It seems a great opportunity, but Francis has never seen a town, or been away from his family, and he is very afraid."

    Magic sweeps into her life when a witch invites her, David the Dog and Humphrey the suitcase to move into ‘the House of Living Alone.’ The House of Living Alone a rooming house for the magically inclined, introduces Sarah to witches, wizards, faeries, dragons and flying broomsticks.

    Filipina American debut author displays the contradictions of Asian American experience with irony & enthusiasm, anger & wit.

    He may have been the greatest player the game has ever seen, but today no one remembers his name. He was the first--and only--player to have his existence completely removed from the record books. Even his team is long forgotten, barely a footnote in the game's history.Every effort was made to erase any evidence that William Blakely played professional baseball, and with good reason. Blockade Billy had a secret darker than any pill or injection that might cause a scandal in sports today. His secret was much, much worse... and only Stephen King, the most gifted storyteller of our age, can reveal the truth to the world, once and for all.

    The rules are simple. Survive the palace’s enchanted seasonal rooms. Conquer Winter, Spring, Summer, and Fall. Marry the prince. All are eligible to compete—all except yōkai, supernatural monsters and spirits whom the human emperor is determined to enslave and destroy. Mari has spent a lifetime training to become empress. Winning should be easy. And it would be, if she weren't hiding a dangerous secret. Mari is a yōkai with the ability to transform into a terrifying monster. If discovered, her life will be forfeit. As she struggles to keep her true identity hidden, Mari’s fate collides with that of Taro, the prince who has no desire to inherit the imperial throne, and Akira, a half-human, half-yōkai outcast.Torn between duty and love, loyalty and betrayal, vengeance and forgiveness, the choices of Mari, Taro, and Akira will decide the fate of Honoku in this beautifully written, edge-of-your-seat YA fantasy.

    Minae is a Japanese expatriate graduate student who has lived in the United States for two decades but turned her back on the English language and American culture. After a phone call from her older sister reminds her that it is the twentieth anniversary of their family's arrival in New York, she spends the day reflecting in solitude and over the phone with her sister about their life in the United States, trying to break the news that she has decided to go back to Japan and become a writer in her mother tongue.Published in 1995, this formally daring novel radically broke with Japanese literary tradition. It liberally incorporated English words and phrases, and the entire text was printed horizontally, to be read from left to right, rather than vertically and from right to left. In a luminous meditation on how a person becomes a writer, Mizumura transforms the "I-novel," a Japanese confessional genre that toys with fictionalization. An I-Novel tells the story of two sisters while taking up urgent questions of identity, race, and language. Above all, it considers what it means to write in the era of the hegemony of English--and what it means to be a writer of Japanese in particular. Juliet Winters Carpenter masterfully renders a novel that once appeared untranslatable into English.

    The stories in Years of Red Dusttrace the changes in modern China over fifty years from the early days of the Communist revolution in 1949 to the modernization movement of the late nineties all from the perspective of one small street in Shanghai, Red Dust Lane. From the early optimism at the end of the Chinese Civil War, through the brutality and upheaval of the Cultural Revolution, to the death of Mao, the pro-democracy movement and the riots in Tiananmen Square history, on both an epic and personal scale, unfolds through the bulletins posted and the lives lived in this one lane, this one corner of Shanghai.

    As they move from a cramped, ant-infested shack to a larger house on the other side of Bangalore, and try to adjust to a new way of life, the family dynamic begins to shift. Allegiances realign; marriages are arranged and begin to falter; and conflict brews ominously in the background. Things become “ghachar ghochar”—a nonsense phrase uttered by one meaning something tangled beyond repair, a knot that can't be untied. Elegantly written and punctuated by moments of unexpected warmth and humor, Ghachar Ghochar is a quietly enthralling, deeply unsettling novel about the shifting meanings—and consequences—of financial gain in contemporary India.

    Before Kelsey there was a girl, raised by a villain, whose love for a hero changed the course of history.Trapped under the thumb of her abusive and powerful father Lokesh, Yesubai struggles to keep her own magical abilities secret while evading his dark powers. When Lokesh promises Yesubai to the prince of a neighboring kingdom, she becomes the central pawn in his plot to destroy the ruling family and take power for himself. Yesubai is trapped by her father’s threats and desperate to protect the man she comes to love, but she knows that any decision she makes will have dire consequences. As dark forces gather around her, Yesubai must decide if she’s willing to reveal that somewhere deep within her she has the power to change everything.

    The end of his journey turns out to be the beginning of an odyssey in his beloved city where he finds "an insidious lawlessness creeping upon the land."Set in Manila in the last beleaguered months before the politico-military takeover in 1972, Bamboo in the Wind tells of the last desperate efforts of a people fighting to stave off disaster. Amid the escalating madness of a regime gone berserk, an odd assortment of people—a senator, a young nationalist, a dispossessed farmer, a radical activist, a convent school girl, a Jesuit scholastic—make their way along the labyrinthine corridors of greed and power. Each is forced to examine his own commitment in the face of brutality and evil, as the book conjures up scene after scene of devastation: the massacre of the demonstrators, the demolition of Sapang Bato, the murder of the sugar plantation workers, the burning of the Laguardia rice fields. And, as a climax to the mounting violence, that final September day—the arrests, the torture, and finally, the darkness that overtakes the land.

