Every summer, Esther and Joseph Adler rent their house out to vacationers escaping to “America’s Playground” and move into the small apartment above their bakery. This is the apartment where they raised their two daughters, Fannie and Florence. Now Florence has returned from college, determined to spend the summer training to swim the English Channel, and Fannie, pregnant again after recently losing a baby, is on bedrest for the duration of her pregnancy. After Joseph insists they take in a mysterious young woman whom he recently helped emigrate from Nazi Germany, the apartment is bursting at the seams.When tragedy strikes, Esther makes the shocking decision to hide the truth—at least until Fannie’s baby is born—and pulls the family into an elaborate web of secret-keeping and lies, bringing long-buried tensions to the surface that reveal how quickly the act of protecting those we love can turn into betrayal after tragedy.

    Meet Peter, twenty-seven, single, and looking for a quick hookup; Evelyn, a fifty-year-old Harvard professor; and Ruth and Lloyd, river veterans in their seventies. There's Mitchell, an overeager history buff with no qualms about upstaging the guides with his knowledge. There's Jill from Salt Lake City, wanting desperately to spark some sense of adventure in her staid Mormon family; and seventeen-year-old Amy, so woefully overweight that she can barely fit into a pup tent, let alone into a life jacket. Guiding them all is JT Maroney, who loves the river with all his heart and who, having made 124 previous trips down the Colorado, thinks he has seen everything. But on their first night, a stray dog wanders into their campsite, upsetting the tentative equilibrium of this makeshift family. Over the next thirteen days, as various decisions are second-guessed and sometimes regretted, both passengers and guides find that sometimes the most daunting adventures on a Colorado River trip have nothing to do with white-water rapids, and everything to do with reconfiguring the rocky canyons of the heart.

    His Brooklyn cousin Sammy Clay is looking for a partner to create heroes, stories, and art for the latest novelty to hit America - the comic book. Drawing on their own fears and dreams, Kavalier and Clay create the Escapist, the Monitor, and Luna Moth, inspired by the beautiful Rosa Saks, who will become linked by powerful ties to both men. With exhilarating style and grace, Michael Chabon tells an unforgettable story about American romance and possibility.

    Born to teenage parents in Mississippi, Starla is being raised by a strict paternal grandmother, Mamie, whose worst fear is that Starla will turn out like her mother. Starla hasn’t seen her momma since she was three, but is convinced that her mother will keep her promise to take Starla and her daddy to Nashville, where her mother hopes to become a famous singer—and that one day her family will be whole and perfect.When Starla is grounded on the Fourth of July, she sneaks out to see the parade. After getting caught, Starla’s fear that Mamie will make good on her threats and send her to reform school cause her to panic and run away from home. Once out in the country, Starla is offered a ride by a black woman, Eula, who is traveling with a white baby. She happily accepts a ride, with the ultimate goal of reaching her mother in Nashville.As the two unlikely companions make their long and sometimes dangerous journey, Starla’s eyes are opened to the harsh realities of 1963 southern segregation. Through talks with Eula, reconnecting with her parents, and encountering a series of surprising misadventures, Starla learns to let go of long-held dreams and realizes family is forged from those who will sacrifice all for you, no matter if bound by blood or by the heart.

    But when she stumbled across her son Teddy’s old baby sling during a halfhearted basement cleaning, something in her snapped. So: the dog went into the sling, Judy felt connected to another living being, and she’s repeated the process every day since.Life hasn’t gone according to Judy’s plan. Her career as a children’s book author offered a glimpse of success before taking an embarrassing nose dive. Teddy, now a teenager, treats her with some combination of mortification and indifference. Her best friend is dying. And her husband, Gary, has become a pot-addled professional “snackologist” who she can’t afford to divorce. On top of it all, she has a painfully ironic job writing articles for a self-help website—a poor fit for someone seemingly incapable of helping herself.Wickedly funny and surprisingly tender, Separation Anxiety offers a frank portrait of middle-aged limbo, examining the ebb and flow of life’s most important relationships. Tapping into the insecurities and anxieties that most of us keep under wraps, and with a voice that is at once gleefully irreverent and genuinely touching, Laura Zigman has crafted a new classic for anyone taking fumbling steps toward happiness.

    With the gravity-defying Brooklyn Bridge nearly complete and New York in the grips of anti-vice crusader Anthony Comstock, Anna Savard and her cousin Sophie—both graduates of the Woman’s Medical School—treat the city’s most vulnerable, even if doing so may put everything they’ve strived for in jeopardy.Anna's work has placed her in the path of four children who have lost everything, just as she herself once had. Faced with their helplessness, Anna must make an unexpected choice between holding on to the pain of her past and letting love into her life.For Sophie, an obstetrician and the orphaned daughter of free people of color, helping a desperate young mother forces her to grapple with the oath she took as a doctor—and thrusts her and Anna into the orbit of Anthony Comstock, a dangerous man who considers himself the enemy of everything indecent and of anyone who dares to defy him.