A prolific journalist who made himself a dominant figure in the emerging literary culture of postwar san Francisco, Bierce developed a style of slashing sarcasm that made him a feared antagonist. As a short story writer—whether drawing on wartime experiences or exploring realms of supernatural and psychological horror—he used extreme situations to give voice to his uniquely engrossing brand of pessimism.This volume gathers the most celebrated and significant of Bierce’s writings. In the Midst of Life (Tales of Soldiers and Civilians), his collection of short fiction about the Civil War, which includes the masterpieces “An Occurrence at Owl Creek Bridge” and “Chickamauga,” is suffused with a fiercely ironic sense of the horror and randomness of war. Close-up portraits of life in camp and on the battlefield offer unique, often startling, perspectives on the war whose after-echoes pervade Bierce’s writing.Can Such Things Be? brings together “The Death of Halpin Frayser,” “The Damned Thing,” “The Moonlit Road,” and other tales of terror that make Bierce the genre’s most significant American practitioner between Poe and Lovecraft. These tales are notable, in editor S. T. Joshi’s words, for “the meticulous etching of the precise effects of the supernatural upon the sensitive consciousness of his fear-raddled protagonists.”The Devil’s Dictionary, the brilliant lexicon of subversively cynical definitions on which Bierce worked for decades, displays to the full his corrosive wit.In Bits of Autobiography, the series of memoirs that includes the memorable “What I Saw of Shiloh,” he recreates his experiences in the war and its aftermath. The volume is rounded out with a selection of the best stories not gathered in the two major collections. Acclaimed Bierce scholar Joshi provides detailed notes and a newly researched chronology of Bierce’s life and mysterious disappearance.

    After being kicked out of a Catholic orphanage when it is discovered that he is of Jewish descent, a confused and deeply distraught Frankie turns to a life of crime, the only life he knows, and he’s good at it. Frankie quickly makes a name for himself and becomes one of New York’s most dangerous men, ruling the city with an iron fist and indulging in his passion for sex, power and the best things life has to offer—regardless of whether they’re for sale.In Stiletto, Cesare Cardinale is an amoral, aristocratic Italian playboy—an entrepreneur and race car driver who wants for nothing—whether it’s fast cars, beautiful women, or orgies of debauchery. Cesare, however, has two dirty secrets: First, he has a penchant for violence that borders on the sadistic and sociopathic; second, he owes his extravagant life to a Sicilian Mafia don, creating a seemingly perfect relationship—as he leads a double life as a Mafia assassin.“Robbins’s books are packed with action, sustained by strong narrative drive, and are given vitality by his own colorful life.” —The Wall Street JournalThe Harold Robbins Organized Crime Double includes: Never Love A Stranger and Stiletto.

    He's unlicensed. His office is his cell phone. The gun he carries is unregistered, its serial number is filed off, and his methods are out with the law. At a huge 6'5" tall with a hulking 275lb frame packed with rock-solid muscle, he's big, he's bad and he's about as hard as they come - and he's never been one to shy away from a fight. A model cop sent down for a crime he didn't commit, he's out of jail and he's gone renegade. He's become America's Unlicensed Private Detective - a man who drifts around, roaming the length and breadth of America righting wrongs and reaping riches whilst serving up his own hard brand of vigilante justice. In Army of One, he's in McAllen, Texas, - a city not too far from the US-Mexico border - for the funeral of an old friend who, he heard, took his own life. While in town, he soon bumps into a beautiful escort named Sapphire, who mistakes him for somebody else. They make plans to spend the night together, holed up in a cheap nearby motel. But things don't go as planned. They’re soon abducted at gun point and bundled into the back of a black SUV by a sinister group of men they've never seen before. Under orders of a man known only as 'the chairman,' the men drive them out to a desolate stretch of land in the dark Texan desert where a gut-wrenching discovery, a hand-dug grave and a harrowing demise awaits. How will Joe Beck react? What do the men want with them? And what horrors will come to light in the dark of the Texan night? Buy Army of One: Introducing Joe Beck today or find it on the Amazon Kindle Unlimited subscription service for free and start reading to find out. ------- Revised edition: This edition of Army of One: Introducing Joe Beck contains editorial revisions. ------- Reviews “A bit like a Jack Reacher except the main character is more sophisticated. Well worth reading.” JCH, posting on Goodreads.com “A classic thriller. Bit of a modern day western with a hero coming to town to expose a bunch of bad guys. Great read.” Scotty M, posting on Goodreads.com “What a story from start to finish good believable characters and really evil bad guys looking forward to more in future.” Belter, posting on Goodreads.com “Absolutely great. Characters are mysterious and the settings are vivid. In some chapters, I felt like I was actually there! Would highly recommend this book. Looking forward to more Joe Becks!” John, posting on Goodreads.com “What a read! Absolutely loved it.” Jayden, posting on Goodreads.com Books it's similar to If you like Lee Child's Jack Reacher, Vince Flynn's Mitch Rapp, J.B. Turner’s Jon Reznick, Tom Clancy's Jack Ryan, L.T.