    There the Downworlders buy and sell magical objects, make dark bargains, and whisper secrets they do not want the Nephilim to know. Through two centuries, however, there has been a frequent visitor to the Shadow Market from the City of Bones, the very heart of the Shadowhunters. As a Silent Brother, Brother Zachariah is sworn keeper of the laws and lore of the Nephilim. But once he was a Shadowhunter called Jem Carstairs, and his love, then and always, is the warlock Tessa Gray.Follow Brother Zachariah and see, against the backdrop of the Shadow Market’s dark dealings and festive celebrations, Anna Lightwood’s first romance, Matthew Fairchild’s great sin and Tessa Gray plunged into a world war. Valentine Morgenstern buys a soul at the Market and a young Jace Wayland’s soul finds safe harbor. In the Market is hidden a lost heir and a beloved ghost, and no one can save you once you have traded away your heart. Not even Brother Zachariah...Ghosts of the Shadow Market will be co-written with Maureen Johnson, Robin Wasserman, Sarah Rees Brennan and Pulitzer finalist Kelly Link and will initially be available digitally.The first eight stories will be published as e-books from around March 2018 monthly, with the final two available in a print bind-up of all the stories, to be published in 2019.

    Oe was ten when American jeeps first drove into the mountain village where he lived, and his literary work reveals the tension and ambiguity forged by the collapse of values of his childhood on the one hand and the confrontation with American writers on the other. The earliest of his novels included here, Prize Stock, reveals the strange relationship between a Japanese boy and a captured black American pilot in a Japanese village. Teach Us to Outgrow Our Madness tells of the close relationship between an outlandishly fat father and his mentally defective son, Eeyore. Aghwee the Sky Monster is about a young man’s first job — chaperoning a banker’s son who is haunted by the ghost of a baby in a white nightgown. The Day He Himself Shall Wipe My Tears Away is the longest piece in this collection and Oe’s most disturbing work to date. The narrator lies in a hospital bed waiting to die of a liver cancer that he has probably imagined, wearing a pair of underwater goggles covered with dark cellophane.

    The people of the shantytown Calvary Hill, usually invisible to the rest of society, join the throng and flaunt their neighborhood personas in masquerade during Carnival. Aldrick, the dashing "king of the Hill," becomes a glorious, dancing dragon; his lovely Sylvia, a princess; Fisheye, rebel idealist, a fierce steel band contestant; and Philo, Calypso songwriter, a star. Then a business sponsors Fisheye's band, Philo gets a hit song, and Sylvia leaves the Hill with a prosperous older man. For Aldrick, it will take one more masquerade—this time, involving guns and hostages—before the illusion of power becomes reality.

    She took a step back and tilted her head and looked at me without offering her hand. I pulled my hand back and hid it behind my back. She smiled the way grown ups smile at someone else’s ugly baby and then she spoke. ‘That is a strange name, we are not called names like that in Sweden.’Arja Kajermo’s debut The Iron Age is part coming-of-age novel, and part fairy-tale told from the perspective of a young girl growing up in the poverty of post-war Finland. On her family’s austere farm, the Girl learns stories and fables of the world around her – of Miina, their sleeping neighbour; that you should never turn a witch away at the door; how people get depressed if pine trees grow too close to the house; and why her father was unlucky not to have died in the war.Then, when she is little more than six years only, the family crosses from Finland to Sweden, from a familiar language to a strange one, from one unfriendly home to another. The Girl, mute but watchful, weaves a picture of her volatile father, resilient mother and strangely resourceful brothers. The Iron Age, which grew out of the story shortlisted for the 2014 Davy Byrne’s Award, is disarming in its unadorned simplicity and unsentimental account of hard times and hard people. In Kajermo’s darkly funny debut, with illustrations throughout, folk tales and traditional custom clash with economic reality, from rural Finland to urban Sweden. ‘This is a short tale, simply and richly told, which feels as though it's the culmination of a lifetime's work. An instant classic.’ Jon McGregor‘Deceptively simple yet with cutting insight and devastating humor, The Iron Age proves that the most surreal dwells in reality, and history is the darkest fairytale’ Yiyun Li

    Sentences have been relentlessly trimmed, tuned, and teased for maximum impact, and a ferocious attention to rhythm and sound results in a palpable pulse of excitability and distress. The nature of love is questioned at a golf course, a flower shop, an all-you-can-eat buffet. The clay head of a man is bought and displayed as a trophy. Interior life manifests on the physical plane, where characters--human and animal--eat and breathe, provoke and injure one another.With exquisite control, Scanlan moves from expansive moods and fine afternoons to unease and violence--and also from deliberate and generative ambiguity to shocking, revelatory exactitude. Disturbances accrue as the collection progresses. How often the conclusions open--rather than tie--up. How they twist alertly. No mercy, a character says--and these stories are merciless and strange and absolutely masterful.