Neil McCormick is fully aware of the events from that summer of 1981. Wise beyond his years, curious about his developing sexuality, Neil found what he perceived to be love and guidance from his baseball coach. Now, ten years later, he is a teenage hustler, a terrorist of sorts, unaware of the dangerous path his life is taking. His recklessness is governed by idealized memories of his coach, memories that unexpectedly change when Brian comes to Neil for help and, ultimately, the truth.

    It is in this space, surrounded by countryside and wild creatures, that she can finally grapple with the chain of events that led her here-her shaky mental health, her difficult time in art school-and maybe, just maybe, regain her footing in art and life. As Frankie picks up photography once more, closely examining the natural world around her, she reconsiders seminal works of art and their relevance. With "prose that makes sure we look and listen," Sara Baume has written an elegant novel that is as much an exploration of wildness, the art world, mental illness, and community as it is a profoundly beautiful and powerful meditation on life.

    . . In a war-torn village in Eastern Europe, an American photographer captures a heart-stopping image: a young girl flying toward the lens, fleeing a fiery explosion that has engulfed her home and family. The image wins acclaim and prizes, becoming an icon for millions—and a subject of obsession for one writer, the photographer’s best friend, who has suffered a devastating tragedy of her own. As the writer plunges into a suicidal depression, her filmmaker husband enlists several friends, including a fearless bisexual poet and an ingenuous performance artist, to save her by rescuing the unknown girl and bringing her to the United States. And yet, as their plot unfolds, everything we know about the story comes into question: What does the writer really want? Who is controlling the action? And what will happen when these two worlds—east and west, real and virtual—collide? A fierce, provocative, and deeply affecting novel of both ideas and action that blends the tight construction of Julian Barnes’s The Sense of an Ending with the emotional power of Anthony Marra’s A Constellation of Vital Phenomena, Lidia Yuknavitch’s The Small Backs of Children is a major step forward from one of our most avidly watched writers.

    He struggles to establish human connections—even his emotional life is a blur.As the novel begins, he is reconnecting with "The Gunners," his group of childhood friends, after one of their members has committed suicide. Sally had distanced herself from all of them before ending her life, and she died harboring secrets about the group and its individuals. Mikey especially needs to confront dark secrets about his own past and his father. How much of this darkness accounts for the emotional stupor Mikey is suffering from as he reaches his maturity? And can The Gunners, prompted by Sally's death, find their way to a new day? The core of this adventure, made by Mikey, Alice, Lynn, Jimmy, and Sam, becomes a search for the core of truth, friendship, and forgiveness.A quietly startling, beautiful book, The Gunners engages us with vividly unforgettable characters, and advances Rebecca Kauffman’s place as one of the most important young writers of her generation.

    With wonderful delicacy and subtle insight and intimation, McCabe creates Mr. Patrick "Pussy" Braden, the enduringly and endearingly hopeful hero(ine) whose gutsy survival and yearning quest for love resonate in and drive the glimmering, agonizing narrative in which the troubles are a distant and immediate echo and refrain. Twenty years ago, her ladyship escaped her hometown of Tyreelin, Ireland, fleeing her foster mother Whiskers (prodigious Guinness-guzzler, human chimney) and her mad household, to begin a new life in London. There, in blousey tops and satin miniskirts, she plies her trade, often risking life and limb amongst the flotsam and jetsam that fill the bars of Piccadilly Circus. But suave businessmen and lonely old women are not the only dangers that threaten Pussy. It is the 1970's and fear haunts the streets of London and Belfast as the critical mass of history builds up, and Pussy is inevitably drawn into a maelstrom of violence and tragedy destined to blow his fragile soul asunder. Brilliant, startling, profound and soaring, Breakfast on Pluto combines light and dark, laughter and pain, with such sensitivity, directness and restraint that the dramatic impact reverberates in our minds and hearts long after the initial impression.

    They have argued, worked, and laughed together for decades. Yet they’ve never really stopped taking each other by surprise. Fair Play shows us Mari and Jona’s intertwined lives as they watch Fassbinder films and Westerns, critique each other’s work, spend time on a solitary island (recognizable to readers of Jansson’s The Summer Book), travel through the American Southwest, and turn life into nothing less than art.

    She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.Ames isn't happy either. He thought detransitioning to live as a man would make life easier, but that decision cost him his relationship with Reese—and losing her meant losing his only family. Even though their romance is over, he longs to find a way back to her. When Ames's boss and lover, Katrina, reveals that she's pregnant with his baby—and that she's not sure whether she wants to keep it—Ames wonders if this is the chance he's been waiting for. Could the three of them form some kind of unconventional family—and raise the baby together?This provocative debut is about what happens at the emotional, messy, vulnerable corners of womanhood that platitudes and good intentions can't reach. Torrey Peters brilliantly and fearlessly navigates the most dangerous taboos around gender, sex, and relationships, gifting us a thrillingly original, witty, and deeply moving novel.

