Alyssa Karr's beautiful words fill the reader with inspiration and hope to turn darkness into light.

    The lyrical age, according to Kundera, is youth, and this novel, above all, is an epic of adolescence; an ironic epic that tenderly erodes sacrosanct values: childhood, motherhood, revolution, and even poetry. Jaromil is in fact a poet. His mother made him a poet and accompanies him (figuratively) to his love bed, and (literally) to his deathbed. A ridiculous and touching character, horrifying and totally innocent ("innocence with its bloody smile"!), Jaromil is at the same time a true poet. He's no creep, he's Rimbaud. Rimbaud entrapped by the communist revolution, entrapped in a sombre farce.

    Gioia has published five volumes of poetry, served as the Chairman of the National Endowment for the Arts, and currently sits as the Poet Laureate of California, but he is also a graduate of Stanford Business School and was once a Vice President at General Foods. He has studied opera and is a published librettist, in addition to his prolific work in critical essay writing and editing literary anthologies. Having lived several lives, Gioia brings an insightful, varied, eclectic eye to this year’s Best American Poetry. With his classic essay “Can Poetry Matter?”, originally run in The Atlantic in 1991, Gioia considered whether there is a place for poetry to be a part of modern American mainstream culture. Decades later, the debate continues, but Best American Poetry 2018 stands as evidence that poetry is very much present, relevant, and finding new readers.

    When their existence is no longer a secret, enemies will arise and new allies will be made all to protect their future.As their pride grows, the females will prove their worth, rising to stand alongside the Guardians who’ve vowed to protect them. Ancient traditions will be broken as they band together to fight off those who wish them harm.Book 1- TalonBook 2- WinterBook 3- SavageBook 4- The Birth of an Alpha

    Petersburg was the haunt of poets, artists, and musicians, a place to meet, drink, read, brawl, celebrate, and stage performances of all kinds. It has since become a symbol of the extraordinary literary ferment of that time. It was then that Alexander Blok composed his apocalyptic sequence “Twelve”; that the futurists Velimir Khlebnikov and Vladimir Mayakovsky exploded language into bold new forms; that the lapidary lyrics of Osip Mandelstam and plangent love poems of Anna Akhmatova saw the light; that the electrifying Marina Tsvetaeva stunned and dazzled everyone. Boris Pasternak was also of this company, putting together his great youthful hymn to nature, My Sister, Life. It was a transforming moment—not just for Russian but for world poetry—but a short-lived one. Within little more than a decade, revolution and terror were to disperse, silence, and destroy almost all the poets of the Stray Dog cabaret.

    By investing Pirx with a range of human foibles, Lem offers a wonderful vision of the audacity, childlike curiosity, and intuition that can give humans the courage to confront outer space. Translated by Louis Iribarne.A Helen and Kurt Wolff Book.

    More witty and stylish poetic therapy for the Venus and Mars generation.

    With acute psychological insight, Dávila follows her characters to the limits of desire, paranoia, insomnia, and fear. She is a writer obsessed with obsession, who makes nightmares come to life through the everyday: loneliness sinks in easily like a razor-sharp knife, some sort of evil lurks in every shadow, delusion takes the form of strange and very real creatures. After reading The Houseguest—Dávila’s debut collection in English—you’ll wonder how this secret was kept for so long.

    "A wonderful, sexy, empowering read from beginning to end!"" Ariella.For as long as I can remember, I've had a boring, predictable life. I work at a low-paying job and have ho-hum missionary sex with my long-term boyfriend, who calls me "pear shaped" (and not in a good way). I've never been with more than one man or explored myself sexually. That's for sexy, skinny girls. Girls with exciting lives. Girls I'm not.When a series of events send my life into a tailspin, I find myself at a mansion in the Hollywood Hills, locking eyes with a gorgeous, sexy stranger who sends my heart racing. He’s a millionaire Olympic skier who rocks my world, but does he have a secret side? I’ll never forget our first night together. Or the next. Shockingly, he wants to pay me lots of money just to have me as his personal sex goddess. Best of all, he's not the only one.Soon, I'm discovering my sexuality for the first time, caught up in the exciting, glamorous world of high-class escorting. I'm also discovering myself: the independent, sexy, confident woman I was meant to be. Trouble is, I can't give my body without giving my heart. I'm falling in love with more than one man, and they with me. I can't choose just one... Or can I? THE BOX SET INCLUDES:1.Beautiful People2.Snow3.Darkness4.Art5.Twins6.Choose7.One8.HEA9.Christmas in SeattleGet your copy today and find out why readers say it’s a delicious turn on, unique, exciting, sensual, thrilling, and highly addictive.

    Here's to the plane you missed,the tickets ripped away,and the lands left unexplored.Here's to the boxes left unopened,the keys thrown away,and the treasures left untouched.Here's to the 2 AM thoughts,the song of what ifs,and the chances I missed.

    McCauleySPILL SITE by Matthew C. FunkA CLEAN WHITE SUN by Mike WilkersonLUCK by Johnny ShawPLUS: an exclusive first look at Tyrus Books upcoming novel from Todd Robinson, THE HARD BOUNCE

    Autoportrait is a physical, psychological, sexual, political, and philosophical triumph. Beyond "sincerity," Levé works toward an objectivity so radical it could pass for crudeness, triviality, even banality: the author has stripped himself bare. With the force of a set of maxims or morals, Levé's prose seems at first to be an autobiography without sentiment, as though written by a machine—until, through the accumulation of detail, and the author's dry, quizzical tone, we find ourselves disarmed, enthralled, and enraptured by nothing less than the perfect fiction . . . made entirely of facts.

    Suitably forewarned, the reader is introduced to an unexceptional no-name family. All should be idyllic in their newly purchased home, but they are shadowed by an unwelcome "copy family." In the face of the copy mother, the mother sees her heretofore unrealized deterioration. Things only get worse as the father forgets how to get home from work; the mother starts hiding in the closet, plagued by an omnipresent egg; while the son gets a female "special friend" and receives a mysterious package containing photos of dead celebrities. The territory of domestic disillusion and postmodern dystopia is familiar from other tales, but Butler's an endlessly surprising, funny, and subversive writer. This subversion extends to the book's design: very short titled chapters with an abundance of white space. Not so much a novel as a literary tapestry, the book's eight parts are separated by blank gray pages. To Butler (Scorch Atlas), everything in the world, even the physical world, is gray and ever-changing, and potentially menacing.

    All these creative talents come into play in delightful, unexpected ways in his new bilingual collection Green Poems, which celebrates his innate connection with nature.Gulzar writes about rivers, forests, mountains; snow, rain, clouds; the sky, the earth and space; a familiar tree, a disused well; Kullu, Chamba, Thimpu. Like glimpses of nature, the poems are often short, an image captured in a few words. And sometimes the image gives rise to a striking thought: 'When I pass through the forest I feel my ancestors are around me ...'.For those new to Gulzar's work as well as his many fans, Green Poems will prove to be a true joy.

    Calling it "a masterpiece of the young American novel," Lepape declared it was "the confirmation of a great American writer who, in the hall of American literary glories, takes the place left vacant by the death of Hemingway." Lepape went on to speak of the "incredible verbal virtuosity" by which the reader is led through this "laby-reve," and it is this image of the "labyrinth-dream" which relates Her to the anti-novels of the young French school of Robbe-Grillet and Butor.Being thus very far from the kind of novels produced by Ferlinghetti's immediate contemporaries (whether Beat or academic) this book has met with little but bafflement among American critics. With well over 50,000 now in print Her nevertheless continues to make its own way.