Overseeing it all is the Gardener, a brutal, twisted man obsessed with capturing and preserving his lovely specimens.When the garden is discovered, a survivor is brought in for questioning. FBI agents Victor Hanoverian and Brandon Eddison are tasked with piecing together one of the most stomach-churning cases of their careers. But the girl, known only as Maya, proves to be a puzzle herself.As her story twists and turns, slowly shedding light on life in the Butterfly Garden, Maya reveals old grudges, new saviors, and horrific tales of a man who’d go to any length to hold beauty captive. But the more she shares, the more the agents have to wonder what she’s still hiding...

    But she spends her life doing what no one else will--searching for missing people the world has stopped looking for. When the police have given up, when the public no longer remembers, when the media has never paid attention, Frankie starts looking.A new case brings her to Mattapan, a Boston neighborhood with a rough reputation. She is searching for Angelique Badeau, a Haitian teenager who vanished from her high school months earlier. Resistance from the Boston PD and the victim's wary family tells Frankie she's on her own--and she soon learns she's asking questions someone doesn't want answered. But Frankie will stop at nothing to discover the truth, even if it means the next person to go missing could be her.

    Her husband works hard, too... but why does it seem like she is always working so much harder?When the Spanglers go house hunting in Dynasty Ranch, an exclusive suburban neighborhood, Nora meets a group of high-powered women--a tech CEO, a neurosurgeon, an award-winning therapist, a bestselling author--with enviably supportive husbands. When she agrees to help with a resident's wrongful death case, she is pulled into the lives of the women there. She finds the air is different in Dynasty Ranch. The women aren't hanging on by a thread.But as the case unravels, Nora uncovers a plot that may explain the secret to having-it-all. One that's worth killing for. Calling to mind a Stepford Wives gender-swap, The Husbands imagines a world where the burden of the "second shift" is equally shared--and what it may take to get there.

    But one night, against their best instincts, they accept a cab ride with grave, everlasting consequences. For the next three years, they are held captive with two other girls in a dungeon-like cellar by a connoisseur of sadism.Ten years later, at thirty-one, Sarah is still struggling to resume a normal life, living as a virtual recluse under a new name, unable to come to grips with the fact that Jennifer didn’t make it out of that cellar. Now, her abductor is up for parole and Sarah can no longer ignore the twisted letters he sends from jail.Finally, Sarah decides to confront her phobias and the other survivors—who hold their own deep grudges against her. When she goes on a cross-country chase that takes her into the perverse world of BDSM, secret cults, and the arcane study of torture, she begins unraveling a mystery more horrifying than even she could have imagined.A shocking, blazingly fast read, Koethi Zan’s debut is a must for fans of Karin Slaughter, Laura Lippman, and S.J. Watson.

    She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

    When body parts are found on the banks of the River Thames in Deptford, DI Angelica Henley is tasked with finding the killer. Eerie echoes of previous crimes lead Henley to question Peter Olivier, aka The Jigsaw Killer, who is currently serving a life sentence for a series of horrific murders. When a severed head is delivered to Henley's home, she realises that the copycat is taking a personal interest in her and that the victims have not been chosen at random. To catch the killer, Henley must confront her own demons - - and when Olivier escapes from prison, she finds herself up against not one serial killer, but two.

    Hospitals and lakes. When Ian drinks vodka in the basement. ISIS. When Ian gets angry... That something is really, really wrong with me.Maddie and Ian's romance began with a chance encounter at a party overseas; he was serving in the British army and she was a travel writer visiting her best friend, Jo. Now almost two decades later, married with a beautiful son, Charlie, they are living the perfect suburban life in Middle America. But when a camping accident leaves Maddie badly scarred, she begins attending writing therapy, where she gradually reveals her fears about Ian's PTSD; her concerns for the safety of their young son, Charlie; and the couple's tangled and tumultuous past with Jo.From the Balkans to England, Iraq to Manhattan, and finally to an ordinary family home in Kansas, sixteen years of love and fear, adventure and suspicion culminate in The Day of the Killing, when a frantic 911 call summons the police to the scene of a shocking crime.

