He is now one of the most celebrated science fiction writers in the field , having won the field's top award, the Hugo, for each of his last two novels.Now, for the first time, this illustrious author gathers all his short fiction into a single volume. This collection is truly the definitive Vinge, capturing his visionary ideas at their very best. It also contains a never-before-published novella, one that represents precisely what this collection encapsulates--bold, unique, challenging science fictional ideas brought to vivid life with compelling storytelling.Including such major pieces as "The Ungoverned" and "The Blabber," this sumptuous volume will satisfy any reader who loves the sense of wonder, and the excitement of great SF.The volume collects Vinge's short fiction through 2001 (except "True Names", including Vinge's comments from the earlier two volumes.)Contents:"Bookworm, Run!""The Accomplice""The Peddler's Apprentice" (with Joan D. Vinge)"The Ungoverned""Long Shot""Apartness""Conquest by Default""The Whirligig of Time""Bomb Scare""The Science Fair""Gemstone""Just Peace" (with William Rupp)"Original Sin""The Blabber""Win A Nobel Prize!" (originally published in Nature, Vol 407 No 6805 "Futures")"The Barbarian Princess" (this is also the first section of "Tatja Grimm's World")"Fast Times at Fairmont High" (occurs in the same milieu as Rainbows End) (winner 2002 Hugo Award for Best Novella)

    He is best known for his lyrical and experimental manga for "Garo," the famous alternative comics magazine. This volume collects a selection of Hayashi's most important manga from this period, including "Red Dragonfly" (1968), "Yamauba's Lullaby" (1968) and "Gold Pollen" (1971). Published here in their original full color, these stories mix traditional Japanese aesthetics with Pop art sensibilities, and range in topic from the legacies of Japanese rightwing nationalism and World War II, to the pervasive influence of America over 1960s Japanese youth culture. This first color reprinting of Hayashi's work captures the vivid experimentation of Japanese art at this time. In addition, Hayashi's youth and beginnings as an artist are illuminated by an autobiographical essay from 1972, translated here for the first time into English. Art historian Ryan Holmberg discusses Hayashi's place in postwar Japanese art and manga, as well as his wider contributions to the Tokyo avant-garde as a designer and experimental animator. This lavishly illustrated book is likely to have widespread crossover appeal for design and fashion aficionados, as well as for students of the manga genre.Seiichi Hayashi (born 1945) is best known for his lyrical and experimental manga for "Garo," the famous alternative comics magazine. His animated films have been screened at The Museum of Modern Art, New York, among other institutions. Since the 1970s Hayashi has been a nationally revered illustrator, famous for his classically informed depictions of contemporary women and an important influence on acclaimed director Hayao Miyazaki, among others. Hayashi lives and works just outside of Tokyo.

    Throughout are interwoven the themes of memory, loss, language, identity and cultural reclamation.Similarly, it is a reflective and provocative journey of self-discovery; a journey the reader may also take to explore what it means to exist at the confluence of being Singaporean and being Eurasian, and to interrogate the liminal space between two cultures, Asian and European, occupied by this community.

    The book is an attempt to express what it’s like trying to explore, mile by mile, village by village, valley by valley, a place that’s beautiful, complex, and fascinating, but most of all, unique.

    She’s so desperate for fun, she accepts a ticket to what she thinks is a rave. When she finds everyone at a mansion playing board games, she thinks she’s been had…until she doesn’t win and learns that Richard, her host, has very special consequences for losing. If only she hadn’t been too vain to wear glasses, she’d have read the rules in the foyer and have a clue about what the players expect her to do next. But with tall, dark, and sexy Richard in charge, Lauren can’t bring herself to leave before she learns exactly what he has in store for her.

    She's such a tomboy that all boys are scared of her, and that's exactly what her brother wanted and trained her to be. It took him six long years to train her into a pseudo-military style girl to protect her from anyone else. Bishonen Sung-Suh is a new transfer student who's got the looks, the determination, and attitude to sweep her off the feet. Could this male beauty be able to tame the beast? Will Mi-Ha's brother let them be together and happily ever after? If you want it you've got to Bring It On!

