This volume includes the titles Dune, Dune Messiah and Children of Dune.

    Still an adventure novel, this one revolves around the dreams of a young boy, dreams that involve racial memories and the knowledge of his prior existence as a man-like creature named Big Tooth living in prehistoric times. "These are our ancestors, and their history is our history. Remember that as surely as we one day swung down out of the trees and walked upright, just as surely, on a far earlier day, did we crawl up out of the sea and achieve our first adventure on land."

    Sword & Citadel brings together the final two books of the tetralogy in one volume:The Sword of the Lictor is the third volume in Wolfe's remarkable epic, chronicling the odyssey of the wandering pilgrim called Severian, driven by a powerful and unfathomable destiny, as he carries out a dark mission far from his home.The Citadel of the Autarch brings The Book of the New Sun to its harrowing conclusion, as Severian clashes in a final reckoning with the dread Autarch, fulfilling an ancient prophecy that will forever alter the realm known as Urth.

    First you find a friend...Filmaker STEVEN SPIELBERG and novelist WILLIAM KOTZWINKLE together create a magical story about two unforgettable friends: a gentle being from another world who is stranded on Earth, hunted, afraid and alone....and a ten-year-old boy who finds him and takes him home.--from back cover of paperback version

    Sarah can’t help but be curious about him, an animal who supposedly doesn’t have a soul, but who is seemingly intent on keeping her safe.Because the dragon knows something she doesn’t. He has arrived at the farm with a prophecy on his mind. A prophecy that involves a deadly assassin, a cult of dragon worshippers, two FBI agents in hot pursuit—and somehow, Sarah Dewhurst herself.

    Suddenly the planet and every living thing on it no longer exist in a single timeline. Instead, the world becomes a patchwork of eras, from prehistory to 2037, each with its own indigenous inhabitants.Scattered across the planet are floating silver orbs impervious to all weapons and impossible to communicate with. Are these technologically advanced devices responsible for creating and sustaining the rifts in time? Are they cameras through which inscrutable alien eyes are watching? Or are they something stranger and more terrifying still?The answer may lie in the ancient city of Babylon, where two groups of refugees from 2037: three cosmonauts returning to Earth from the International Space Station, and three United Nations peacekeepers on a mission in Afghanistan have detected radio signals: the only such signals on the planet, apart from their own. The peacekeepers find allies in nineteenth-century British troops and in the armies of Alexander the Great. The astronauts, crash-landed in the steppes of Asia, join forces with the Mongol horde led by Genghis Khan. The two sides set out for Babylon, each determined to win the race for knowledge . . . and the power that lies within.Yet the real power is beyond human control, perhaps even human understanding. As two great armies face off before the gates of Babylon, it watches, waiting. . . .

    and your wish comes true? Young Sarah is about to find out. Left at home to mind her baby brother, Toby, she finds herself trying to comfort a screaming infant as a wild storm rages about the house. In a fit of temper, she wishes that the goblins would come and take the child away. Unfortunately, they do.Sarah then plunges into a whirlwind adventure. If she cannot reach the center of the mysterious Labyrinth within thirteen hours, Jareth -- King of the Goblins -- will keep Toby forever. In the twists and turns of her dangerous journey to Jareth's castle, she meets an extraordinary variety of strange characters, some more friendly than others. But none of them will be able to help her unless she musters the courage to challenge Jareth -- no matter what the odds.Jim Henson, creator of the Muppets and directory of Labyrinth, has joined with executive producer George Lucas to take us once again on a fascinating journey into a fantastic world. Labyrinth has been produced by Eric Rattray; the executive supervising producer is David Lazer, illustrator Brian Froud is the conceptual designer, and the screenplay by Terry Jones is based on a story by Jim Henson and Dennis Lee. A Henson Associates Inc. / Lucasfilm Ltd. production, the movie is distributed by Tri-Star pictures.A.C.H. Smith, who is also author of The Dark Crystal and Lady Jane, has captured all the excitement and poetry of a brilliant film in this riveting novel.

    In the time before the Confessors, when the world is a dark and dangerous place, where treason and treachery are the rule of the day, comes one heroic woman, Magda Searus, who has just lost her husband and her way in life.

