on Palm Sunday, April 5, 1936, a massive funnel cloud flashing a giant fireball and roaring like a runaway train careened into the thriving cotton-mill town of Tupelo, Mississippi, killing more than 200 people, not counting an unknown number of black citizens, one-third of Tupelo’s population, who were not included in the official casualty figures.When the tornado hits, Dovey, a local laundress, is flung by the terrifying winds into a nearby lake. Bruised and nearly drowned, she makes her way across Tupelo to find her small family—her hardworking husband, Virgil, her clever sixteen-year-old granddaughter, Dreama, and Promise, Dreama’s beautiful light-skinned three-month-old son.Slowly navigating the broken streets of Tupelo, Dovey stops at the house of the despised McNabb family. Inside, she discovers that the tornado has spared no one, including Jo, the McNabbs’ dutiful teenage daughter, who has suffered a terrible head wound. When Jo later discovers a baby in the wreckage, she is certain that she’s found her baby brother, Tommy, and vows to protect him.During the harrowing hours and days of the chaos that follows, Jo and Dovey will struggle to navigate a landscape of disaster and to battle both the demons and the history that link and haunt them. Drawing on historical events, Minrose Gwin beautifully imagines natural and human destruction in the deep South of the 1930s through the experiences of two remarkable women whose lives are indelibly connected by forces beyond their control. A story of loss, hope, despair, grit, courage, and race, Promise reminds us of the transformative power and promise that come from confronting our most troubled relations with one another.

    Read it aloud with someone you love, then send it to a friend. But be sure to keep a copy for yourself, because you'll want to read it again and again.Elizabeth Forsythe HaileyRaney is a small-town Baptist. Charles is a liberal from Atlanta. And RANEY is the story of their marriage. Charming, wise, funny, and truthful, it is a novel for everyone to love.A real jewel.RICHMOND TIMES-DISPATCH

    Against all privations and the forces that would subdue her, Ellen is sustained by a sense of wonder and by an awareness of her own being. Reduced to the bare elements of life, her world becomes a ceremony of daily duties that bind her to the natural world and her family. The Time of Man stands as a beautifully written tribute to the human spirit.

    Collection of poems rising from and returning to Bukowski's personal experiences reflect people, objects, places, and events of the external world, and reflects on them, on their way out and back.

    From town to town, his Gospel train rides the rails of 1920s Appalachia, spreading the Good News with his daughter and a loyal group of roustabouts in tow. But Jedidiah's traveling revival company has a secret: in addition to offering the gifts of the Holy Spirit, it also delivers spirits of another kind. Prohibition is in full swing, but The Sword of the Lord train keeps the speakeasies in the towns it visits in business by providing the best that mountain stills have to offer. While beyond the gaze of federal agents, the operation eventually runs afoul of an overzealous small town sheriff and a corrupt judge, setting in motion a series of events that could land them all in chains. Told with haunting lyricism, this is the story of a preacher full of contradictions, a man for whom the way is never straight and narrow. It bends like the river, a river that leads him in the paths of a different brand of righteousness--and perhaps even to salvation.

    With Butcher’s Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America.It is the 1870s, and Will Andrews, fired up by Emerson to seek “an original relation to nature,” drops out of Harvard and heads west. He washes up in Butcher’s Crossing, a small Kansas town on the outskirts of nowhere. Butcher’s Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them, a man who regales Andrews with tales of immense herds of buffalo, ready for the taking, hidden away in a beautiful valley deep in the Colorado Rockies. He convinces Andrews to join in an expedition to track the animals down. The journey out is grueling, but at the end is a place of paradisal richness. Once there, however, the three men abandon themselves to an orgy of slaughter, so caught up in killing buffalo that they lose all sense of time. Winter soon overtakes them: they are snowed in. Next spring, half-insane with cabin fever, cold, and hunger, they stagger back to Butcher’s Crossing to find a world as irremediably changed as they have been.

