No breeze stirred the leaves and no bird moved, except for the kite hawks wheeling silently, eternally, high in the hot air. She smelt her attacker before she saw him. A heavy stench hit her with such force that she started with shock. It was a smell she’d never encountered before. Not man, not animal, something like carrion, but alive. It seemed to envelop and suffocate her, then became tangible as two arms wrapped around her body and began tearing at her clothing.A young man driving from Sydney to Adelaide for work decides to take a short detour into the desert. He turns his hatchback on to a notoriously dangerous track that bisects uninhabited stone-covered flats. Out there, under the baking sun, people can die within hours. He’s not far along the road when a distraught young woman stumbles from the scrub and flags him down. A journalist from Sydney, she has just escaped the clutches of an inexplicable, terrifying creature. Now this desert-dwelling creature has her jeep. Her axe. And her scent… From the author of the classic novel Wake In Fright comes a terrifying short novel,a chase into the outback, towards the devil lurking at its center. Wake In Fright was made into an internationally acclaimed film. Fear Is the Rider is a previously unpublished manuscript from the 1980s that was recently rediscovered among Kenneth Cook’s papers.

    She plans only to check on her ailing mother and leave. But Tilly decides to stay, and though she is still an outcast, her lush, exquisite dresses prove irresistible to the prim women of Dungatar. Through her fashion business, her friendship with Sergeant Farrat—the town’s only policeman, who harbors an unusual passion for fabrics—and a budding romance with Teddy, the local football star whose family is almost as reviled as hers, she finds a measure of grudging acceptance. But as her dresses begin to arouse competition and envy in town, causing old resentments to surface, it becomes clear that Tilly’s mind is set on a darker design: exacting revenge on those who wronged her, in the most spectacular fashion.

     A captivating love story about community and second chances. Country–girl Cressida Knight fills her days with her farm, a mischievous pet bull called Reggie and her volunteer emergency services work. The busier she keeps, the less she thinks about the cowboy who left her behind. She's convinced the small–town Woodlea grapevine that she's moved on, but now it's time to move on for real.  Champion bull rider Denham Rigby shares Cressy's deep love for the land and all he's ever wanted was to stand shoulder–to–shoulder with Cressy through life. But three years ago a dark family secret left him no choice but to run. Now family duty gives him no choice but to return to the bush. What Denham hasn't come home to do is to hurt Cressy by rekindling their relationship. He's nothing but a liability and the beautiful, self–reliant cowgirl has to stay off limits. But when faced with Cressy's desperation to save her drought–stricken farm, he can't keep his distance. He joins her out droving on the long paddock. Then when Woodlea is hit by more than just rodeo fever, they are further thrown together and Denham loses the battle to lock down his emotions.But has he left it too late to stop running? And will the woman he's always loved be prepared to risk her heart for a second time?

    Daesh has a thoroughfare to the sea and China is Australia's newest ally. When a bomb goes off in remote Tasmania, Astrid Coleman agrees to return home to help her brother before an upcoming election. But this is no simple task. Her brother and sister are on either side of politics, the community is full of conspiracy theories, and her father is quoting Shakespeare. Only on Bruny does the world seem sane. Until Astrid discovers how far the government is willing to go.Bruny is a searing, subversive, brilliant novel about family, love, loyalty and the new world order.

    The flimsiest of 'walls', no pegs or nails to hang even a hat, no door, no rug for cold morning bare feet, no bookshelf for a voracious reader, no bedside cupboard for a lamp or a glass of water, no light source-just a bed and a suitcase for the next two years.In 1960, newly minted teacher Peter O'Brien started work as the only teacher at a bush school in Weabonga, two days' travel by train and mail cart from Armidale.Peter was only 20 years old and had never before lived away from his home in Sydney. He'd had some teaching experience, but nothing to prepare him for the monumental challenge of being solely responsible for the education of 18 students, ranging in age from five years to fifteen. With few lesson plans, scant teaching materials, a wide range of curious minds and ages to prepare for, Peter was daunted by the enormity of the task ahead.By their simple geographical isolation, the children were already at a disadvantage, but the students were keen and receptive and they'd been given the gift of an enthusiastic and committed young teacher. Indeed it was the children and their thirst for learning who kept Peter afloat during those early days of shockingly inadequate living conditions and a deficient diet-two boiled eggs for breakfast; rabbit, potatoes and choko for every other meal-and the terrible loneliness he felt being isolated, so far from family, friends and his burgeoning romance.Eventually the bleakness was offset by developing friendships and the offer of accommodation in a nearby homestead. The children continued to thrive under Peter's care and diligence. His long-distance love affair flourished with the assistance of Johnny O'Keefe. A growing understanding of the history of crippling poverty and war in the lives of the local families gradually brought respect, acceptance and admiration. By the end of his time in Weabonga, the young teacher found himself greatly changed in positive ways.Bush School is an engaging and fascinating memoir of how a young man rose to a challenge most would shrink from today. It tells movingly of the resilience and spirit of children, the importance of learning and the transformative power of teaching.