    The Sanctuary of the Redeemers on Shotover Scarp is named after a damned lie for there is no redemption that goes on there and less sanctuary.”The Sanctuary of the Redeemers is a vast and desolate place—a place without joy or hope. Most of its occupants were taken there as boys and for years have endured the brutal regime of the Lord Redeemers whose cruelty and violence have one singular purpose—to serve in the name of the One True Faith.In one of the Sanctuary’s vast and twisting maze of corridors stands a boy. He is perhaps fourteen or fifteen years old—he is not sure and neither is anyone else. He has long-forgotten his real name, but now they call him Thomas Cale. He is strange and secretive, witty and charming, violent and profoundly bloody-minded. He is so used to the cruelty that he seems immune, but soon he will open the wrong door at the wrong time and witness an act so terrible that he will have to leave this place, or die.His only hope of survival is to escape across the arid Scablands to Memphis, a city the opposite of the Sanctuary in every way: breathtakingly beautiful, infinitely Godless, and deeply corrupt. But the Redeemers want Cale back at any price... not because of the secret he now knows but because of a much more terrifying secret he does not.

    They are recruited by an agency that no one knows exists, with only one purpose—to fix broken history. Because time travel is here, and there are those who would go back in time and change the past. That’s why the TimeRiders exist: to protect us. To stop time travel from destroying the world...

    See, my name is Karen Memery, like memory only spelt with an e, and I'm one of the girls what works in the Hôtel Mon Cherie on Amity Street. Hôtel has a little hat over the o like that. It's French, so Beatrice tells me."Set in the late 19th century—when the city we now call Seattle Underground was the whole town (and still on the surface), when airships plied the trade routes, would-be gold miners were heading to the gold fields of Alaska, and steam-powered mechanicals stalked the waterfront, Karen is a young woman on her own, is making the best of her orphaned state by working in Madame Damnable's high-quality bordello. Through Karen's eyes we get to know the other girls in the house—a resourceful group—and the poor and the powerful of the town. Trouble erupts one night when a badly injured girl arrives at their door, begging sanctuary, followed by the man who holds her indenture, and who has a machine that can take over anyone's mind and control their actions. And as if that wasn't bad enough, the next night brings a body dumped in their rubbish heap—a streetwalker who has been brutally murdered.Bear brings alive this Jack-the-Ripper yarn of the old west with a light touch in Karen's own memorable voice, and a mesmerizing evocation of classic steam-powered science.

    From boy-thief to pirate, mercenary and outlaw, ultimately becoming King of Aquilonia, Conan carved a red swathe through lost cities and unexplored jungles, facing hideous horrors or supernatural menaces with nothing more than a sharp sword in his hand and a beautiful woman at his side. Collected together here in the chronological order they were first published are Robert E. Howard's definitive stories of Conan, exactly as he wrote them, as fresh, atmospheric and vibrant today as they were when they originally appeared in the pulp magazines of more than seventy years ago.

    In his time, Earth is a toxic, abandoned world and humans have fled into the outer solar system to survive, eking out a fragile, doomed existence among the other planets and their moons. Those responsible for delaying humanity’s demise believe time travel holds the key, and they have identified James, troubled though he is, as one of a select and expendable few ideally suited for the most dangerous job in history. James is a chronman, undertaking missions into Earth's past to recover resources and treasure without altering the timeline. The laws governing use of time travel are absolute; break any one of them and, one way or another, your life is over. Most chronmen never reach old age; the stress of each jump through time, compounded by the risk to themselves and to the future, means that many chronmen rapidly reach their breaking point, and James Griffin-Mars is nearing his.On a final mission that is to secure his retirement, James meets Elise Kim, an intriguing scientist from a previous century, who is fated to die during the destruction of an oceanic rig. Against his training and his common sense, and in violation of the chronmen’s highest law, James brings Elise back to the future with him, saving her life, but turning them both into fugitives. Remaining free means losing themselves in the wild and poisonous wastes of Earth, somehow finding allies, and perhaps discovering what hope may yet remain for humanity's home world.

    where magic is a science and science is an art... where the great detective Lord Darcy and the sorcerer Sean O'Lochlainn combine occult skills and brilliant deductions to bring criminals to the King's Justice and thwart those who plot against the Realm. Welcome to a world where murder may be committed by magic most foul, but crime still does not pay - as long as Lord Darcy is on the case.

    The really unfortunate took years. The survivors - people like me, who had the blood group that kept us safe from the disease - were now targets for those who believed our blood could save them.I survived for three years. I lived alone, spending my days avoiding the fascist Blackshirts who wanted my blood for their dying leader. Then I met the others - and life got complicated all over again . . .