    Though only eighteen, Annie travels alone to the Midwestern university where Carl is studying law to marry him. Little did they know how difficult their first year of marriage would be, in a faraway place with little money and few friends. But Carl and Annie come to realize that the struggles and uncertainty of poverty and hardship can be overcome by the strength of a loving, loyal relationship. An unsentimental yet uplifting story, "Joy in the Morning" is a timeless and radiant novel of marriage and young love.

    In the thundering froth of that river, in its echoing stone canyons, four men on a canoe trip discover a freedom and exhilaration beyond compare. And then, in a moment of horror, the adventure turns into a struggle for survival as one man becomes a human hunter who is offered his own harrowing deliverance.

    Evangeline Knapp is the perfect, compulsive housekeeper, while her husband, Lester, is a poet and a dreamer. Suddenly, through a nearly fatal accident, their roles are reversed: Lester is confined to home in a wheelchair and his wife must work to support the family. The changes that take place between husband and wife and particularly between parents and children are both fascinating and poignant.

    For a brief and cherished time there was a woman, and then a child, too, who had been a kind of salvation to him. Then they were gone, leaving Ellis to carry on with the burden of what he had done to them, of the ruin he brought down upon them all.In The Sweet Everlasting, Ellis is seventy-four. Moving back and forth over his life, he recalls his Depression-era boyhood, the black family who worked the neighboring farm, his time in prison, and the subsequent years adrift, working at jobs no one else would take and longing for another chance to rejoin what is left of his family. Ever in the background are the memories of his wife, Susan, and their boy, W.D.--how Ellis drew on her strength and his innocence to resist everything that threatened to harden him: the shame that others would have him feel, the poverty he had known, and the distorted honor and pride he had seen in others and that he knew was inside him, too.Like the hero of William Kennedy's masterpiece, Ironweed, Ellis Burt is a man of uncommon personal dignity and strength, always moving toward, but never expecting, redemption.

    RubyLyn Bishop is luckier than some. Her God-fearing uncle, Gunnar, has a short fuse and high expectations, but he’s given her a good home ever since she was orphaned at the age of five. Yet now, a month shy of her sixteenth birthday, RubyLyn itches for more.Maybe it’s something to do with the paper fortunetellers RubyLyn has been making for townsfolk, each covered with beautifully wrought, prophetic drawings. Or perhaps it’s because of Rainey Ford, an African-American neighbor who works alongside her in the tobacco field, and with whom she has a kinship, despite her uncle’s worrisome shadow and the town’s disapproval. RubyLyn’s predictions are just wishful thinking, not magic at all, but through them she’s imagining life as it could be, away from the prejudice and hardship that ripple through Nameless.Atmospheric, poignant, and searingly honest, a Coalminer's Daughter meets Winter's Bone, GodPretty in the Tobacco Field follows RubyLyn through the course of one blazing summer, as heartbreaking revelations and life-changing decisions propel her toward a future her fortunetellers never predicted.

    Her best known work, The Yearling, about a boy who adopts an orphaned fawn, won a Pulitzer Prize for fiction in 1939 and was later made into a movie of the same title, The Yearling. The book was written long before the concept of young-adult fiction, but is now commonly included in teen-reading lists.

    Set in a small Mississippi town, the play examines the lives of three quirky sisters who have gathered back home. During the course of the week the sisters unearth grudges, criticize each other, reminisce about their family life, and attempt to understand their mother's suicide years earlier.

    Into this peaceful scene put the prosperous, despotic Hubbard family - Ben, possessive and scheming; Oscar, cruel and arrogant; Ben's dupe, Leo, weak and unprincipled; Regina wickedly clever - each trying to outwit the other. In this melodrama, only Regina wins.

    He instead pursues a career in politics and is eventually appointed president of the Confederacy, placing Varina at the white-hot center of one of the darkest moments in American history—culpable regardless of her intentions. The Confederacy falling, her marriage in tatters, and the country divided, Varina and her children escape Richmond and travel south on their own, now fugitives with “bounties on their heads, an entire nation in pursuit.” Intimate in its detailed observations of one woman’s tragic life and epic in its scope and power, Varina is a novel of an American war and its aftermath. Ultimately, the book is a portrait of a woman who comes to realize that complicity carries consequences.