    We gathered around the bigger tree. No one asked Matty - he just reached up and put his right hand on the trunk with ours.Kieran cleared his throat. 'We swear, on these trees, to always be friends. To protect each other - and this place.'Finding those carved trees forged a bond between Jay and her four childhood friends and opened their eyes to a wider world. But their attempt to protect the grove ends in disaster, and that one day on the river changes their lives forever.Seventeen years later, Jay finally has her chance to make amends. But at what cost? Not every wrong can be put right, but sometimes looking the other way is no longer an option.

    A punchy, powerful and page-turning novel about the redemptive power of great literature, from industry insider, John Purcell. Amy Winston is a hard-drinking, bed-hopping, hot-shot young book editor on a downward spiral. Having made her name and fortune by turning an average thriller writer into a Lee Child, Amy is given the unenviable task of steering literary great Helen Owen back to publication. When Amy knocks on the door of their beautiful townhouse in north-west London, Helen and her husband, the novelist Malcolm Taylor, are conducting a silent war of attrition. The townhouse was paid for with the enormous seven-figure advance Helen was given for the novel she wrote to end fifty years of making ends meet on critical acclaim alone. The novel Malcolm thinks unworthy of her. The novel Helen has yet to deliver. The novel Amy has come to collect.Amy has never faced a challenge like this one. Helen and Malcolm are brilliant, complicated writers who unsettle Amy into asking questions of herself - questions about what she values, her principles, whether she has integrity, whether she is authentic. Before she knows it, answering these questions becomes a matter of life or death.From ultimate book industry insider, John Purcell, comes a literary page-turner, a ferocious and fast-paced novel that cuts to the core of what it means to balance ambition and integrity, and the redemptive power of great literature.

    He begins to fill his weekly London column with snarky observations about her life, clothes, and even their most intimate moments. It doesn't occur to him that Amy, who is letting her guard down for the first time in her adult life, might be upset - after all, it's hilarious, and his readers love her!It isn't until Amy discovers the extent of his betrayal that Ben begins to realise just how badly he's cocked up the best thing that ever happened to him. But is it too late?

    or to remember? A compelling drama about broken dreams, first love and the mystery of a lost sister, for all fans of Hannah Richell and Kate Morton. She remembered this part of the trip during the day time. Her sisters on either side in the back. The sunlight flickering through branches was like looking through a kaleidoscope. How could that be so long ago? How could so much have gone wrong?Phoebe's life has fallen apart and there's only one place left to go. Alone and adrift after a failed marriage proposal, she flees Sydney to her family's abandoned holiday cottage.On the slow-moving river Phoebe is confronted with the legacy of her older sister's suicide, a year before. Why did Karin leave a note written in flowers and walk into the water?Phoebe's childhood love, Jez, has moved back to the beautiful old house, Driftwood, one jetty down. He's married now and the home has become a refuge for an unlikely little community.As the river begins to give up its secrets, Phoebe finds herself caught up in old feelings and new mysteries. The Lost Summers of Driftwood is a story of lost loves, rekindled passions, tragedy and betrayal set against the backdrop of an idyllic south coast town.

    She had become expert at feathering over the cracks to ensure her life appeared the same. But inside, it didn’t feel fixed.”It happened the day of the Moon Festival. It could have been left behind, they all could have moved on with their lives. But secrets have a habit of rising to the surface, especially in small towns. Two couples, four ironclad friendships, the perfect coastal holiday town. With salt-stung houses perched like lifeguards overlooking the shore, Lago Point is the scene of postcards, not crime scenes. Wife and mother Abbi, town cop Blake, schoolteacher Hannah and local doctor Will are caught in their own tangled webs of deceit. When the truth washes in to their beachside community, so do the judgements: victim, or vigilante, who will forgive, who will betray? Not all relationships survive. Nor do all residents.Sometimes, doing wrong can feel completely right…

    . .When single mum Olivia uproots her young son Darcy from their life in Tasmania for a new start in the English Cotswolds, she isn't exactly expecting a bed of roses - but nor is she prepared for the challenges that life in the picturesque village throws her way.The Renaissance Project hopes to bring the dwindling community back to life - to welcome migrants from around the world and to boost the failing economy - but not everyone is so pleased about the initiative.For cake maker Olivia, it's a chance for Darcy to finally meet his Norwegian father, and for her to trace the last blurry lines on what remains of her family tree. It's also an opportunity to move on from the traumatic event that tore her loved ones apart.After seven years on her own, she has all but given up on romance, until life dishes up some delicious new options she didn't even know she was craving.An uplifting and heartwarming story about the moments that change your life forever, human kindness and being true to yourself.

    Now it’s her final year at a wealthy Catholic high school. The nuns couldn’t be any stricter—but that doesn’t seem to stop all kinds of men from coming into her life.Caught between the old-world values of her Italian grandmother, the nononsense wisdom of her mom, and the boys who continue to mystify her, Josephine is on the ride of her life. This will be the year she falls in love, the year she discovers the secrets of her family’s past—and the year she sets herself free.Told with unmatched depth and humor, this novel—which swept the pool of Australian literary awards and became a major motion picture—is one to laugh through and cry with, to cherish and remember.