His colleagues are an assortment of misfits, including Prendy (plagued by doubts) and captain Grimes, who is always in the soup (or just plain drunk). Then Sports Day arrives, and with it the delectable Margot Beste-Chetwynde, floating on a scented breeze. As the farce unfolds and the young run riot, no one is safe, least of all Paul. Taking its title from Edward Gibbon's Decline and Fall of the Roman Empire, Evelyn Waugh's first, funniest novel immediately caught the ear of the public with his account of an ingénu abroad in the decadent confusion of 1920s high society.

    Veraguth’s love for his young son and his fear of drifting rootlessly keep him bound within the walls of his opulent estate, Rosshalde. Yet, when he is shaken by an unexpected tragedy, Veraguth finally finds the courage to leave the desolate safety of Rosshalde and travels to India to discover himself anew.

    If a novelist's first duty is to tell the truth, then the author has done his duty with unflinching courage. Intimacy gives us the thoughts and memories of a middle-aged writer on the night before he walks out on his wife and two young sons for of a younger woman. A very modern man, without political convictions or religious beliefs, he vaguely hopes to find fulfillment in sexual love. No one is spared Kureishi's cold, penetrating gaze or lacerating pen. "She thinks she's feminist, but she's just bad-tempered," the unnamed narrator says of his abandoned wife. A male friend advises him, "Marriage is a battle, a terrible journey, a season in hell, and a reason for living." At the heart of Intimacy is this terrible paradox: "You don't stop loving someone just because you hate them." Male readers will wince with recognition at the narrator's hatred of entrapment and domesticity, and his implacable urge towards freedom, escape, even loneliness. Female readers may find it a truly horrific revelation. Kureishi is only telling it like it is, in staccato sentences of pinpoint accuracy. By far the author's best yet: a brilliant, devastating work. --Christopher Hart, Amazon.co.uk

    Potatoes constitute the basis of his family's daily fare, and they share both bed and board with the sheep and pigs. A scathing satire on narratives of Gaelic Ireland, this work brought down on the author's head the full wrath of those who saw themselves as the custodians of Irish language and tradition when it was first published in Gaelic in 1941.

    Kraus began to write the play in 1915 and first published it as a series of special Fackel issues in 1919. Its epilogue, "Die letzte Nacht" ("The last night") had already been published in 1918 as a special issue.This edition was abridged and edited by Frederick Ungar. It contains an introduction by the editor and critical analysis by Franz H. Mautner.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    And, like many parents, they waited for him to get over it, but it started to get worse. Mathew's conversations with himself grew more and more intense - it was like listening to one end of a telephone conversation while someone argued, cajoled and reasoned with another person you couldn't hear. Then Matthew started doing things he couldn't do before, like counting in binary-code mathematics. So he told them about Chocky - the person who lived in his head.

    In this new edition, the original topics have been brought up to date, added to and elaborated upon: Abbreviations, for example, now includes an essential array of chat room acronyms; Fashion boasts a complete list of British Hairdressers of the Year; and Music features a comprehensive listing of every Top Ten single of the last 40 years.

    The Stechlin is Fontane's last book and his political testament. Like Effi Briest, his great work on the place of women in Bismarck's empire, it is set at the apex of the Wilhelmine era, both in Berlin and on the estate of a Prussian Junker on the shores of Lake Stechlin. It is a significant historical and cultural document, probably the finest chronicle of the lifestyle of the German upper classes in the late nineteenth century; Fontane portrays the best in the life and ways of the passing Prussian aristocracy, while describing his hopes for the future of Germany and its nobility, which were never to be fully realized. Although this novel has been translated into many languages, it has never before been available in English; this edition thus fills an important gap in the significant works of European literature accessible to English readers.

    And when both take lovers and remarry, Maisie-solitary, observant and wise beyond her years- is drawn into an entangled adult world of intrigue and sexual betrayal, until she is finally compelled to choose her own future. Published in 1897 when Henry James was becoming increasingly experimental with narrative technique and fascinated by the idea of the child's-eye view, What Maisie Knew is a subtle, intricate yet devastating portrayal of an innocent adrift in a corrupt society.

    The novella tells the story of a day in the meticulously ordered life of bank security guard Jonathan Noel, who has been hiding from life since his wife left him for her Tunisian lover. When Jonathan opens his front door on a day he believes will be just like any other, he encounters not the desired empty hallway but an unwelcome, diabolical intruder . . .

    Norris is a man of contradictions; lavish but heavily in debt, excessively polite but sexually deviant. First published in 1933 Mr Norris Changes Trains piquantly evokes the atmosphere of Berlin during the rise of the Nazis.

    Armed with the spirit of adventure and naïve optimism, the inhabitants of “Drop City” arrive in the wilderness of Alaska only to find their utopia already populated by other young homesteaders. When the two communities collide, unexpected friendships and dangerous enmities are born as everyone struggles with the bare essentials of life: love, nourishment, and a roof over one’s head. Rich, allusive, and unsentimental, T.C. Boyle’s ninth novel is a tour de force infused with the lyricism and take-no-prisoners storytelling for which he is justly famous.