In Urdu, basti means any space, from the most intimate to the most universal, in which groups of people come together to try to live together, and the universal question at the heart of the book is how to constitute a common world. What brings people together? What tears them apart? “When the world was still all new, when the sky was fresh and the earth not yet soiled, when trees breathed through centuries and ages spoke around in the voices of birds, how astonished he was that everything was so new and yet looked so old”—so the book begins, with a mythic, even mystic, vision of harmony, as the hero, Zakir, looks back on his childhood in a subcontinent that had not yet been divided between Muslims and Hindus. But Zakir is abruptly evicted from this paradise—real or imagined—into the maelstrom of history. The new country of Pakistan is born, separating him once and for all from the woman he loves, and in a jagged and jarring sequence of scenes we witness a nation and a psyche torn into existence only to be torn apart again and again by political, religious, economic, linguistic, personal, and sexual conflicts—in effect, a world of loneliness. Zakir, whose name means “remember,” serves as the historian of this troubled place, while the ties he maintains across the years with old friends—friends who run into one another in cafés and on corners and the odd other places where history takes a time-out—suggest that the possibility of reconciliation is not simply a dream. The characters wait for a sign that minds and hearts may still meet. In the meantime, the dazzling artistry of Basti itself gives us reason to hope against hope.

    Determined to escape the parochial English enclave and explore the 'real India', they seek the guidance of the charming and mercurial Dr Aziz, a cultivated Indian Muslim. But a mysterious incident occurs while they are exploring the Marabar caves with Aziz, and the well-respected doctor soon finds himself at the centre of a scandal that rouses violent passions among both the British and their Indian subjects. A masterful portrait of a society in the grip of imperialism, A Passage to India compellingly depicts the fate of individuals caught between the great political and cultural conflicts of the modern world. In his introduction, Pankaj Mishra outlines Forster's complex engagement with Indian society and culture. This edition reproduces the Abinger text and notes, and also includes four of Forster's essays on India, a chronology and further reading.

    When a mercurial Moscow blonde and a visiting British businessman conduct an affair through their Russian interpreter it reveals all the deceptions of love and East-West relations.

    Is she a spy, a black widow, a lunatic, or is she what she claims to be: a grieving young sister intent on burying her brother according to local rites? Single-minded in her mission, she refuses to move from her spot on the field in full view of every soldier in the stark outpost. Her presence quickly proves dangerous as the camp’s tense, claustrophobic atmosphere comes to a boil when the men begin arguing about what to do next.Joydeep Roy-Bhattacharya’s heartbreaking and haunting novel, The Watch, takes a timeless tragedy and hurls it into present-day Afghanistan. Taking its cues from the Antigone myth, Roy-Bhattacharya brilliantly recreates the chaos, intensity, and immediacy of battle, and conveys the inevitable repercussions felt by the soldiers, their families, and by one sister. The result is a gripping tour through the reality of this very contemporary conflict, and our most powerful expression to date of the nature and futility of war.

    It remains as fresh as when it was first published.

    Her mother has died; her father has left for Singapore. He is a few years older, just back to India from New York.When they meet in a café one afternoon, she—lonely, hungry for experience, yearning to break free of tradition—casts aside her fears and throws herself headlong into a love affair, one that takes her where she has never been before. Told in a voice at once gritty and lyrical, mournful and frank, A Bad Character marks the arrival of an astonishingly gifted new writer. It is an unforgettable hymn to a dangerous, exhilarating city, and a portrait of desire and its consequences as timeless as it is universal.

    Each character who inhabits the house has a story to tell: about run-ins with the other residents, the diminishing community of Jews, cross-cultural conflicts, and the difficulty of choosing between India and Israel. Prophet Elijah, whom the Bene Israel Jews of western India believe in, plays an important role in their lives, appearing at critical or amusing moments and wreaking havoc with his mischief, but ensuring that ultimately peace prevails. Bombay Brides - as most Jewish men of Ahmedabad are married to women from Mumbai - is drawn from Jewish homes in Ahmedabad, Mumbai, Kochi, Kolkata and Alibaug. This is a story about home, heritage, rites, rituals, roots and what it means to be one of the last survivng members of a community in a vast multi-cultural country like India.

    The girl is alive, but she has been beaten and abused. She is held in the local prison, awaiting interrogation for the murders she is believed by the local people to have committed.

