Mairi makes no secret of the fact that she would rather be out taking down a wild pig with her childhood friend Iain, the fletcher’s son, than plying a needle with the women. Her mother despairs of her, and never stops comparing her to her beautiful and successfully married sister Una. Her father, tired of her rejection of one suitable match after another, finally presents her with an ultimatum: Marry Alastair Maclean or spend the rest of her life in the priory. Mairi knows that she would never survive in a priory, locked away from her beloved outdoor pursuits. But nor can she endure the thought of a loveless marriage to Alastair, who has never stopped mourning the loss of his adored first wife Madeline in childbed. Left without choices, Mairi becomes Alastair’s wife. Life is every bit as bad as she feared. Alastair’s sister Rhona clearly does not want to see her brother married to the Chisholm wildcat, and Alastair himself is as cold as the frigid wind that blows across the Highlands. Mairi resolves to resign herself to the demands of the marriage bed, and devote her life to raising bairns with the love she was never shown. But one day, she finds herself in more danger than she has ever known… and everything changes.

    She rode out at the head of an army in both victory and defeat; saw her second husband assassinated, and married his murderer. At twenty-five she entered captivity at the hands of her rival queen, from which only death would release her.The life of Mary Stuart is one of unparalleled drama and conflict. From the labyrinthine plots laid by the Scottish lords to wrest power for themselves, to the efforts made by Elizabeth's ministers to invalidate Mary's legitimate claim to the English throne, John Guy returns to the archives to explode the myths and correct the inaccuracies that surround this most fascinating monarch. He also explains a central mystery: why Mary would have consented to marry – only three months after the death of her second husband, Lord Darnley – the man who was said to be his killer, the Earl of Bothwell. And, more astonishingly, he solves, through careful re-examination of the Casket Letters, the secret behind Darnley's spectacular assassination at Kirk o'Field. With great pathos, Guy illuminates how the imprisoned Mary's despair led to a reckless plot against Elizabeth – and thus to her own execution.The portrait that emerges is not of a political pawn or a manipulative siren, but of a shrewd and charismatic young ruler who relished power and, for a time, managed to hold together a fatally unstable country.

    . . Perfect for fans of Diney Costeloe, Rita Bradshaw and Nadine Dorries.5-star reader reviews for The Shipbuilder's Daughter'Beautifully written with a great deal of empathy, very satisfying plot. Lovely mix of old Glasgow and the western Isles''A definite must-buy''A lovely read''Fabulous reading'Glasgow, 1928. Margaret Bannatyne lost both of her brothers in the Great War and is now the last remaining child of wealthy and powerful shipyard owner William Bannatyne. Without a male heir to carry on the family business, William expects his daughter to do her duty, marry well and provide him with a grandson to inherit his business.Margaret cares deeply for her father but she has ambitions of her own: after witnessing a horrific accident when she was sixteen, she's determined to become a doctor. Her father, convinced she will never practise medicine, permits Margaret to complete her training. But he doesn't count on her falling in love with Alasdair Morrison.Alasdair, a union man at the shipyard, has been a thorn in William's side for years, and he didn't become one of the richest men in Glasgow only for Alasdair to take it all away - even if it means destroying his only daughter's happiness by forcing her to make a heartbreaking and impossible choice . . .

    Elizabeth and Mary were cousins and queens, but eventually it became impossible for them to live together in the same world. This is the story of two women struggling for supremacy in a man's world, when no one thought a woman could govern. They both had to negotiate with men--those who wanted their power and those who wanted their bodies--who were determined to best them. In their worlds, female friendship and alliances were unheard of, but for many years theirs was the only friendship that endured. They were as fascinated by each other as lovers; until they became enemies. Enemies so angry and broken that one of them had to die, and so Elizabeth ordered the execution of Mary. But first they were each other's lone female friends in a violent man's world. Their relationship was one of love, affection, jealousy, antipathy--and finally death.

    Royal Tudor blood ran in her veins. Her mother was a Queen, her father an Earl, and she herself was the granddaughter, niece, cousin and grandmother of monarchs.Beautiful and tempestuous, she created scandal not just once but twice by falling in love with unsuitable men. Fortunately the marriage arranged for her turned into a love match.

    Her brothers have given her the task of deciding what to do with their parents’ farm, which is slowly falling into disrepair. Imogen will not be rushed into passing judgement on the place. When she starts to carry out some research into the history of Kilduggan Farm, she inadvertently sets off a chain of events that ends in tragedy. Suddenly, Imogen and her psychologist husband, Hugh, find themselves faced with a seemingly insoluble puzzle. How can it be possible that an unexplained death in the present day can match, in every detail, an unsolved case from 40 years ago?As the past begins to catch up with Imogen, she realises that she must strive to discover the truth about her family, even if it means that nothing will ever be the same again…This is an intricately plotted novel, cleverly interwoven with subtle clues and the occasional red-herring. It will keep you guessing and the pages turning, right up until its final, shocking conclusion.Aoife's Chariot is the first novel in the Imogen and Hugh Croft Mysteries Series. It is an absorbing family saga, full of mystery and suspense. Husband and wife sleuths Imogen and Hugh Croft are first introduced to readers in this tense genealogical mystery with deathly consequences.

