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    The novel has a delicate tangle of schemes and unfulfilled dreams, hidden secrets and a castle or two. Told wonderfully in the deadpan honesty that has become a Pym hallmark, this book is a delight.

    Times are harsh, and Barbara's bank account has seen better days. Stumped for ideas, Barbara draws inspiration from fellow residents of her quaint English village, writing a revealing novel that features the townsfolk as characters. The smashing bestseller is published under the pseudonym John Smith, which is a good thing because villagers recognize the truth. But what really turns her world around is when events in real life start mimicking events in the book. Funny, charming, and insightful, this novel reveals what happens when people see themselves through someone else's eyes.

    Sylvia remains at home, shocking her family with theories of sexual and social liberation. And Leslie, as the novel opens, idealizes the other three, as she tries to convince her mother to let her use her small nest egg to attend art school in London.As the four friends balance their youthful ideals with the realities of work and romance in 1930s England, Orange offers hilarious and thoughtful perspectives on the quandaries of educated, ambitious women in a world not yet ready for them. This new edition includes an introduction by Stacy Marking.

    The sheltered and unworldy Eugenia Malmains is one of the richest girls in England and an ardent supporter of General Jack and his Union Jackshirts. World-weary Noel Foster and his scheming friend Jasper Aspect are in search of wealthy heiresses to marry; Lady Marjorie, disguised as a commoner, is on the run from the Duke she has just jilted at the altar; and her friend Poppy is considering whether to divorce her rich husband.When these characters converge with the colorful locals at a grandly misconceived costume pageant that turns into a brawl between Pacifists and Jackshirts, madcap farce ensues. Long suppressed by the author out of sensitivity to family feelings, Wigs on the Green can now be enjoyed by fans of Mitford’s superbly comic novels.

     They knew too much.  As free as unmarried women, they were fully armed; this was an unfair advantage, and when it was combined with beauty, an air of well-being, a gaiety which, in a woman over forty had an unsuitable hit of mischief in it, he felt that . . . all manhood was insulted . . . But he knew how to protect himself." Fastidious Mr. Blackett rules his home in Upper Radstowe with a gloomy and niggardly spirit, and his wife Bertha and their three daughters succumb to his dictates unquestioningly -- until the arrival next door of the Fraser family 'with no apparent male chieftain at the head of it'. The delightful, unconventional Rosamund presides over this unruly household with shocking tolerance and good humour, and Herbert Blackett is both fascinated and repelled by his sensuous and 'unprincipled' neighbour. But whilst he struts in the background, allegiances form between Rosamund and Bertha and their children, bringing changes to Chatterton Square which, in the months leading up to the Second World War, are intensified by the certainty that nothing can be taken for granted.

    Now thirty-seven, her lack of prospects hasn’t dimmed her spirit or appetite for life. So when Susan asks her to come to France for the summer to persuade her grandmother to allow her to marry her fiancé, Julia sets sail with the noblest intentions of being a paragon of motherhood.   But at her mother-in-law’s vacation villa in Haute Savoie, Julia sees that her priggish but lovely daughter is completely mismatched with a man who is just like herself: a charming, clever playboy. The arrival of Susan’s legal guardian, the distinguished Sir William Waring, further complicates the situation. Soon Julia’s efforts to pass herself off as a lady and secure her daughter’s happiness spin out of control, leading to romantic entanglements and madcap adventures that challenge preconceived notions about the ultimate compatibility of any two people who fall in love.

    Temperamentally unsuited, they are only kept together by a mutual physical attraction, in spite of innumerable quarrels. They live this superficial existence for three years, until one day Nevis meets Marcus Chard, her American publisher, who has just arrived in London. Soon friendship develops into love. Inevitably the problem faces her. Wife or mistress? Nevis finds herself caught in a whirl of circumstances over which she has no control. Published in 1931 in the immediate aftermath of D H Lawrence's Lady Chatterley's Lover controversy, Mollie Panter-Downes's book explores the different echelons of the increasingly self-conscious middle class and the ways in which the tensions and nuances of vocabulary, dress, occupation, politics, taste and, ultimately, the literary world contribute to the incompatibility of a marriage.

    Beautiful divorcee Tory is painfully involved with her neighbour, Robert, while his wife Beth, Tory's best friend, is consumed by the worlds she creates in her novels, oblivious to the relationship developing next door. Their daughter Prudence is aware, however, and is appalled by the treachery she observes. Mrs Bracey, an invalid whose grasp on life is slipping, forever peers from her window, constantly prodding her daughters for news of the outside world. And Lily Wilson, a lonely young widow, is frightened of her own home. Into their lives steps Bertram, a retired naval officer with the unfortunate capacity to inflict lasting damage while trying to do good.

    The only trouble is, she doesn't want him any more. Now she has to figure out how to get rid of him...

    . .Barbara Parker is Miss Blackpool of 1964, but she doesn't want to be a beauty queen. She wants to make people laugh.So she leaves her hometown behind, takes herself to London, and overnight she becomes the lead in a new BBC comedy, Sophie Straw: charming, gorgeous, destined to win the nation's hearts.

    She also introduces us to specific characters as well as 'types' who will appear and reappear in changing relationships as the years go by. There is the middle-aged woman centrally involved in the events and activities around her; here, Laura Morland, a happily widowed author of very successful 'good bad books' (Thirkell herself?). A disappointed suitor and/or a brief, ill-conceived infatuation of younger man with older woman. At least two romances to work out—an older couple and a younger one—with mild crises along the way. A closing of ranks among the women vs the intruder nicknamed 'the Incubus' resolves both affairs to the satisfaction of all. Especially delightful are the children, servants and other retainers; well defined characters in their own right; from motor-mouthed young Tony Morland and his model railways to housekeeper Stoker and her grapevine among the servants of the neighbourhood.

    When her employment agency sends her to the wrong address, her life takes an unexpected turn. The alluring nightclub singer, Delysia LaFosse, becomes her new employer, and Miss Pettigrew encounters a kind of glamour that she had only met before at the movies. Over the course of a single day, both women are changed forever.

    Her grandmother lives with her widowed mother (a woman who doesn't know what to do with herself now that her children are grown). Her sister, Neville, is similarly in the same predicament (her children having grown and are attending University), except that her husband is too busy pursuing his career to pay any attention to her. She returns to college to spend her copious spare time, only to discover that her brain was not as brilliant as it was in her earlier years.So Nan, having to deal with all her family members, decides that she is ready for commitment. The only problem is, she's waited too long! Her boyfriend has fallen in love with Neville's daughter, her own niece. And now she must put her life back together in the midst of all the chaos that surrounds her.Rose Macaulay was an English novelist who published more than thirty-five novels. Her works are best known for dealing with women's social stature and problems. Her most noted and final work, The Towers of Trebizond, is considered her masterpiece.

    Flora Poste, a recently orphaned socialite, moves in with her country relatives, the gloomy Starkadders of Cold Comfort Farm, and becomes enmeshed in a web of violent emotions, despair, and scheming, until Flora manages to set things right.