Stein's strong influence on 20th-century literature is evident in this 1915 work of highly original prose rendered in thought-provoking experimental techniques.

    Fortunately, a new career allows him to start over hundreds of miles from the ex he would rather forget. But the opportunity might go to waste since this isn’t the kind of problem he knows how to solve. The truth is, he’s terrible at making the first move and wishes a connection didn’t have to revolve around sex.Cal Mercer works for the Nick of Time Escort Service. He’s picky about his clients and has never accepted a regular who is looking for companionship over sex—but can the right client change his mind? And can real feelings develop while money is changing hands? Owen and Cal might get to the root of their true feelings... if their pasts don’t interfere.

    Packed with true love, rough sex, and over-the-top adventure, this popular novel is now available with a new introduction to the wild world of Pat Califia's imagination.

    It'd not been a great beginning of the summer season for either Bill, a young bridal store clerk, or Ted, a college student working as a lifeguard at the apartment complex’s pool. They'd both been dumped in their respective relationships and were still looking for “the one.” Their chance meeting at this low ebb in their lives and an off-the-cuff remark about what they both needed as a temporary solution to their physical needs, lead to a unique and adventuresome pact between the two. They agree to be what's lacking in each other’s lives. They begin a journey of self-discovery. One that will only last the length of the summer and will forever change their lives and ideas about love and friendship. One season of guiltless sex.

    Oaf is a large, hirsute, scary-looking ex-wrestler who lives in San Francisco with his adorable kitties and listens to a lot of Morrissey. The book follows Oaf s search for love in the big city, especially his pursuit of Eiffel, the lead singer of the black metal/queercore/ progressive disco grindcore band Ejaculoid. Luce weaves between the friends, associates, enemies, ex-lovers and pasts of both men into the story of their courtship. A romantic comedy at its core, Wuvable Oaf recalls elements of comics as diverse as Scott Pilgrim, Love and Rockets, and Archie, set against the background of San Francisco s queer community and music scene."

    Pratt sets out on a road trip in search of a new life and ends up in the middle of somewhere she never expected.Start with one independent, urban lesbian who cashes out her life in San Francisco for a secondhand travel trailer and sets off to the Michigan Womyn's Music Festival in search of a new life. Add to this a broken-down '66 T-bird, a bunch of small-town Texas Baptists, a ton of fried food, and a church scandal. Pepper with a hot love interest and a dash of greed, and what you get is Eadie T. Pratt's road trip gone awry.

    This book celebrates this vibrant artistic underground by gathering together a collection of excellent stories that can be enjoyed by all.No Straight Lines showcases major names such as Alison Bechdel (whose book Fun Home was named Time Magazine's 2006 Book of the Year), Howard Cruse (whose groundbreaking Stuck Rubber Baby is now back in print), and Ralf Koenig (one of Europe's most popular cartoonists), as well as high-profile, cross-over creators who have dabbled in LGBT cartooning, like legendary NYC artist David Wojnarowicz and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention.Until recently, queer cartooning existed in a parallel universe to the rest of comics, appearing only in gay newspapers and gay bookstores and not in comic book stores, mainstream bookstores or newspapers. The insular nature of the world of queer cartooning, however, created a fascinating artistic scene. LGBT comics have been an uncensored, internal conversation within the queer community, and thus provide a unique window into the hopes, fears, and fantasies of queer people for the last four decades.These comics have forged their aesthetics from the influences of underground comix, gay erotic art, punk zines, and the biting commentaries of drag queens, bull dykes, and other marginalized queers. They have analyzed their own communities, and their relationship with the broader society. They are smart, funny, and profound. No Straight Lines will be heralded by people interested in comics history, and people invested in LGBT culture will embrace it as a unique and invaluable collection.

    Her daughter, Carly, enthusiastically witnesses the change in her mother. But then a few months into their relationship, Dana tells Allison his secret: he has always been certain that he is a woman born into the wrong skin, and soon he will have a sex-change operation. Allison, is overwhelmed by the depth of her passion, and finds herself unable to leave Dana. By deciding to stay, she finds she must confront questions most people never even consider. Not only will her own life and Carly’s be irrevocably changed, she will have to contend with the outrage of a small Vermont community and come to terms with her lover’s new body–hoping against hope that her love will transcend the physical.

