The few acres of ice now form a Dominion, with an area larger than that of Europe. In the year of 1534 a Frenchman, Jacques Cartier, landed, and took possession of this vast territory. A few facts, a few dates, will suffice us to trace the progress of this important state from its foundation to the period between 1830 and 1840, in which the events recorded in this history took place.

    The plot is similar: a middle-aged man wedding an unattractive widow in order to indulge his paedophilic obsession with her daughter.However, The Enchanter has an utterly different atmosphere, as time, place and even names remain a mystery. Nabokov transforms his protagonist's attempts to lull his twelve-year-old step-daughter into a state of 'enchantment' into a graceful, chilling fairytale.

    Sofia is a Soviet Everywoman, a doctor's widow who works as a typist in a Leningrad publishing house. When her beloved son is caught up in the maelstrom of the purge, she joins the long lines of women outside the prosecutor's office, hoping against hope for any good news. Confronted with a world that makes no moral sense, Sofia goes mad, a madness which manifests itself in delusions little different from the lies those around her tell every day to protect themselves. Sofia Petrovna offers a rare and vital record of Stalin's Great Purges.

    Maxim Gorky, pseudonym of Alexei Maksimovich Peshkov, Soviet novelist, playwright and essayist, who was a founder of social realism. Although known principally as a writer, he was closely associated with the tumultuous revolutionary period of his own country. The Mother, one of his best-known works, is the story of the radicalization of an uneducated woman that was later taken as a model for the Socialist Realist novel, and his autobiographical masterpiece Childhood.

    The book's authentic, extraordinarily detailed descriptions of the Black Mass have never been surpassed.

    In this panoramic vision of the Soviet Great Terror, the investigation leads all over the world, netting a whole series of suspects whose only connection is their innocence—at least of the crime of which they stand accused. But The Case of Comrade Tulayev, unquestionably the finest work of fiction ever written about the Stalinist purges, is not just a story of a totalitarian state. Marked by the deep humanity and generous spirit of its author, the legendary anarchist and exile Victor Serge, it is also a classic twentieth-century tale of risk, adventure, and unexpected nobility to sit beside Ernest Hemingway's For Whom the Bell Tolls and André Malraux's Man's Fate.

    History, culture, and politics are blended and juxtaposed; weather reports, current news, fashions and psychology jostle together with people from Petersburg society in an exhilarating search for the identity of a city and, ultimately, Russia itself. 'The one novel that sums up the whole of Russia.'—Anthony Burgess

    Most people struggle to get by; Frank takes it easy in his mother's whorehouse, which caters to members of the occupying forces. But Frank is restless. He is a pimp, a thug, a petty thief, and, as Dirty Snow opens, he has just killed his first man. Through the unrelenting darkness and cold of an endless winter, Frank will pursue abjection until finally there is nowhere to go.Hans Koning has described Dirty Snow as "one of the very few novels to come out of German-occupied France that gets it exactly right." In a study of the criminal mind that is comparable to Jim Thompson's The Killer Inside Me, Simenon maps a no man's land of the spirit in which human nature is driven to destruction—and redemption, perhaps, as well—by forces beyond its control.

    With subtle twists and turns in a fascinating portrait of society, Maurice Baring conveys the moral that love is too strong to be overcome by mere mortals.

    These stories, taken from the whole of her career, show the full range of her gifts. Extremely funny-a wry, scathing observer of society-she is also capable, as capable even as Chekhov, of miraculous subtlety and depth of character.There are stories here from her own life (as a child, going to meet Tolstoy to plead for the life of War and Peace's Prince Bolkonsky, or, much later, her strange, charged meetings with the already-legendary Rasputin). There are stories of émigré society, its members held together by mutual repulsion. There are stories of people misunderstanding each other or misrepresenting themselves. And throughout there is a sly, sardonic wit and a deep, compelling intelligence.Pushkin Collection editions feature a spare, elegant series style and superior, durable components. The Collection is typeset in Monotype Baskerville, litho-printed on Munken Premium White Paper and notch-bound by the independently owned printer TJ International in Padstow. The covers, with French flaps, are printed on Colorplan Pristine White Paper. Both paper and cover board are acid-free and Forest Stewardship Council (FSC) certified.

    Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1903. Not illustrated. Excerpt: ... CHAPTER II. THE ARKEST. "Good gracious M. Rodolph," exclaimed Rigolette, running in, pale and trembling, " a commissary of police and the guard have come here." "Divine justice watches over me," said M. Pipelet, in a transport of pious gratitude. "They have come to arrest Cabrion; unfortunately it is too late." A commissary of police, wearing his tricoloured scarf around his waist underneath his black coat, entered the lodge. His countenance was impressive, magisterial, and serious. "M. le Commissaire is too late; the malefactor has escaped," said M. Pipelet, in a sorrowful voice; "but I will give you his description, --villainous smile, impudent look, insulting --" "Of whom do you speak?" inquired the magistrate. "Of Cabrion, M. le Commissaire; but, perhaps, if you make all haste, it is not yet too late to catch him," added M. Pipelet. "I know nothing about any Cabrion," said the magistrate, impatiently. "Does one Jerome Morel, a working lapidary, live in this house?" "Yes, mon commissaire," said Madame Pipelet, putting herself into a military attitude. "Conduct me to his apartment." "Morel, the lapidary " said the porteress, excessively surprised;" why, he is the mildest lambkin in the world. He is incapable of --" "Does Jerome Morel live here or not?" "He lives here, sir, with his family, in one of the attics." "Lead me to his attic." Then, addressing himself to a man who accompanied him, the magistrate said: "Let two of the municipal guard wait below, and not leave the entrance. Send Justing for a hackney-coach." The man left the lodge to put these orders in execution. "Now," continued the magistrate, addressing himself to M. Pipelet, " lead me to Morel." "If it is all the same to you, mon commissaire, I will do that for Alfred; he is indisposed from Cabrion...

    For Chernyshevsky's novel, far more than Marx's Capital, supplied the emotional dynamic that eventually went to make the Russian Revolution."--Joseph Frank, The Southern ReviewAlmost from the moment of its publication in 1863, Nikolai Chernyshevsky's novel, What Is to Be Done?, had a profound impact on the course of Russian literature and politics. The idealized image it offered of dedicated and self-sacrificing intellectuals transforming society by means of scientific knowledge served as a model of inspiration for Russia's revolutionary intelligentsia. On the one hand, the novel's condemnation of moderate reform helped to bring about the irrevocable break between radical intellectuals and liberal reformers; on the other, Chernyshevsky's socialist vision polarized conservatives' opposition to institutional reform. Lenin himself called Chernyshevsky "the greatest and most talented representative of socialism before Marx"; and the controversy surrounding What Is to Be Done? exacerbated the conflicts that eventually led to the Russian Revolution.Michael R. Katz's readable and compelling translation is now the definitive unabridged English-language version, brilliantly capturing the extraordinary qualities of the original. William G. Wagner has provided full annotations to Chernyshevsky's allusions and references and to the, sources of his ideas, and has appended a critical bibliography. An introduction by Katz and Wagner places the novel in the context of nineteenth-century Russian social, political, and intellectual history and literature, and explores its importance for several generations of Russian radicals.

    The story recounts the love between his new sister-in-law Jamilia and a local crippled young man, Daniyar, while Jamilia's husband, Sadyk, is away at the front during World War II.Based on clues in the story, it takes place in northwestern Kyrgyzstan, presumably Talas Province. The story is backdropped against the collective farming culture which was early in its peak in that period.Chingiz Aïtmatov was born in Kyrgyzstan in 1928. His work appeared in over one hundred languages, and received numerous awards, including the Lenin Prize. He was the Kyrgyz ambassador to the European Union, NATO, UNESCO and the Benelux countries.Translated by James Riordan.

    Prince of Mangalore and son of an Indian maharajah, Taor has tasted an exquisite confection, "rachat loukoum," and is so taken by the flavor that he sets out to recover the recipe. His quest takes him across Western Asia and finally lands him in Sodom, where he is imprisoned in a salt mine. There, this fourth wise man learns the recipe from a fellow prisoner, and learns of the existence and meaning of Jesus.

    Included are pieces from many of the acknowledged masters of Russian literature - including Pushkin, Turgenev, Dostoyevsky, Tolstoy, and Solzhenitsyn - alongside tales by long-suppressed figures such as the subversive Kryzhanowsky and the surrealist Shalamov. Whether written in reaction to the cruelty of the bourgeoisie, the bureaucracy of communism or the torture of the prison camps, they offer a wonderfully wide-ranging and exciting representation of one of the most vital and enduring forms of Russian literature.