Left with a small fortune by her parents and the cryptic advice, "it would do to find a passion," Redel's narrator sets out to become a mother--a task she feels she can be adequately passionate about. She conceives her son Paul through a loveless one-night stand, surrounds him with a wonderful, magical world for two--a world filled with books, music, endless games, and bottomless devotion--and calls him pet names like Birdie, Cookie, Puppy, and Loverboy. She wonders, "Has ever a mother loved a child more?" But as life outside their lace curtains begins to beckon the school-age Paul, his mother's efforts to keep him content in their small world become increasingly frantic and ultimately extreme by all definitions. In this exquisite debut novel, Victoria Redel takes us deep into the mind of a very singular mother, exposing the dangerously whisper-thin line between selfless and selfish motivation that exists in all types of devotion.

    Juliet knows it the minute she lays eyes on Beachwood Bay's resident bad boy. Forced to spend her summer before college in the sleepy beach town, she never expected to crash into the most devastating guy she’s ever met—or for Emerson’s blue eyes to strip through her dark secrets, and make her feel a desire she’s never known. Their connection is undeniable, but Juliet is torn. She knows, once she gives him everything, there’ll be no turning back.Juliet McKenzie is dangerous. Emerson can tell from the way she blows through all his defences, laying bare the demons he’s carried alone all his life. He’s left a trail of broken hearts and empty beds in his wake, but Juliet is different. Her innocence is intoxicating—and the passion she keeps hidden, just below the surface. He wants to be the only one to set it free, but with every kiss, he’s closer to losing control and doing the one thing he swore he never would: fall in love.One summer. Two damaged hearts. Their story is only just beginning…UNTOUCHED is a prequel novella to the USA Today Bestselling UNBROKEN. It also can be read as a stand-alone story.

    (Nancy Pearl)

    It's about a journey.Something is seriously off in the Watkins home. And Julie Seagle, college freshman, small-town Ohio transplant, and the newest resident of this Boston house, is determined to get to the bottom of it. When Julie's off-campus housing falls through, her mother's old college roommate, Erin Watkins, invites her to move in. The parents, Erin and Roger, are welcoming, but emotionally distant and academically driven to eccentric extremes. The middle child, Matt, is an MIT tech geek with a sweet side ... and the social skills of a spool of USB cable. The youngest, Celeste, is a frighteningly bright but freakishly fastidious 13-year-old who hauls around a life-sized cardboard cutout of her oldest brother almost everywhere she goes.And there's that oldest brother, Finn: funny, gorgeous, smart, sensitive, almost emotionally available. Geographically? Definitely unavailable. That's because Finn is traveling the world and surfacing only for random Facebook chats, e-mails, and status updates. Before long, through late-night exchanges of disembodied text, he begins to stir something tender and silly and maybe even a little bit sexy in Julie's suddenly lonesome soul.To Julie, the emotionally scrambled members of the Watkins family add up to something that ... well ... doesn't quite add up. Not until she forces a buried secret to the surface, eliciting a dramatic confrontation that threatens to tear the fragile Watkins family apart, does she get her answer.Flat-Out Love comes complete with emails, Facebook status updates, and instant messages.

    Ostensibly a biography of the gaucho barbarian Juan Facundo Quiroga, Facundo is also a complex, passionate work of history, sociology, and political commentary, and Latin America's most important essay of the nineteenth century.

    In Life of the Party, she weaves together her own coming of age with an investigation into our culture's romanticization of violence against women. In precise, searing language—at times blistering and riotous, at times soulful and exuberant—she explores the boundary between what is real and what is imagined in a life saturated with fear. How does one grow from a girl to a woman in a world wracked by violence? Where is the line between perpetrator and victim? What is the meaning of bravery? Visceral and haunting, this multifaceted collection illustrates that what happens to our bodies makes us who we are.

    Lilus Kikus, published in 1954, was her first book. However, it was labeled a children's book because it had a young girl as protagonist, it included illustrations, and the author was an unknown woman. Lilus Kikus has not received the critical attention or a translation into English it deserved, until now. Accompanying Lilus Kikus in this first American edition are four of Poniatowska's short stories with female protagonists, only one of which has been previously published in English.Poniatowska is admired today as a feminist, but in 1954, when Lilus Kikus appeared, feminism didn't have broad appeal. Twenty-first-century readers will be fascinated by the way Poniatowska uses her child protagonist to point out the flaws in adult society. Each of the drawings by the great surrealist Leonora Carrington that accompany the chapters in Lilus Kikus expresses a subjective, interiorized vision of the child character's contemplations on life.A tantalizingly complex feminist author, whose importance and originality have yet to be appreciated in this country.--Cynthia Steele, author of Politics, Gender, and the Mexican Novel, 1968-1988

    I like to think it was more.We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other.Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding…I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello.After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half?MFrom the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City.