    Along the way, it explains when these stories date from, how they arose, and what historical events—if any—underlie them, and the result is an endlessly fascinating exploration of the astonishing wealth of Scottish folklore.

    A community that had survived alone for centuries finally succumbed to the ravages that resulted from mainland contact. What their lives had been like century after century, why they left, and what happened to them afterwards is the subject of Tom Steel's fascinating book. It is the story of a way of life unlike any other, told here in words and pictures, and of how the impact of twentieth-century civilization led to its death.

    Dragged from the chamber of the heavily pregnant Mary, Rizzio was stabbed fifty six times by a party of assassins. This breathtakingly tense novella dramatises the events that led up to that night, telling the infamous story as it has never been told before.A dark tale of sex, secrets and lies, Rizzio looks at a shocking historical murder through a modern lens—and explores the lengths that men and women will go to in their search for love and power.Rizzio is nothing less than a provocative and thrilling new literary masterpiece.

    Read about the stress and intensity of an actual shoot-out and how to maximize your training, ammo and weapons to prevail.

    Knowing their chief, Lyall Campbell will stop at nothing to find her, she escapes on a massive warhorse, and travels across the snow-blanketed countryside, searching for safety and shelter. She finds both in the arms of Alexander MacPherson, the Laird of Blackstone, and the Highlander who rescues her. Ceana soon finds herself in love with the handsome laird, but will she trust him enough to tell him the secret she's keeping? After the battle, Lyall Campbell is satisfied that he has ended the lives of even more MacGregors, once again proving his loyalty to the king. Then the Campbell chief becomes both outraged and baffled when he learns the MacGregor laird's daughter has taken his devil of a warhorse. He swears to hunt her down and reclaim his horse, then to use the bonnie lass anyway he sees fit—before ending her life. When he learns she—and his prize stallion—are at Blackstone Castle, nothing will keep him from seeking revenge—no matter how many MacPhersons he has to kill. Alex is captivated by the dark-haired lass he rescues in a snowstorm and can think of little else. Ceana tells him almost nothing about herself, but it's obvious, she's running form something—or someone. And in order to protect her, he needs to know what to protect her from. He falls deeper and deeper in love with her and wants her for his wife. But first, he intends to find out what it is she's hiding from him. Will the truth bring them closer together, or forever keep them apart?

    Maybe after he made a deal they would stop their raids and maintain the peace of the Laird’s lands and keep the promises they had broken again, and again. But what my father hadn’t bargained on was that Lachlann Mackay, the fearsome leader of the warlike clan at our doorstep, would want a bride in exchange for his peace. A promise is a promise, and my sister will do her duty to our father, but when she disappears on her wedding day there is only one person who could take her place, but the last thing I want is to be tied to a filthy barbarian for the rest of my life. But if I do not—if I go against my father’s wishes and break the oath that was made, all of our lives are in danger. Reader beware — “An Unwilling Bride” features lots of plaid, possible historical inaccuracies, a high-spirited heroine facing off against a sword-swinging alpha-hero worthy of some serious swooning, and a dastardly plot that could ruin everything. There is no cheating to be found here, and (by the trilogy's end) a Highland HEA is guaranteed. Inside every history book is a heartthrob waiting to be discovered... Highlander’s Honor Book 1 - An Unwilling Bride Book 2 - A Stolen Bride - COMING February 2020 Book 3 ~ A Warlord’s Prize - COMING March 2020

    Nesbitt, told as he uncovers his dramatic family history.Growing up in the Glasgow suburbs, Gregor was 14 when he asked where he was christened and was told that he was adopted. But it wasn’t quite that simple. And so began an unfolding of truths, half-truths and polite cover-ups from his various families. In 2014 Gregor approached Times columnist Melanie Reid to help him tell his story. Together they travelled through the mining villages of central Scotland to uncover the mystery of his birth and early life. What emerged was a story of secrets, deception, tragic accidents and early death, coldness and rejection from the very people who should have cherished him most, but a welcome from the most unexpected of quarters.From the squalor of industrial Coatbridge after WW1 to his own 1950s Glasgow childhood, via a love letter found in the wallet of a dead man and meeting his sister outside lost luggage at Glasgow Central, Gregor shares his family story with warmth and blunt Scottish humour.

    Devious, na�ve, beautiful and sexually voracious, often highly principled, she secured the Scottish throne and bolstered the position of the Catholic Church in Scotland. Her plotting, including probable involvement in the murder of her husband Lord Darnley, led to her flight from Scotland and imprisonment by her equally ambitious cousin and fellow queen, Elizabeth of England. Yet when Elizabeth ordered Mary's execution in 1587 it was an act of exasperated frustration rather than political wrath.Unlike biographies of Mary predating this work, this masterly study set out to show Mary as she really was - not a romantic heroine, but the ruler of a European kingdom with far greater economic and political importance than its size or location would indicate. Wormald also showed that Mary's downfall was not simply because of the 'crisis years' of 1565-7, but because of her way of dealing, or failing to deal, with the problems facing her as a renaissance monarch. She was tragic because she was born to supreme power but was wholly incapable of coping with its responsibilities. Her extraordinary story has become one of the most colourful and emotionally searing tales of western history, and it is here fully reconsidered by a leading specialist of the period. Jenny Wormald's beautifully written biography will appeal to students and general readers alike.