Rattled by the discovery, Gillian attempts to unravel the truth behind the photos, setting her off on an epic journey through the past…1939. England is on the brink of war as Vivian Hughes falls in love with a handsome British official, but when bombs begin to fall and Vivian’s happy life is destroyed in the blitz, she will do whatever it takes to protect those she loves…As Gillian learns more about her grandmother’s past, the old photo begins to make more sense. But for every question answered, a new one takes its place. Faced with a truth that is not at all what she expected, Gillian attempts to shine a light not only on the mysteries of her family’s past but also on her own future.This gorgeously written multigenerational saga is a heart-wrenching yet hopeful examination of one woman’s struggle to survive, perfect for fans of The Nightingale and Beneath a Scarlet Sky.

    As a poet, he founded the Imagist movement (c. 1909–17), which advocated the use of precise, concrete images in a free-verse setting. As an editor, he fostered the careers of William Butler Yeats, T. S. Eliot, and Robert Frost. As a force in the literary world, he championed James Joyce and Wyndham Lewis. Pound also helped to create a modern movement in poetry in which, in T. S. Eliot's words, "English and American poets collaborated, knew each other's works, and influenced each other."Long an expatriate, Pound's questionable political activities during World War II distracted many from the value of his literary work. Nevertheless, his status as a major American poet has never been in doubt, as this choice collection of fifty-seven early poems amply proves. Here are poems — including a number not found in other anthologies — from Personae (1909), Exultations (1909), Ripostes (1912), and Cathay (1915) as well as selections from his major sequence "Hugh Selwyn Mauberley" (1920).

    She knows she’ll see him when she moves back to Wisconsin. She’s planning on it, the connection she still feels to him after all these years is undeniable. But one lie tore them apart years ago, and she’s afraid some mistakes can’t be forgiven.Travis Parker doesn’t like liars. When he was younger, lies burned him in a bad way. It only took one summer with Charlotte’s innocence to know that she was it for him. When he thought he finally had something to look forward to, one misguided lie shattered everything he believed.Now, Char’s back, but she’s not the same girl he once knew.Make Me Forget is the first book in a series of second chance romances featuring the most loyal men as they battle their past in order to secure a future with their one true love. Defeat is not an option when their hearts are on the line. Each emotional and angsty story can be read as a standalone.

    /ka?/A piece of meat; born to breed; past its sell-by-date; one of the herd.Women don’t have to fall into a stereotype.The Cows is a powerful novel about three women. In all the noise of modern life, each needs to find their own voice.It’s about friendship and being female.It’s bold and brilliant.It’s searingly perceptive.It's about never following the herd.And everyone is going to be talking about it.

    Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality.Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

    Paula recalls her contented childhood, the audacity she learned as a teenager, the exhilaration of her romance with Charlo, and the marriage to him that left her feeling powerless. Capturing both her vulnerability and her strength, Roddy Doyle gives Paula a voice that is real and unforgettable.

    Ivan Farrell is an astronomer, wife Polly a photographer, eight-year-old Charlie a budding biologist and 11-year-old Amanda a talented gymnast. And then one day, unimaginable tragedy strikes.

    After agreeing to help out a friend by shopping and cleaning for the unknown man staying at Cuckoo House, she soon becomes suspicious that her strange and obnoxiously rude client has something to hide. Clayton Miller's life is a mess. His career as one of the country's best comedy scriptwriters has stalled, and his long-term girlfriend has left him for his ex-best friend and ex-writing partner. Just when he thinks his life couldn't get any worse, he commits a spectacularly public fall from grace, and with the press hounding him, his agent banishes him to the middle of nowhere until the dust has settled. When Alice and Clayton discover the truth about each other they form an unlikely friendship—until Alice discovers Clayton has betrayed her in the worst possible way.

    John of the Cross. He continues with a long multilingual poem examining the syncretic geological and cultural history of the U.S. border with Mexico. The poems of the third section—a moving transcription of Gander’s efforts to address his mother dying of Alzheimer’s—rise from the page like hymns, transforming slowly from reverence to revelation. Gander has been called one of our most formally restless poets, and these new poems express a characteristically tensile energy and, as one critic noted, “the most eclectic diction since Hart Crane.”

    In her poem “Deliverance” about her daughter’s birth she writes “What is the word for when the light leaves the body?/What is the word for when it/at last, returns?”Through poems that are as unforgettably beautiful as they are accessible, Kate proves herself to truly be an exemplary voice in modern poetry. As easy to post on Instagram as they are to print out and frame, Kate’s words make women feel seen in their own bodies, in their own marriages, and in their own lives. Her poems are those you share with your mother, your daughter, your sister, and your friends.

    Three families. One killer.It was supposed to be the perfect holiday - a group of families enjoying a week together in the sun. Four women who have been best friends for as long as they can remember making the most of a luxurious villa in the south of France.But Kate has a secret: her husband is having an affair. And a week away might just be the perfect opportunity to get the proof she needs - to catch him in the act once and for all. Because she suspects the other woman is one of her two best friends.One of them is working against her, willing to sacrifice years of friendship to destroy her family. But which one? As Kate closes in on the truth in the stifling Mediterranean heat, she realises too late that the stakes are far higher than she ever imagined . . . Because someone in the villa may be prepared to kill to keep their secret hidden.

    A devastatingly beautiful, rich and thought-provoking novel that will warm your heart.

    If you have ever experienced loss, heartbreak, love, or joy, reading this poetry will bring back a shocking wave of emotions.Dark Mermaid Song was previously published as Le Chant Des Sirènes: Poems. It has been expanded in this new edition.

    A tiny kitchen lunch club. The perfect place to start again. Anna moves to Crovie, a tiny fishing village on the Moray Firth, for a fresh start. But when she arrives, she realises her new home is really no more than a shed, and the village itself sits beneath a cliff right on the edge of the sea, in constant danger of storms and landslides. Has she made a terrible mistake?Yet as she begins to learn about the Scottish coast and its people, something she thought she’d lost reawakens in her. She rediscovers her love of cooking, and turns her kitchen into a pop-up lunch club. But not all the locals are delighted about her arrival, and some are keen to see her plans fail. Will Anna really be able to put down roots in this remote and wild village? Or will her fragile new beginning start to crumble with the cliffs . . . ? Beautiful, moving and utterly absorbing, The House Beneath the Cliffs is a novel of friendship and food, storms and secrets, and the beauty of second chances

    It's the way most people wish to leave the world but when Evie reaches the door of her own private heaven, she finds that she's become her twenty-seven-year-old self and the door won't open.Evie's soul must be light enough to pass through so she needs to get rid of whatever is making her soul heavy. For Evie, this means unburdening herself of the three secrets that have weighed her down for over fifty years, so she must find a way to reveal them before it's too late. As Evie begins the journey of a lifetime, she learns more about life and love than she ever thought possible, and somehow , some way, she may also find her way back to her long lost love . . .Powerful, magical and utterly romantic, On the Other Side will transport you to a world that is impossible to forget. This is a love story like no other which will have you weeping because of the sheer joy and beauty of it all.