Thirteen, awkward, and without a father, she finds herself mixed up with her school's outcasts-Charlie, the local detective's son, and Tara, a goth kid who has a mental hold over Reggie and harbors a dark secret. That same summer a serial killer called Neptune begins kidnapping women. He leaves their severed hands on the police department steps and, five days later, displays their bodies around town. Just when Reggie needs her mother Vera-an ex-model with many "boyfriends" and a thirst for gin-the most, Vera's hand is found on the steps. But after five days, there's no body and Neptune disappears.Now a successful architect who left her hometown behind after that horrific summer, Reggie doesn't trust anyone and lives with few attachments. But when she gets a call from a homeless shelter saying that her mother has been found alive, Reggie must confront the ghosts of her past and find Neptune before he kills again.With her signature style, Jennifer McMahon portrays the dark side of adolescent friendship and introduces characters who haunt the imagination, along with a disturbing web of secrets, betrayals, and murder.

    Hospitals and lakes. When Ian drinks vodka in the basement. ISIS. When Ian gets angry... That something is really, really wrong with me.Maddie and Ian's romance began with a chance encounter at a party overseas; he was serving in the British army and she was a travel writer visiting her best friend, Jo. Now almost two decades later, married with a beautiful son, Charlie, they are living the perfect suburban life in Middle America. But when a camping accident leaves Maddie badly scarred, she begins attending writing therapy, where she gradually reveals her fears about Ian's PTSD; her concerns for the safety of their young son, Charlie; and the couple's tangled and tumultuous past with Jo.From the Balkans to England, Iraq to Manhattan, and finally to an ordinary family home in Kansas, sixteen years of love and fear, adventure and suspicion culminate in The Day of the Killing, when a frantic 911 call summons the police to the scene of a shocking crime.

    Through the good and bad; through raising a son and sending him off to life after university. So long, in fact, that Marta finds it difficult to remember her life before Hector. He has always taken care of her, and she has always done everything she can to be a good wife—as advised by a dog-eared manual given to her by Hector’s aloof mother on their wedding day.But now, something is changing. Small things seem off. A flash of movement in the corner of her eye, elapsed moments that she can’t recall. Visions of a blonde girl in the darkness that only Marta can see. Perhaps she is starting to remember—or perhaps her mind is playing tricks on her. As Marta’s visions persist and her reality grows more disjointed, it’s unclear if the danger lies in the world around her, or in Marta herself. The girl is growing more real every day, and she wants something.

    Then she starts hearing voices. Cadence Archer arrives on Harvard’s campus desperate to understand why her brother, Eric, a genius who developed paranoid schizophrenia took his own life there the year before. Losing Eric has left a black hole in Cady’s life, and while her decision to follow in her brother’s footsteps threatens to break her family apart, she is haunted by questions of what she might have missed. And there’s only one place to find answers. As Cady struggles under the enormous pressure at Harvard, she investigates her brother’s final year, armed only with a blue notebook of Eric’s cryptic scribblings. She knew he had been struggling with paranoia, delusions, and illusory enemies—but what tipped him over the edge? With her suspicions mounting, Cady herself begins to hear voices, seemingly belonging to three ghosts who walked the university’s hallowed halls—or huddled in its slave quarters. Among them is a person whose name has been buried for centuries, and another whose name mankind will never forget. Does she share Eric’s illness, or is she tapping into something else? Cady doesn’t know how or why these ghosts are contacting her, but as she is drawn deeper into their worlds, she believes they’re moving her closer to the truth about Eric, even as keeping them secret isolates her further. Will listening to these voices lead her to the one voice she craves—her brother’s—or will she follow them down a path to her own destruction?

    Ruth Galloway is in her late thirties and lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Galloway for help, believing they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt him with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter—exactly like the ones about Lucy. Is it the same killer or a copycat murderer, linked in some way to the site near Ruth’s remote home?

    Left to their own devices, the inseparable sisters spend their days studying record jackets, concocting elaborate fantasies about the life of the mysterious neighbor who moves in down the street, and playing dangerous games on the mountain that rises up behind their house.When young women start showing up dead on the mountain, the girls' father is charged with finding the man responsible, known as The Sunset Strangler. Seeing her father's life slowly unravel when he fails to stop the murders, Rachel embarks on her most dangerous game yet: setting herself up as bait to catch the killer, with consequences that will destroy her father's career and alter the lives of everyone she loves. It is not until thirty years later that Rachel, who has never given up hope of vindicating her father, finally smokes out the killer, bringing her back to the territory of her childhood, and uncovering a long-buried family secret. As with her novel Labor Day, Maynard's newest work is part thriller, part love story. Loosely inspired by the Trailside Killer case that terrorized Marin County in the late seventies, her tale delves deep into the alternately thrilling and terrifying landscape of a young girl's first explorations of adult sexuality and the loss of innocence, the bond between sisters - and into a daughter's tender but damaged relationship with her father, and what it is to finally trust a man.