    She’s only been out for a day when she accepts a strange job offer from the head of a Christian political advocacy group. He wants her to track down a missing ex-con named Alexis. Although no one knows where Alexis has gone, it seems like everyone in Arkansas is looking for her—from a rich televangelist running for Congress to the governor’s dirty tricks man. When Bennett finds the troubled young woman, she has to decide whether to hand her over to the highest bidder or help her escape from the most powerful men in the state.

    1 bestselling crime series featuring clinical psychologist Dr Tony Hill, hero of TV’s much loved WIRE IN THE BLOOD.THE MERMAIDS SINGINGUp till now, the only serial killers Tony Hill had encountered were safely behind bars. This one’s different – this one’s on the loose.Four men have been found mutilated and tortured. As fear grips the city, the police turn to clinical psychologist Tony Hill for a profile of the killer. But soon Tony becomes the unsuspecting target in a battle of wits and wills where he has to use every ounce of his professional nerve to survive.THE WIRE IN THE BLOODYoung girls are disappearing around the country, and there is nothing to connect them to one another, let alone the killer whose charming manner hides a warped and sick mind.Dr Tony Hill, head of the new National Profiling Task Force, sets his team an exercise: they are given the details of missing teenagers and asked to discover any possible links between the cases. Only one officer comes up with a theory – a theory that is ridiculed by the group … until one of their number is murdered and mutilated.For Tony Hill, the murder becomes a matter for personal revenge and, joined by colleague Carol Jordan, he embarks on a campaign of psychological terrorism – a game where hunter and hunted can all too easily be reversed.THE LAST TEMPTATIONA twisted killer targeting psychologists has left a grisly trail across Europe.Dr Tony Hill, expert at mapping the minds of murderers, is reluctant to get involved. But then the next victim is much closer to home…Meanwhile, his former partner DCI Carol Jordan is working undercover in Berlin, on a dangerous operation to trap a millionaire trafficker. When the game turns nasty, Tony is the only person she can call on for help.Confronting a cruelty that has its roots in Nazi atrocities, Tony and Carol are thrown together in a world of violence and corruption, where they have no one to trust but each other.

    Studies in the exercise of power that marks relations between sexes, classes, and cultures, they show James’s special solicitude for the young heroines who occupy the center of his fictional world.Washington Square (1880) examines the life of Catherine Sloper, a plain, sweet, young woman who lives imprisoned by the selfishness of those close to her: her lover, who cares only for her fortune; her aunt, who meddles for the sake of romantic intrigue; and her protective father, who repays her adoration with irony and wit. Set in the New York of the 1840s, Washington Square evokes the still-intimate city of James’s childhood while presenting a frightening moral lesson in the human consequences of manipulation and indifference.The Portrait of a Lady (1881) is the story of Isabel Archer, a beautiful, idealistic, and inexperienced American woman who is made wealthy by her uncle at the instigation of her dying cousin. Surrounded by the seductive pleasures of nineteenth-century Europe, she preserves her idealism despite involvement with some who would divert her life to uses of their own—Caspar Goodwood, virile American captain of industry; Lord Warburton, scion of British aristocracy; Gilbert Osmond, connoisseur and collector of beautiful objects; Madame Merle, subtle and charming expatriate of unknown connections, and indomitable Henrietta Stackpole, roving journalist and steadfast friend. James’s many-layered masterpiece concerns the perilous American pursuit of individual freedom.The Bostonians (1886) presents an unusual contest for the affections of Verena Tarrant, the lovely, naïve, and pliant daughter of a mesmerist lecturer. She is courted by two cousins: Basil Ransom, an impractical Mississippi landowner now pursuing a meager New York legal practice, and Olive Chancellor, a rich young Boston feminist. Against the richly textured backdrop of Boston and New York society, they enact a drama of confused identity and willful calculation that demonstrates the power and the perils engendered by the refusal of self-knowledge.

