From the civil rights struggle in the United States to the Nazi crimes against humanity in Europe, there are more stories than people passing one another every day on the bustling streets of every crowded city. Only some stories survive to become history.Recently released from prison, Lamont Williams, an African American probationary janitor in a Manhattan hospital and father of a little girl he can’t locate, strikes up an unlikely friendship with an elderly patient, a Holocaust survivor who was a prisoner in Auschwitz-Birkenau.A few blocks uptown, historian Adam Zignelik, an untenured Columbia professor, finds both his career and his long-term romantic relationship falling apart. Emerging from the depths of his own personal history, Adam sees, in a promising research topic suggested by an American World War II veteran, the beginnings of something that might just save him professionally, and perhaps even personally.As these men try to survive in early-twenty-first-century New York, history comes to life in ways neither of them could have foreseen. Two very different paths—Lamont’s and Adam’s—lead to one greater story as The Street Sweeper, in dealing with memory, love, guilt, heroism, the extremes of racism and unexpected kindness, spans the twentieth century to the present, and spans the globe from New York to Chicago to Auschwitz.Epic in scope, this is a remarkable feat of storytelling.

    While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies.A wife refuses her husband's entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store's prom dresses. One woman's surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella Especially Heinous, Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naively assumed had shown it all, generating a phantasmagoric police procedural full of doppelgangers, ghosts, and girls with bells for eyes.Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction.The husband stitch --Inventory --Mothers --Especially heinous --Real women have bodies --Eight bites --The resident --Difficult at parties

    When news spreads of a high school teacher's relationship with his underage student, participants and observers alike soon take part in an elaborate show of concern and dismay. But beneath the surface of the teenage girls' display, there simmers a new awareness of their own power. They obsessively examine the details of the affair with the curiosity, jealousy, and approbation native to any adolescent girl, under the watchful eye of their stern and enigmatic saxophone teacher, whose focus may not be as strictly on their upcoming recital as she implies.

    To understand why Calliope is not like other girls, she has to uncover a guilty family secret, and the astonishing genetic history that turns Callie into Cal, one of the most audacious and wondrous narrators in contemporary fiction. Lyrical and thrilling, Middlesex is an exhilarating reinvention of the American epic.

    From the lush gardens of Versailles to the lights and gaiety of Paris, the verdant countryside of France, and finally the stark and terrifying isolation of a prison cell, the young queen's life is joyful, poignant, and harrowing by turns. As her world of unprecedented royal splendor crumbles, the charming Marie Antoinette matures into a heroine of inspiring stature, one whose nobility arises not from the circumstance of her birth but from her courageous spirit.Marie Antoinette was a child of fourteen when her mother, the Empress of Austria, arranged for her to leave her family and her country to become the wife of the fifteen-year-old Dauphin, the future King of France. Coming of age in the most public of arenas, the young queen embraces her new family and the French people, and she is embraced in return. Eager to be a good wife and strong queen, she shows her new husband nothing but love and encouragement, though he repeatedly fails to consummate their marriage and in doing so, fails to give her the thing she—and the people of France—desires most: a child and an heir to the throne.Deeply disappointed and isolated in her own intimate circle apart from the social life of the court, the queen allows herself to remain ignorant of the country's growing economic and political crises. She entrusts her soul to her women friends, her music teacher, her hairdresser, the ambassador from Austria, and a certain Swedish count so handsome that admirers label him "the Picture." When her innocent and well-chaperoned pilgrimage to watch the sun rise is viciously misrepresented in satiric pamphlets as a drunken orgy, the people begin to turn against her. Poor harvests, bitter winters, war debts, and poverty precipitate rebellion and revenge as the royal family and many nobles are caught up in a murderous time known as "the Terror."With penetrant insight into new historical scholarship and with wondrous narrative skill, Naslund offers an intimate, fresh, and dramatic re-creation of this compelling woman that goes beyond popular myth. Abundance reveals a compassionate and spontaneous Marie Antoinette who rejected the formality and rigid protocol of the court; an enchanting and tenderhearted outsider who was loved by her adopted homeland and people until she became the target of revolutionary cruelty and violence; a dethroned queen whose depth of character sustained her in even the worst of times.Once again, Sena Jeter Naslund has shed new light on an important moment of historical change and made that time as real to us as the one we are living now. Exquisitely detailed, beautifully written, heartbreaking and powerful, Abundance is a novel that is impossible to put down.

    When first published, La Batarde earned Violette Leduc comparisons to Jean Genet for the frank depiction of her sexual escapades and immoral behavior. A confession that contains portraits of several famous French authors, this book is more than just a scintillating memoir. Like that of Henry Miller, Leduc's brilliant writing style and attention to language transform this autobiography into a work of art.Violette Leduc was born the illegitimate daughter of a servant girl and was encouraged to write by Maurice Sachs and Simone de Beauvoir. Her first novel, L'Asphyxie (In the Prison of Her Skin), was published by Camus for Gallimard and earned her praise from Jean-Paul Sartre, Jean Cocteau, and Jean Genet. She went on to write eight more books, including Ravages, L'Affamee, and La Folie en tete (Mad in Pursuit), the second part of her literary autobiography.

    Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love.In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves - and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest.Now ninety-five years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life - and the gusto and autonomy with which she approached it. "At some point in a woman's life, she just gets tired of being ashamed all the time," she muses. "After that, she is free to become whoever she truly is." Written with a powerful wisdom about human desire and connection, City of Girls is a love story like no other.