debut of internationally acclaimed poet and performance artist Shailja Patel, Migritude is a tour-de-force hybrid text that confounds categories and conventions. Part poetic memoir, part political history, Migritude weaves together family history, reportage and monologues to create an achingly beautiful portrait of women's lives and migrant journeys undertaken under the boot print of Empire. Patel, who was born in Kenya and educated in England and the U.S., honed her poetic skills in performances of this work that have received standing ovations throughout Europe, Africa and North America. She has been described by the Gulf Times as -the poetic equivalent of Arundhati Roy- and by CNN as -the face of globalization as a people-centered phenomenon of migration and exchange.- Migritude includes interviews with the author, as well as performance notes and essays.

    She traveled alone across the dangerous Somali desert to Mogadishu — the first leg of a remarkable journey that would take her to London, where she worked as a house servant; then to nearly every corner of the globe as an internationally renowned fashion model; and ultimately to New York City, where she became a human rights ambassador for the U.N. Desert Flower is her extraordinary story.

    He travels lightly, simply. To those who travel with him and those whom he meets on the way - including a handsome, enigmatic stranger, a group of careless backpackers and a woman on the edge - he is the Follower, the Lover and the Guardian. Yet, despite the man's best intentions, each journey ends in disaster. Together, these three journeys will change his whole life. A novel of longing and thwarted desire, rage and compassion, "In a Strange Room" is the hauntingly beautiful evocation of one man's search for love, and a place to call home.

    Alan Paton’s impassioned novel about a black man’s country under white man’s law is a work of searing beauty.Cry, the beloved country, for the unborn child that is the inheritor of our fear. Let him not love the earth too deeply. Let him not laugh too gladly when the water runs through his fingers, nor stand too silent when the setting sun makes red the veld with fire. Let him not be too moved when the birds of his land are singing, nor give too much of his heart to a mountain or valley. For fear will rob him of all if he gives too much.The eminent literary critic Lewis Gannett wrote, “We have had many novels from statesmen and reformers, almost all bad; many novels from poets, almost all thin. In Alan Paton’s Cry, the Beloved Country the statesman, the poet and the novelist meet in a unique harmony.” Cry, the Beloved Country is the deeply moving story of the Zulu pastor Stephen Kumalo and his son, Absalom, set against the background of a land and a people riven by racial injustice. Remarkable for its lyricism, unforgettable for character and incident, Cry, the Beloved Country is a classic work of love and hope, courage and endurance, born of the dignity of man.

    Now available in paperback, this collection of three long stories, three short ones, and a theoretical postface by one of North Africa's leading writers depicts the plight of urban Algerian women who have thrown off the shackles of colonialism only to face a postcolonial regime that denies and subjugates them even as it celebrates the liberation of men. Denounced in Algeria for its political criticism, Djebar's book quickly sold out its first printing of 15,000 copies in France and was hugely popular in Italy. Her stylistically innovative, lyrical stories address the cloistering of women, the implications of reticence, the connection of language to oppression, and the impact of war on both women and men. The Afterword by Clarisse Zimra includes an illuminating interview with Djebar.

    A lone woman searching for the lost, she exposes us to a world where truth is ephemeral, and where compassion, though frail, still bleeds through the grit and dust. In "Detour" she investigates the apparent suicide of a beloved coffee plantation owner in Kenya. In "Gorillas and Banana Beer," James ventures into the jungles of Rwanda to catch a glimpse of the nearly extinct mountain gorillas, only to struggle for survival against merciless poachers in a village of forgotten children. In "Beira," at the edge of Mozambique and anarchy's ground-zero, James searches for a lost woman and her daughter. "Witchdoctor" takes James deep into Turkanaland, otherwise known as "hell on earth," to find a woman doctor who has disappeared. James's sanity and life hang in the balance in a surreal and ferocious closing to this compelling debut work."Dancing with the Witchdoctor is a testimony to the strength of women, one that reveals how even in a land where flesh withers in the sun, there is no better proof of humanity than when it is on the brink.

    Whether he's discussing courtship rituals or pop culture, drones or the rhythms of daily life in an extended family compound, he transports us beyond the alarmist headlines of an anxious West and a volatile East and helps to bring a dazzling diverse world within emotional and intellectual reach.

    The members of the Smales family—liberal whites—are rescued from the terror by their servant, July, who leads them to refuge in his village. What happens to the Smaleses and to July—the shifts in character and relationships—gives us an unforgettable look into the terrifying, tacit understandings and misunderstandings between blacks and whites.Nadine Gordimer was a winner of the Nobel Prize in Literature

    While the population was pauperized, he plundered the country's copper and diamond resources, downing pink champagne in his jungle palace like some modern-day reincarnation of Joseph Conrad's crazed station manager.Michela Wrong, a correspondent who witnessed firsthand Mobutu's last days, traces the rise and fall of the idealistic young journalist who became the stereotype of an African despot. Engrossing, highly readable, and as funny as it is tragic, her book assesses how Belgium's King Leopold, the CIA, and the World Bank all helped to bring about the disaster that is now the Democratic Republic of Congo. If, in this poignant account, the villains are the "Big Vegetables" (les Grosses légumes) — the fat cats who benefited from Mobutu's largesse — the heroes are the ordinary citizens trapped in a parody of a state. Living in the shadow of a disintegrating nuclear reactor, where banknotes are not worth the paper they are printed on, they have turned survival into an art form. For all its valuable insights into Africa's colonial heritage and the damage done by Western intervention, In the Footsteps of Mr. Kurtz is ultimately a celebration of the irrepressible human spirit.