    From a naughty tease in an apartment window to a breathless clothes-in-a-heap romp to a candy store tryst, these spicy, dab-will-do-ya stories give readers a quick and steamy thrill that leaves them aching for more.

    According to Wikipedia: "Ivan Sergeyevich Turgenev 1818 â€" 1883) was a Russian novelist and playwright. His novel Fathers and Sons is regarded as one of the major works of 19th-century fiction."

    A group of men spend a weekend hunting for mushrooms in the wilderness where they grew up and where some still find themselves trapped. An aging environmentalist takes out his frustration and anger on a singular, unsuspecting target. One woman helps another get revenge against a man whose crime extends far beyond him to an entire community. Together, the ten stories in this dazzling, surprising collection evoke a landscape that will be instantly recognizable to anyone who has traveled the back roads and blue highways of America, and they completely capture the memorable characters who call it home.

    When she befriends some Tibetan nomads, her trek quickly evolves from a daredevil adventure to a journey of self-discovery and personal revelation.

     A girl goes missing ... the father gives up hope ... but the mother never stops searching. Now, a year later and close to Hallowe'en, they have a chance to rescue their child. But to do so they must face something terrible.

    Using an updated version of a lethal puzzle that astounded forensic scientists at the end of the twentieth century, Katla recreates a diabolical killing method that became a landmark in the forensic sciences. Thwarting forensic scientists is not her only hurdle in fulfilling her contract, as her target has to be killed in his home, an opulent penthouse in a fortress-like apartment building…The Katla KillFile short stories chronologically precede the novels in the Amsterdam Assassin Series. Each KillFile features Katla Sieltjes, expert in disguising homicide, executing one of her contracts. While not mandatory reading, each KillFile provides insight both in Katla’s work methods and skill, and additional background information in her character and personal history. The KillFiles can be read out of order, as the contracts are random samples from her past.

    Its twelve, stand-alone fragments follow the first year of her separation from her husband. The novel is full of light, sometimes comforting and sometimes dangerous: sunlight streaming through windows, dappled light in the park, distant fireworks, dazzling floodwater, desaturated streetlamps and earth-shaking explosions. The seemingly artless prose is beautifully patterned: the cumulative effect is disarmingly powerful and images remain seared into your retina for a long time afterwards.

    . . but she dreamed of an empire.The sole heir to the House of Omura, a venerable family of Kobe sake brewers, nineteen-year-old Rie hears but cannot heed her mother's advice: that in nineteenth-century Japan, a woman must "kill the self" or her life will be too difficult to bear. In this strict, male-dominated society, women may not even enter the brewery—and repressive tradition demands that Rie turn over her family's business to the inept philanderer she's been forced to marry. She is even expected to raise her husband's children by another woman—a geisha—so that they can eventually run the Omura enterprise.But Rie's pride will not allow her to relinquish what is rightfully hers. With courage, cunning, brilliance, and skill, she is ready to confront every threat that arises before her—from prejudice to treachery to shipwrecks to the insidious schemes of relentless rivals—in her bold determination to forge a magnificent dynasty...and to, impossibly, succeed.An epic and breathtaking saga that spans generations as it sweeps through the heart of a century, Joyce Lebra's The Scent of Sake is a vivid and powerful entry into another world...and an unforgettable portrait of a woman who would not let that world defeat her.

    Without him I could never have known what it is like to be Indian."—Graham GreeneOffering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. The Dark Room is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In Mr. Sampath, a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical Swami and Friends and The Bachelor of Arts. Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief."The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian novels: the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness—like one's own reflection seen in a green twilight."—Margaret Parton, New York Herald Tribune"The novels of R.K. Narayan are the best I have read in any language for a long time. . . . His work gives the conviction that it is possible to capture in English, a language not born of India, the distinctive characteristics of Indian family life."—Amit Roy, Daily Telegraph