    March. As a character, she is fascinating, complex, and deeply human and I can’t wait to sink my teeth into her.” ―Elisabeth MossWho is Mrs. March?A twenty-first-century Highsmith, Virginia Feito conjures the unforgettable Mrs. March, an Upper East Side housewife whose life is shattered by her husband’s latest novel.In this astonishing debut, the venerable but gossipy New York literary scene is twisted into a claustrophobic fun house of paranoia, horror, and wickedly dark humor. George March’s latest novel is a smash. No one is prouder than Mrs. March, his doting wife. But one morning, the shopkeeper of her favorite patisserie suggests that his protagonist is based on Mrs. March herself: “But . . . ―isn't she . . .’ Mrs. March leaned in and in almost a whisper said, ‘a whore?” Clutching her ostrich-leather pocketbook, she flees, that one casual remark destroying her belief that she knew everything about her husband―as well as herself. Suddenly, Mrs. March is hurled into a harrowing journey that builds to near psychosis, one that begins merely within the pages of a book but may uncover both a killer and the long-buried secrets of her past.

    It was their dream house, and he wants to honor her with it.Lexi Ellis takes a job as his nanny and immediately falls in love with his two young daughters, especially Gaia. But something feels off in the isolated house nestled in the forest along the fjord. Lexi sees mysterious muddy footprints inside the home. Aurelia's diary appears in Lexi's room one day. And Gaia keeps telling her about seeing the terrifying Sad Lady…Soon Lexi suspects that Aurelia didn't kill herself and that they are all in danger from something far more sinister lurking around them.

    Decades later, old wounds are reopened when her son, Theo, hires ex-journalist Kate Aitken to create an archive of his mother's work.From Miranda's vast maze of personal effects, Kate pieces together a portrait of a vibrant artist buckling under the pressures of ambition, motherhood, and marriage. As the summer progresses, Kate navigates vicious local rumors and her growing attraction to the enigmatic Theo, all while unearthing the shocking details of Miranda's private life. But Kate has secrets of her own, and when she stumbles across a diary that may finally resolve the mystery of Miranda's death, her curiosity starts to spiral into a dangerous obsession.With breathtaking and haunting imagery, Take Me Apart paints a vivid picture of two magnetic young women, separated by years, but bonded by shared struggles. Sara Sligar draws readers into a web of secrets and lies, alternating between the present and the past and revealing the truth about Miranda's death through the objects she left behind.

    "That was all it took for me to feel like I had all the power in the world. One morning, one moment, one yellow-haired boy. It wasn't so much after all."Meet Chrissie... Chrissie is eight and she has a secret: she has just killed a boy. The feeling made her belly fizz like soda pop. Her playmates are tearful and their mothers are terrified, keeping them locked indoors. But Chrissie rules the roost -- she's the best at wall-walking, she knows how to get free candy, and now she has a feeling of power that she never gets at home, where food is scarce and attention scarcer.Twenty years later, adult Chrissie is living in hiding under a changed name. A single mother, all she wants is for her daughter to have the childhood she herself was denied. That's why the threatening phone calls are so terrifying. People are looking for them, the past is catching up, and Chrissie fears losing the only thing in this world she cares about, her child.

    and friendship. Doting wife, devoted husband, cherished child. Merry, Sam, and Conor are the perfect family in the perfect place. Merry adores the domestic life: baking, gardening, caring for her infant son. Sam, formerly an academic, is pursuing a new career as a filmmaker. Sometimes they can hardly believe how lucky they are. What perfect new lives they've built.When Merry's childhood friend Frank visits their Swedish paradise, she immediately becomes part of the family. She bonds with Conor. And with Sam. She befriends the neighbors, and even finds herself embracing the domesticity she's always seemed to scorn.All their lives, Frank and Merry have been more like sisters than best friends. And that's why Frank soon sees the things others might miss. Treacherous things, which are almost impossible to believe when looking at this perfect family. But Frank, of all people, knows that the truth is rarely what you want the world to see.

    That's what his mother always told him.Now, he is a true crime writer, with one grisly success--and movie adaptation--to his name, along with a series of subsequent lesser efforts that have paid the bills but not much more. But now he is being offered the chance for the big break: To move into the house--what the locals call "The Devil House"--in which a briefly notorious pair of murders occurred, apparently the work of disaffected 1980s teens. He begins his research with diligence and enthusiasm, but soon the story leads him into a puzzle he never expected--back into his own work and what it means, back to the very core of what he does and who he is.