    It is 1971, a year after the Biafran War, and Nigeria is under military rule—though the politics of the state matter less than those of her home to Enitan Taiwo, an eleven-year-old girl tired of waiting for school to start. Will her mother, who has become deeply religious since the death of Taiwo's brother, allow her friendship with the new girl next door, the brash and beautiful Sheri Bakare? Everything Good Will Come charts the fate of these two African girls, one born of privilege and the other, a lower class "half-caste"; one who is prepared to manipulate the traditional system while the other attempts to defy it.Written in the voice of Enitan, the novel traces this unusual friendship into their adult lives, against the backdrop of tragedy, family strife, and a war-torn Nigeria. In the end, Everything Good Will Come is Enitan's story; one of a fiercely intelligent, strong young woman coming of age in a culture that still insists on feminine submission. Enitan bucks the familial and political systems until she is confronted with the one desire too precious to forfeit in the name of personal freedom: her desire for a child. Everything Good Will Come evokes the sights and smells of Africa while imparting a wise and universal story of love, friendship, prejudice, survival, politics, and the cost of divided loyalties.

    Celebrating life with gusto and in inimitable style, he describes a journey fraught with discomfort, mishap, ecstasy, disillusionment, discovery and astonishing human encounters; a journey that would be acceptable madness in a white man but is regarded by the author s fellow Africans as an extraordinary and inexplicable expenditure of time and money.As Sihle's famous counterpart Paul Theroux, author of Dark Star Safari, comments, Dark Continent, My Black Arse is uniquely an African travel story: the story of 'an African travelling on his own money and motivation, from one end of Africa to the other'. An inspiring story, it carries the following warning: Reading this book might cause you to resign from your boring job, leave your nagging / ungrateful / insecure partner, stop merely existing and start living the life you have always longed and yearned for.

    Hasan struggles to keep his family business afloat following the sudden death of his wife. As he begins to put his shattered life back together piece by piece, a new regime seizes power, and a wave of rising prejudice threatens to sweep away everything he has built.Present-day LONDON. Sameer, a young high-flying lawyer, senses an emptiness in what he thought was the life of his dreams. Called back to his family home by an unexpected tragedy, Sameer begins to find the missing pieces of himself not in his future plans, but in a heritage he never knew.Moving between two continents over a troubled century, We Are All Birds of Uganda is an immensely resonant novel that explores racial tensions, generational divides and what it means to belong.

    A simple, apolitical man, he believes in the essential fairness of the South African government and its policies—until the sudden arrest and subsequent "suicide" of a black janitor from Du Toit's school. Haunted by new questions and desperate to believe that the man's death was a tragic accident, Du Toit undertakes an investigation into the terrible affair—a quest for the truth that will have devastating consequences for the teacher and his family, as it draws him into a lethal morass of lies, corruption, and murder.

    Living in small-town Utah has always been an uneasy fit for Tunde Akinola’s family, especially for his Nigeria-born parents. Though Tunde speaks English with a Midwestern accent, he can’t escape the children who rub his skin and ask why the black won’t come off. As he struggles to fit in and find his place in the world, he finds little solace from his parents who are grappling with their own issues.Tunde’s father, ever the optimist, works tirelessly chasing his American dream while his wife, lonely in Utah without family and friends, sinks deeper into schizophrenia. Then one otherwise-ordinary morning, Tunde’s mother wakes him with a hug, bundles him and his baby brother into the car, and takes them away from the only home they’ve ever known.But running away doesn’t bring her, or her children, any relief from the demons that plague her; once Tunde’s father tracks them down, she flees to Nigeria, and Tunde never feels at home again. He spends the rest of his childhood and young adulthood searching for connection — to the wary stepmother and stepbrothers he gains when his father remarries; to the Utah residents who mock his father’s accent; to evangelical religion; to his Texas middle school’s crowd of African-Americans; to the fraternity brothers of his historically black college. In so doing, he discovers something that sends him on a journey away from everything he has known.Sweeping, stirring, and perspective-shifting, A Particular Kind of Black Man is a beautiful and poignant exploration of the meaning of memory, manhood, home, and identity as seen through the eyes of a first-generation Nigerian-American.

    However, its troubles only served to increase the interest of Daily Telegraph correspondent Tim Butcher, who was sent to cover Africa in 2000. Before long he became obsessed with the idea of recreating Stanley’s original expedition — but travelling alone.Despite warnings Butcher spent years poring over colonial-era maps and wooing rebel leaders before making his will and venturing to the Congo’s eastern border. He passed through once thriving cities of this country and saw the marks left behind by years of abuse and misrule. Almost, 2,500 harrowing miles later, he reached the Atlantic Ocean, a thinner and a wiser man.Butcher’s journey was a remarkable feat. But the story of the Congo, vividly told in Blood River, is more remarkable still.From the Hardcover edition.