    Limón has often been a poet who wears her heart on her sleeve, but in these extraordinary poems that heart becomes a “huge beating genius machine” striving to embrace and understand the fullness of the present moment. “I am beautiful. I am full of love. I am dying,” the poet writes. Building on the legacies of forebears such as Frank O’Hara, Sharon Olds, and Mark Doty, Limón’s work is consistently generous and accessible—though every observed moment feels complexly thought, felt, and lived.

    From the author of Bad Behavior comes a new compilation of clever and cutting-edge stories propelling readers into a world of men and women where the ways of desire are sometimes distasteful and complex.Tiny, smiling daddy --Because they wanted to --Orchid --The blanket --Comfort --The girl on the plane --The dentist --Kiss and tell --The wrong thing Turgor --Respect --Processing --Stuff

     It’s 1946 in New Zealand, and Alice Holden has fallen for the woman delivering her milk every morning. Jean has a way about her, a swagger, honey-sweet and low voice, and a wink with an easy smile that lights up Alice’s world, stirring her in ways she’s never known before, and Alice with blinders on, wants to choose this feeling over all else. Jean has been head over heels in love with the sparky and adorable single mother since the first time she saw her. She’s even drawn to Alice’s two fatherless children, and family life has never looked so good. Jean’s deep desire to have more than a life spent looking in from the outside seems more than she should hope for, and now Alice has her tossing the dice for it against all odds. But there are two people in town who believe they have the prior claim to Alice, in duty and affection, and they’ll do almost anything to get what they want. Alice and Jean have discovered that each is what the other has always longed for, each other’s missing link. Now they need to find a way to be together, despite the obstacles.

    She knows how to get the girl. Keeping her on the other hand…not so much. Molly Parker has everything in her life totally in control, except for her complete awkwardness with just about anyone besides her mom. She knows she’s in love with the impossibly cool Cora Myers. She just…hasn’t actually talked to her yet.Alex and Molly don’t belong on the same planet, let alone the same college campus. But when Alex, fresh off a bad (but hopefully not permanent) breakup, discovers Molly’s hidden crush as their paths cross the night before classes start, they realize they might have a common interest after all. Because maybe if Alex volunteers to help Molly learn how to get her dream girl to fall for her, she can prove to her ex that she’s not a selfish flirt. That she’s ready for an actual commitment. And while Alex is the last person Molly would ever think she could trust, she can’t deny Alex knows what she’s doing with girls, unlike her.As the two embark on their five-step plans to get their girls to fall for them, though, they both begin to wonder if maybe they’re the ones falling…for each other.

    Disgusted by an overabundance of phallocratic narratives and Freytag’s pyramid, she turns to a subcultural canon of resistance and failure. Wryly riffing on feminist literary tropes, it documents the survival of a demonized single mother figuring things out.

    Then the strip-mall calm of Nowhere, Ohio, is shattered by the sudden, simultaneous appearance of Renni Ramirez—hyper-competent star of the beloved Rising Evil B-movie franchise—and actual ZOMBIES, leaving Ashbee’s hapless staff and Renni trapped behind an automatic door they can’t lock.Can failed creative-writing student/apprentice store manager/eagle-eyed markswoman Devin escape the besieged furniture store to rescue her girlfriend? Will Renni’s experience slaughtering motion-captured CGI monsters save the day before the army bombs the town? Once bitten, how many zombies can a person expect to take out before succumbing to infection? Who is the mysterious Deus Ex Machina, and what is he doing with that bone saw?All of these questions and more whisper behind the scream of the single most important thing Devin needs to know in order to survive: is Renni a top or a bottom?

    Scott, a modern arts curator at a museum in Chicago, relishes the finer things in life. Julian is a strange photographer whose hair color changes as frequently as his mood. As far as Scott can see, Julian is an erratic know-it-all who lives his life one day to the next. To Julian, Scott is an uptight, too-coiffed perfectionist.As the two men continue to run into each other, their dislike grows, but beneath that animosity, a fire is beginning to spark. Scott is baffled when he realizes he is falling for Julian, a man who burns hotter than a wildfire. Scott will have to decide, for the first time in his life, if he’ll let the flames take over.