At the age of twenty-one, he started a school for peasant children on his family's estate, and after returning from a stint in the military, he founded another, experimental school with the motto, "Come when you like, leave when you like."Fascinated by the simple charm and the fresh innocence with which the children of his schools told stories, several years later, when Tolstoy began writing about his own childhood, he emulated the uncomplicated narrative style and disarming directness of the tales told by the children of his acquaintance. After completing War and Peace, he incorporated these stories in a series of easy readers, and continued to work on them even while writing Anna Karenina. Known as The ABC Book (Azbuka) and subsequently The New ABC Book (Novy Azbuka), these marvelous readers were widely adopted in Russia and were still in use in the Soviet era.The tales and fables in this volume come mainly from these two well-loved primers. Part I consists of stories about his own childhood, all told with beautiful simplicity. Part II contains Tolstoy's free adaptations of fables from Aesop and from Hindu tradition. Part III is devoted solely to his longest and most famous children's work, the fairy tale "Ivan the Fool and His Two Brothers."Never patronizing and often humorous, these small gems reveal Tolstoy's deep appreciation for and understanding of children's artistic and moral sensibilities.

    The Prisons We Broke provides a graphic insight into the oppressive caste and patriarchal tenets of the Indian society, but nowhere does the writing descend to self-pity. With verve and colour the narrative brings to life, among other things, the festivals, rituals, marriages, snot-nosed children, hard lives and hardy women of the Mahar community. The original Marathi work, Jina Amucha, re-defined autobiographical writing in Marathi in terms of form and narrative strategies adopted, and the selfhood and subjectivities that were articulated. It is the first autobiography by a Dalit woman in Marathi, probably even the first of its kind in any Indian language.

    In HAMMERTOWN, poet Peter Culley re-imagines his home town of Nanaimo, British Columbia, not as it is, but as it might be imagined in the mind of a Parisian who had rarely left his city. This is Culley's fifth book of poetry.