The British monarchy is on its last legs, and John Constantine is still alive and kicking, though he has forsaken the world of magic. But that's all about to change when John's friend Dolly finds herself held captive on a reality TV show about how she's the last surviving heir to the throne.Various pro- and anti-royalist forces plot out the show's cliffhanger ending with Dolly's life hanging in the balance. But Constantine is in for an even bigger surprise when he finds out that Dolly is pregnant with his child, and it's up to the old mage to decide the course of England's future - and whether to crown his own offspring.

    As she moves through the world navigating banal, familiar, and sometimes uncomfortable interactions with the familiar-faced strangers she sees daily, Williams weaves together a riveting collection of flashbacks. Her recollections highlight the indefinable moments when lines are crossed and a woman must ask herself if the only way to avoid being objectified is to simply cease to draw any attention to her physical being. She delves into the gray space that lives between consent and assault and tenderly explores the complexity of the shame, guilt, vulnerability, and responsibility attached to both.

    When an attack kills the adults on a colony ship, the on-board A.I. VALERIE must help the ship’s children survive the perils of space. Can Valerie rise to the task?

    Moments of visual poetry and heartbreak are interspersed by bad body hair and bathroom disasters—much like life.Jane Mai is a freelance illustrator and comic artist from Brooklyn, New York. Her work has appeared in several anthologies and self-published zines. In 2012, Koyama Press published her first book, Sunday in the Park with Boys, which was followed by the zine Sorry I Can't Come in on Monday I'm Really Really Sick.