Fleeing from pirates, Robinson Crusoe is swept ashore in a storm possessing only a knife, a box of tobacco, a pipe-and the will to survive. His is the saga of a man alone: a man who overcomes self-pity and despair to reconstruct his life; who painstakingly teaches himself how to fashion a pot, bake bread, build a canoe; and who, after twenty-four agonizing years of solitude, discovers a human footprint in the sand... Consistently popular since its first publication in 1719, Daniel Defoe's story of human endurance in an exotic, faraway land exerts a timeless appeal.

    When things go well, the cricket on the hearth chirps; it is silent when there is sorrow. Tackleton, a jealous old man, poisons John's mind about Dot, but the cricket through its supernatural powers restores John's confidence and all ends happily.

    Nominated as one of America’s best-loved novels by PBS’s The Great American Read.Gulliver's Travels describes the four voyages of Lemuel Gulliver, a ship's surgeon. In Lilliput he discovers a world in miniature; towering over the people and their city, he is able to view their society from the viewpoint of a god. However, in Brobdingnag, a land of giants, tiny Gulliver himself comes under observation, exhibited as a curiosity at markets and fairs. In Laputa, a flying island, he encounters a society of speculators and projectors who have lost all grip on everyday reality; while they plan and calculate, their country lies in ruins. Gulliver's final voyage takes him to the land of the Houyhnhnms, gentle horses whom he quickly comes to admire - in contrast to the Yahoos, filthy bestial creatures who bear a disturbing resemblance to humans. This text, based on the first edition of 1726, reproduces all the original illustrations and includes an introduction by Robert Demaria, Jr, which discusses the ways Gulliver's Travels has been interpreted since its first publication. Jonathan Swift (1667-1745) was born in Dublin. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Many have large casts and an equal mix of boy and girl parts. In this dramatization of Barry Hines's novel, 15-year-old Billy trains a kestrel for whom he learns to feel great affection.

    By the end of the Second World War, however, the reputation of both novels had grown and Faulkner's great fictional creation, Yoknapatawpha County, had become as much a part of America as any real area of the Mississippi landscape. This "Guide" explores the wealth of critical material generated by these two exceptional works of modernist fiction. From the initially mixed critical responses to the novels in the early 1930s, the "Guide" follows the enormous growth of interest in Faulkner's work across six decades. New writings shaped by a range of critical theories are discussed, offering the reader a clear view of the place now given to one of America's most innovative and influential novelists.

    His first mate, Mr. Jukes, is the perfect contrast as an imaginative man prone to speaking in figurative language. Though they are opposites, MacWhirr and Jukes respect each other and run a tight ship, until the crew notices the barometer predicting a serve storm. Jukes and the crew suggest alternate paths to MacWhirr, but he is unconvinced. Since MacWhirr has not experienced the storm yet, he doesn't believe that it really can be much of a problem, and if they sailed around it, they would waste time. Jukes is shocked at the decision, but respects MacWhirr's conviction. They keep their course, setting sail to go directly through the storm. Though the crew objects, Jukes and MacWhirr are convinced they each made the right call, but disastrous outcomes are inevitable when facts are ignored. Now in the heart of a great typhoon, MacWhirr and Jukes must work together to save their crew. Facing tuberous winds, powerful waves, and the sea's worst moods, the combination of MacWhirr's rationalism and Jukes' imagination prove to be vital.Based off of events in Joseph Conrad's sea life, Typhoon is an allegorical work that explores consequences of making decisions without considering facts or other perspectives, while hailing the importance of tolerance and collaboration. With satirical characters and a thrilling setting, Typhoon is both thought-provoking and adventurous. First published in 1902, Joseph Conrad's has been reprinted in many publications, including literary magazines and literary collections. Typhoon depicts a story of high stakes and adventure with a uniquely observant narrative style, shouldering Conrad's stylistic legacy of masterful prose.Previously published among other literary works, this edition allows Joseph Conrad's Typhoon stand on its own. Now with a new, eye-catching cover design and printed in a modern, easy-to-read font, Typhoon is accessible for a contemporary audience. Even nearly one-hundred and twenty years later, Conrad's adventurous, allegorical work is still relevant and intriguing as it acknowledges the various personalities required for human success and survival.

    Here, many famous names are mentioned and there is obviously a grave risk that families and friends are going to take offence... Uncle Oswald discovers the electrifying properties of the Sudanese Blister Beetle and the gorgeous Yasmin Howcomely, a girl absolutely soaked in sex, and sets about seducing all the great men of the time for his own wicked, irreverent reasons.

    It includes Lord Arthur Savile's Crime, The Canterville Ghost, The Sphinx Without a Secret and The Model Millionaire.Written between 1887 and 1891, at the height of his creative powers, these stories confirm Oscar Wilde’s reputation as a master storyteller in their sense of fun, quick intelligence and witty dissection of Victorian society. They also reveal his compassion for the poor and downtrodden who were so readily ignored by that age.

    I’m lost...” Nine year old Trisha McFarland becomes lost in the forest while hiking with her mother and brother along the Appalachian Trail in Maine. As Trisha starts to cry, she remembers Tom Gordon. Tom Gordon is a professional baseball player. He has never met Trisha McFarland. This is the story of Trisha McFarland and Tom Gordon, and how a man she never met, saved her life.

    Hearing that Clym Yeobright is to return from Paris, she sets her heart on marrying him, believing that through him she can leave rural life and find fulfilment elsewhere. But she is to be disappointed, for Clym has dreams of his own, and they have little in common with Eustacia’s. Their unhappy marriage causes havoc in the lives of those close to them, in particular Damon Wildeve, Eustacia’s former lover, Clym’s mother and his cousin Thomasin. The Return of the Native illustrates the tragic potential of romantic illusion and how its protagonists fail to recognize their opportunities to control their own destinies.

    Barrie first created Peter Pan as a baby, living a wild and secret life with birds and fairies in the middle of London. Later Barrie let this remarkable child grow a little older and he became the boy-hero of Neverland, making his first appearance, with Wendy, Captain Hook, and the Lost Boys, in Peter and Wendy. The Peter Pan stories were Barrie's only works for children but, as their persistent popularity shows, their themes of imaginative escape continue to charm even those who long ago left Neverland. This is the first edition to include both texts in one volume and the first to a present an extensively annotated text for Peter Pan in Kensington Gardens.

    

    An ordinary man struggling to survive in extraordinary circumstances, Robinson Crusoe wrestles with fate and the nature of God. This edition features maps.

    The Master is about his infective influence—on his younger, less attractive brother Henry; on Henry's wife Alison; and on those narrators whom Stevenson so skilfully employs to present their experiences of this charming, ruthless, and evil man.

    Running through it is the theme of evil, deftly woven into a story as memorable for its action as for its astonishingly vivid set of characters. In fin de siecle Paris, Arthur and Margaret are engaged to be married. Everyone approves and everyone seems to be enjoying themselves—until the menacing and repulsive Oliver Haddo appears.