Chivers’s unvarnished account of modern combat, told through the eyes of the fighters who have waged America’s longest wars.More than 2.7 million Americans have served in Afghanistan or Iraq since September 11, 2001. C.J. Chivers reported from both wars from their beginnings. The Fighters vividly conveys the physical and emotional experience of war as lived by six combatants: a fighter pilot, a corpsman, a scout helicopter pilot, a grunt, an infantry officer, and a Special Forces sergeant. Chivers captures their courage, commitment, sense of purpose, and ultimately their suffering, frustration, and moral confusion as new enemies arise and invasions give way to counterinsurgency duties for which American forces were often not prepared. The Fighters is a tour de force, a portrait of modern warfare that parts from slogans to do for American troops what Stephen Ambrose did for the G.I.s of World War II and Michael Herr for the grunts in Vietnam. Told with the empathy and understanding of an author who is himself an infantry veteran, The Fighters presents the long arc of two wars.

     When the marines -- or "jarheads," as they call themselves -- were sent in 1990 to Saudi Arabia to fight the Iraqis, Swofford was there, with a hundred-pound pack on his shoulders and a sniper's rifle in his hands. It was one misery upon another. He lived in sand for six months, his girlfriend back home betrayed him for a scrawny hotel clerk, he was punished by boredom and fear, he considered suicide, he pulled a gun on one of his fellow marines, and he was shot at by both Iraqis and Americans. At the end of the war, Swofford hiked for miles through a landscape of incinerated Iraqi soldiers and later was nearly killed in a booby-trapped Iraqi bunker. Swofford weaves this experience of war with vivid accounts of boot camp (which included physical abuse by his drill instructor), reflections on the mythos of the marines, and remembrances of battles with lovers and family. As engagement with the Iraqis draws closer, he is forced to consider what it is to be an American, a soldier, a son of a soldier, and a man. Unlike the real-time print and television coverage of the Gulf War, which was highly scripted by the Pentagon, Swofford's account subverts the conventional wisdom that U.S. military interventions are now merely surgical insertions of superior forces that result in few American casualties. Jarhead insists we remember the Americans who are in fact wounded or killed, the fields of smoking enemy corpses left behind, and the continuing difficulty that American soldiers have reentering civilian life. A harrowing yet inspiring portrait of a tormented consciousness struggling for inner peace, Jarhead will elbow for room on that short shelf of American war classics that includes Philip Caputo's A Rumor of War and Tim O'Brien's The Things They Carried, and be admired not only for the raw beauty of its prose but also for the depth of its pained heart.

    Laura Auricchio gives us a rich portrait of the man, fully revealed, a man driven by dreams of glory and felled by tragic, human weaknesses. In The Marquis, we come to understand the personal struggles, social quandaries, and idealistic visions that inspired an orphaned young man to cross an ocean and fight a war that was none of his concern; we see a guileless provincial whose unexpected inheritance allowed him to marry into the highest echelons of the French aristocracy, and become a self-consciously awkward presence at the palace of Versailles. Here is the young Lafayette, removed from the French army as a result of sweeping reforms, trapped in a gilded cage until American emissaries reached Paris seeking support for their revolution. In the American cause, Lafayette, whose only vision had been of martial glory, saw a way to reach his dreams, and seized it with gusto. Americans welcomed him with open arms, and he returned their affection fully. His American éclat was so brilliant and his enthusiasm so great that he quickly became the symbol of the Franco-American alliance that ultimately defeated Great Britain. We see how Lafayette’s reputation rose to great heights during the American Revolution but collapsed during the French; that when the Bastille fell on July 14, 1789,  Parisians hailed Lafayette as the French Washington and appointed him commander of their National Guard, hoping that he would be able to restore order to a city wracked by starvation and violence. As revolutionaries hurtled in radical directions and staunch monarchists dug in their heels, Lafayette lost control, remaining steadfast in his belief that the French monarchy needed to be reformed but not abolished, and doing everything in his power to prevent an American-style republic from taking root in his native land. Formerly seen as France’s heroic figure, Lafayette was now viewed as opportunistic, a dreamer, and a traitor to his nation--and today remains a murky figure in French memory.In America, Lafayette’s momentous departure from his homeland for the War of Independence has long been hailed as the start of an extraordinary career to be celebrated for generations. In France, it is often seen as just one of his many misbegotten undertakings. Yet no one has managed to offer a satisfactory answer to the crucial question of why: Why did Americans shower Lafayette with so much acclaim in his own time that he remains a hero today, being named an honorary U.S. citizen in 2002—becoming only the seventh person ever granted this distinction? And why, in contrast, does his memory continue to be denigrated in his own land?Auricchio, drawing on substantial new research conducted in libraries, archives, museums, and private homes in France and the United States, gives us history on a grand scale as she answers these crucial questions, revealing the man and his complex life, and challenging and exploring the complicated myths that have surrounded his name for more than two centuries.

    Kennedy. In this unique account, he describes each of the participants during the sometimes hour-to-hour negotiations, with particular attention to the actions and views of his brother, President John F. Kennedy. In a new foreword, the distinguished historian and Kennedy adviser Arthur Schlesinger, Jr., discusses the book's enduring importance, and the significance of new information about the crisis that has come to light, especially from the Soviet Union.

    Opposed to secession and a friend to Union and Confederate commanders alike, he did not want a war. After Union soldiers seized and murdered his sons, placing their decapitated heads on the gateposts of his estate, Hinson could remain indifferent no longer. He commissioned a special rifle for long-range accuracy, he took to the woods, and he set out for revenge. This remarkable biography presents the story of Jack Hinson, a lone Confederate sniper who, at the age of 57, waged a personal war on Grant's army and navy. The result of 15 years of scholarship, this meticulously researched and beautifully written work is the only account of Hinson's life ever recorded and involves an unbelievable cast of characters, including the Earp brothers, Jesse James, and Nathan Bedford Forrest.

    Bringing to searing life the terrifying intimacy of hand-to-hand infantry combat, this stunning war memoir features an indelibly drawn cast of characters, not all of whom would make it out of the city alive, as well as chilling accounts of Bellavia's singular courage: Entering one house alone, he used every weapon at his disposal in the fight of his life against America's most implacable enemy.