    She works at a national newspaper, where she’s constantly forced to compare herself to her white middle class peers. After a messy break up from her long-term white boyfriend, Queenie seeks comfort in all the wrong places…including several hazardous men who do a good job of occupying brain space and a bad job of affirming self-worth.As Queenie careens from one questionable decision to another, she finds herself wondering, “What are you doing? Why are you doing it? Who do you want to be?”—all of the questions today’s woman must face in a world trying to answer them for her.

    But a chance meeting by the river soon becomes an intense, exhilarating, and all-consuming affair. After their camp duties are fulfilled, the pair spend a dreamlike few weeks camping in the countryside, bonding over an illicit copy of James Baldwin’s Giovanni’s Room. Inhabiting a beautiful natural world removed from society and its constraints, Ludwik and Janusz fall deeply in love. But in their repressive communist and Catholic society, the passion they share is utterly unthinkable.Once they return to Warsaw, the charismatic Janusz quickly rises in the political ranks of the party and is rewarded with a highly-coveted position in the ministry. Ludwik is drawn toward impulsive acts of protest, unable to ignore rising food prices and the stark economic disparity around them. Their secret love and personal and political differences slowly begin to tear them apart as both men struggle to survive in a regime on the brink of collapse.Shifting from the intoxication of first love to the quiet melancholy of growing up and growing apart, Swimming in the Dark is a potent blend of romance, post-war politics, intrigue, and history. Lyrical and sensual, immersive and intense, Tomasz Jedrowski has crafted an indelible and thought-provoking literary debut that explores freedom and love in all its incarnations.

    That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another person—a woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature. Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936.

    When they fall apart, they unwittingly take the same path to heal from their breakup, seeking answers in the lands of their ancestors. From Tbilisi, Georgia to the war sites of Germany, they discover what can break and what can mend when you look to the past to understand your present.Willa's darkness enters Hesper's light late one night in Brooklyn. Theirs is a whirlwind romance until Willa starts to know Hesper too well, to crawl into her hidden spaces, and Hesper shuts her out. She runs, following her fractured family back to her grandfather's hometown of Tbilisi, Georgia, looking for the origin story that he is no longer able to tell. But once in Tbilisi, cracks appear in her grandfather's history-and a massive flood is heading toward Georgia, threatening any hope for repair.Meanwhile, heartbroken Willa is desperate to leave New York that she joins a group trip for Jewish twentysomethings to visit Holocaust sites in Germany and Poland, hoping to override her emotional state. When it proves to be more fraught than home, she must come to terms with her past-the ancestral past, her romantic past, and the past that can lead her forward.Told from alternating perspectives, and ending in the shadow of Trump's presidency, WILLA & HESPER is a deeply moving, cerebral, and timely debut.

    George's, befriends her. But even as their relationship develops, so too does another: Sheba has begun an illicit affair with an underage male student. When the scandal turns into a media circus, Barbara decides to write an account in her friend's defense—and ends up revealing not only Sheba's secrets, but also her own.

    She likes a drink, sure. But what 17-year-old doesn’t?Nina’s mum isn’t so sure. But she’s busy with her new husband and five year old Katie. And Nina’s almost an adult after all.And if Nina sometimes wakes up with little memory of what happened the night before, then her friends are all too happy to fill in the blanks. Nina’s drunken exploits are the stuff of college legend.But then one dark Sunday morning, even her friends can’t help piece together Saturday night. All Nina feels is a deep sense of shame, that something very bad has happened to her…A dark, funny - sometimes shocking - coming of age novel from one of the UK’s leading comedians. NINA IS NOT O.K. will appeal to fans of Caitlin Moran and Lena Dunham.

     Georgia Brown’s profession as a urologist requires her to interact with plenty of naked men, but her romantic prospects have fizzled. The most important person in her life is her friend Jonah Tsukada, a funny, empathetic family medicine doctor who works at the same hospital in Charleston, South Carolina and who has become as close as family to her.Just after Georgia leaves the country for a medical conference, Jonah shares startling news. The hospital is instructing doctors to stop providing medical care for transgender patients. Jonah, a gay man, is the first to be fired when he refuses to abandon his patients. Stunned by the predicament of her closest friend, Georgia’s natural instinct is to fight alongside him. But when her attempts to address the situation result in incalculable harm, both Georgia and Jonah find themselves facing the loss of much more than their careers.

    Uniting fact and fiction into an original romantic vision, The Danish Girl eloquently portrays the unique intimacy that defines every marriage and the remarkable story of Lili Elbe, a pioneer in transgender history, and the woman torn between loyalty to her marriage and her own ambitions and desires.The Danish Girl is an evocative and deeply moving novel about one of the most passionate and unusual love stories of the 20th century.