    IT IS NOT FOR LACK OF EFFORT. In 1930, a great ocean wave blots out a Bengali village, leaving only one survivor, a young girl. As a maidservant in a British boarding school, Pom is renamed Sarah and discovers her gift for languages. Her private dreams almost die when she arrives in Kharagpur and is recruited into a secretive, decadent world. Eventually, she lands in Calcutta, renames herself Kamala, and creates a new life rich in books and friends. But although success and even love seem within reach, she remains trapped by what she is . . . and is not. As India struggles to throw off imperial rule, Kamala uses her hard-won skills—for secrecy, languages, and reading the unspoken gestures of those around her—to fight for her country’s freedom and her own happiness.

    enthralling’ BIBEK DEBROY‘A magical and thought-provoking adventure, Ahalya will intrigue and mesmerize readers’ CHITRA BANERJEE DIVAKARUNI‘An enigmatic tale about purity, chastity, seduction and redemption’ NAMITA GOKHALE‘Brilliant and intriguing’ ANAND NEELAKANTANIt is known that Ahalya was cursed by her husband, Gautam, for indulging in a physical relationship with Indra. But is there another story to Ahalya's truth? Who was Indra anyway? A king? A lover? A philanderer? The first book of the Sati series, Ahalya hinges on these core questions, narrating the course of her life, from innocence to infidelity.In the Sati series, Koral Dasgupta explores the lives of the Pancha Kanyas from Indian mythology, all of whom had partners other than their husbands and yet are revered as the most enlightened women, whose purity of mind precedes over the purity of body. The five books of the Sati series reinvent these women and their men, in the modern context with a feminist consciousness.

    Combative and lyrical, moving and relentlessly inquiring, "Ammi" offers a way of seeing our history and our future that is impossible to ignore.

    An inquiry is promptly launched and Ravi, the suspect is placed under an elaborate regime of surveillance. The investigation subsequently throws up a huge amount of evidence, showing the suspect stealing sensitive data. As panic sets in, investigators acrimoniously debate whether to allow the suspect to walk free or physically force him to own up his crime. For Jeevnathan, the problem also is how to keep the tiring watchers going and persuade an edgy Chief to stay on course. As the story enters 96th Day, paradoxical consequences follow.Loosely inspired by a true incident that took place in 2004 when a senior intelligence officer suspected of being a spy for decades vanished, the story also treats us to a rare insight into the state of security awareness of employees in the Agency, constrains in conducting aggressive operations, pitfalls in liaison relationship, competing interests of intelligence services, hazards in co-ordination of intelligence inputs and the Kashmir imbroglio.

      Anand is a Bangalore success story: successful, well married, rich. At least, that’s how he appears. But if his little factory is to grow, he needs land and money, and, in the New India, neither of these is easy to find.   Kamala, Anand’s family’s maid, lives perilously close to the edge of disaster. She and her clever teenage son have almost nothing, and their small hopes for self-betterment depend on the contentment of Anand’s wife: a woman to whom whims come easily.   But Kamala’s son keeps bad company, and Anand’s marriage is in trouble. The murky world where crime and land and politics meet is a dangerous place for a good man, particularly one on whom the well-being of so many depends.   Rich with irony and compassion, Lavanya Sankaran’s The Hope Factory affirms her gifts as a born storyteller with remarkable prowess, originality, and wisdom.  Praise for Lavanya Sankaran’s The Red Carpet  “By the end of [the] very first story, people half a world away have been transformed into complete human beings, full of frailties and fragile self-regard, achingly sympathetic. That’s why The Red Carpet reads like a revelation. . . . I recommend this book so highly!”—Carolyn See, The Washington Post   “Throughout these fine, articulate stories, Lavanya Sankaran brings to life the new and old social worlds of Bangalore. More important, she uses the quiet dignity of her characters to reveal what’s universal in the wide rift between generations. It’s an unusually elegant and nuanced portrait.”—John Dalton, author of The Inverted Forest   “It’s a pity there aren’t more stories to be told in Carpet. They’re so much fun.”—The Dallas Morning News  “[An] animated debut . . . [These stories] are memorable for their subtle wit and convincing evocation of a dynamic world.”—Publishers Weekly

    Among the most autobiographical of Colette's works, these four novels are dominated by the child-woman Claudine, whose strength, humor, and zest for living make her seem almost a symbol for the life force.Janet Flanner described these books as "amazing writing on the almost girlish search for the absolute of happiness in physical love . . . recorded by a literary brain always wide awake on the pillow."

    For that reason, if you manage to track down this book outside India, you’re a better literary detective than I. All of which is a shame, because reviews on the sub-continent suggest it is a delicate, deeply affecting novel deserving of wider readership. Set in modern-day Bangalore, Kaberi is pregnant with a longed-for child nobody else knows about: neither her estranged, unfaithful husband, nor her parents or friends. Rebirth takes the form of a monologue from mother to baby in which she expresses her doubts about her marriage and her life, and ultimately seeks, and finds, some form of redemption. In time, it’s likely its shortlisting will open it up to a bigger readership. - From themillions.com