In this lavishly illustrated retelling of the classic fairytale, Camille Rose Garcia reimagines Cinderella through her distinctive visual aesthetic. Hers is a Cinderella for the twenty-first century: Dark, compelling, vibrant, and enthralling.

    First published in 1921, the poem's message about the individual worth of those often overlooked strikes a familiar chord in a society struggling to come to terms with its own victims of homelessness, drug abuse, and alienation.The poem is made new with the addition of Greg Newbold's illustrations. Newbold's images -- which are rich in detail, and made even more so by his use of color and light and his painterly style -- evoke a bygone era that is old-fashioned, small-town, pleasantly nostalgic. Newbold's work in Touch of the Master's Hand has already been recognized by the Society of Illustrators and Communication Arts magazine with a 1996 Award of Merit.

    She's floated away to a secret watery land beyond the plughole - to where knights ride white horses, and kings and queens float in moats around their castles. . .

    Featuring over 50 pages of vibrant computer graphic mayhem that's sure to make you snicker!

    Everyone tries to persuade her to buy a blue dress, brown hat and tan sandals, but Ann likes red instead. Red! Red! Red!

     Every day, Honey tends her garden, thinning the lettuces, pulling up beets, and even singing to the kale. (Honey says if you listen carefully, you can hear the kale singing back!) Laurel, the little girl who lives next door, likes to help, weeding the rows, washing vegetables under the pump, and gathering speckled eggs from the chicken coop. But one day there is a FOR SALE sign in Honey's front yard. Honey's mother is sick, and she is moving away! What will happen to Honey's garden? And what will Laurel do without her friend? Here is a touching story that beautifully illustrates how friendship—just like a garden—grows. Praise for Swan: The Life and Dance of Anna Pavlova by Laurel Snyder: "Spare, poetic words sit as lightly as snowflakes." —The Wall Street Journal