    The German text is en face. The six hymns comprise a deeply affecting poem that speaks across the centuries with unquestioned radiance."Appropriate for general readers and for scholars interested in the art of translation." — Choice

    Throughout her celebrated career, Mary Oliver has touched countless readers with her brilliantly crafted verse, expounding on her love for the physical world and the powerful bonds between all living things. Identified as "far and away, this country's best selling poet" by Dwight Garner, she now returns with a stunning and definitive collection of her writing from the last fifty years. Carefully curated, these 200 plus poems feature Oliver's work from her very first book of poetry, No Voyage and Other Poems, published in 1963 at the age of 28, through her most recent collection, Felicity, published in 2015. This timeless volume, arranged by Oliver herself, showcases the beloved poet at her edifying best. Within these pages, she provides us with an extraordinary and invaluable collection of her passionate, perceptive, and much-treasured observations of the natural world.

    It serves as a reminder to the reader that healing, transformation, and freedom are possible.

    Until thanks to a chance encounter, he became her savior...The attraction between them was undeniable. Yet the past he'd worked so hard to overcome, and the future she'd put so much faith in, threatened to tear them apart.Only together could they fight the pain and guilt, face the truth - and find the unexpected power of love.A groundbreaking novel in the New Adult genre, Easy faces one girl's struggle to regain the trust she's lost, find the inner strength to fight back against an attacker, and accept the peace she finds in the arms of a secretive boy.

    In the end, however, it is a meditation on the nature of totalitarian regimes, on the transition to democracy after the end of such regimes, and on the power of language to create and define reality. Ricardo Piglia combines his trademark avant-garde aesthetics with astute cultural and political insights into Argentina’s history and contemporary condition in this conceptually daring and entertaining work.The novel follows Junior, a reporter for a daily Buenos Aires newspaper, as he attempts to locate a secret machine that contains the mind and the memory of a woman named Elena. While Elena produces stories that reflect on actual events in Argentina, the police are seeking her destruction because of the revelations of atrocities that she—the machine—is disseminating through texts and taped recordings. The book thus portrays the race to recover the history and memory of a city and a country where history has largely been obliterated by political repression. Its narratives—all part of a detective story, all part of something more—multiply as they intersect with each other, like the streets and avenues of Buenos Aires itself. The second of Piglia’s novels to be translated by Duke University Press—the first was Artifical Respiration—this book continues the author’s quest to portray the abuses and atrocities that characterize dictatorships as well as the difficulties associated with making the transition to democracy. Translated and with an introduction by Sergio Waisman, it includes a new afterword by the author.

    And there’s Rowen Sterling.After numbing pain for the past five years with boys, alcohol, and all-around apathy, she finds herself on a Greyhound bus to nowhere Montana the summer after she graduates high school. Her mom agreed to front the bill to Rowen’s dream art school only if Rowen proves she can work hard and stay out of trouble at Willow Springs Ranch. Cooking breakfast at the crack of dawn for a couple dozen ranch hands and mucking out horse stalls are the last things in the world Rowen wants to spend her summer doing.Until Jesse Walker saunters into her life wearing a pair of painted-on jeans, a cowboy hat, and a grin that makes something in her chest she’d thought was frozen go boom-boom. Jesse’s like no one else, and certainly nothing like her. He’s the bright and shiny to her dark and jaded.Rowen knows there’s no happily-ever-after for the golden boy and the rebel girl—happily-right-now is a stretch—so she tries to forget and ignore the boy who makes her feel things she’s not sure she’s ready to feel. But the more she pushes him away, the closer he seems to get. The more she convinces herself she doesn’t care, the harder she falls.When her dark secrets refuse to stay locked behind the walls she’s kept up for years, Rowen realizes it’s not just everyone else she needs to be honest with. It’s herself.

    A collection of poems that constitutes a spiritual autobiography of Jose Marti, the renowned Cuban poet, philosopher, and patriot.