    As companion to its volume of Wilder?s collected plays, The Library of America?s edition of his early novels and stories brings together five novels that highlight his wit, erudition, innovative formal structures, and philosophical wisdom. Drawing on the post-collegiate year he spent in Rome, Wilder fashioned in The Cabala a tale of youthful enchantment with the Eternal City in the form of a fictitious memoir of an American student and the enigmatic coterie of noble Romans who draw him into their midst. He followed this debut novel two years later with The Bridge of San Luis Rey, which catapulted him to literary prominence and earned him the first of his three Pulitzer prizes. ?The Bridge,? Wilder later wrote, ?asked the question whether the intention that lies behind love was sufficient to justify the desperation of living.? Set in 18th-century Peru, the book is a kind of theological detective story concerning a friar?s investigations into the lives of five individuals before they were killed in a bridge collapse. An elegantly told parable, with credible historical ambience and psychologically rounded characters, The Bridge of San Luis Rey is primarily a probing inquiry into the nature of destiny and divine intention: Why did God allow these particular people to die?The Woman of Andros, based on the Andria of Roman writer Terence, is a meditation on the ancient world filtered through the sensibility of a meditative courtesan; Heaven?s My Destination, a departure from Wilder?s historical themes, is a picaresque romp through Depression-era America; and The Ides of March takes up the story of Julius Caesar?s assassination by imagining the exchange of letters among such prominent ancient figures as Catullus, Cleopatra, Cicero, and Caesar himself, ?groping in the open seas of his unlimited power for the first principles which should guide him.? The volume concludes with a selection of early short stories?among them ?Précautions Inutiles,? published here for the first time?and a selection of essays that offers Wilder?s insights into the works of Stein and Joyce, as well as a lecture on letter writers that bears on both The Bridge of San Luis Rey and The Ides of March.

    This collection, the first of a two-volume omnibus, presents four classics of the 1940s overdue for fresh attention. Anticipating the “domestic suspense” novels of recent years, these four gripping tales explore the terrors of the mind and of family life, of split personality and conflicted sexual identity.Vera Caspary’s Laura (1943) begins with the investigation into a young woman’s murder and blossoms into a complex study, told from multiple viewpoints, of the pressures confronted by a career woman seeking to lead an independent life. Source of the celebrated film by Otto Preminger, Caspary’s novel has depths and surprises of its own. As much a novel of manners as of mystery, it remains a superb evocation of a vanished Manhattan.Helen Eustis’s The Horizontal Man (1946) won an Edgar Award for best first novel and continues to fascinate as a singular mixture of detection, satire, and psychological portraiture. A poet on the faculty of an Ivy League school (modeled on Eustis’s alma mater, Smith College) is found murdered, setting off ripple effects of anxiety, suspicion, and panic in the hothouse atmosphere of an English department rife with talk of Freud and Kafka.With In a Lonely Place (1947), Dorothy B. Hughes created one of the first full-scale literary portraits of a serial murderer. The streets of Los Angeles become a setting for random killings, and Hughes ventures, with unblinking exactness, into the mind of the killer. In the process she conjures up a potent mood of postwar dread and lingering trauma.Raymond Chandler called Elisabeth Sanxay Holding “the top suspense writer of them all.” In The Blank Wall (1947) she constructs a ferociously taut drama around the plight of a wartime housewife forced beyond the limits of her sheltered domestic world in order to protect her family. The barely perceptible constraints of an ordinary suburban life become a course of obstacles that she must dodge with the determination of a spy or criminal.Psychologically subtle, socially observant, and breathlessly suspenseful, these four spellbinding novels recapture a crucial strain of American crime writing.

    Today her groundbreaking works, suffused with the culture and traditions of African-Americans and the poetry of black speech, have won her recognition as one of the most significant African-American writers. This volume, with its companion, Zora Neale Hurston: Folklore, Memoirs & Other Writings brings together for the first time all of Hurston's best writings in one authoritative set. "Folklore is the arts of the people," Hurston wrote, "before they find out that there is any such thing as art."

    And she refuses to let anyone stand in the way of her pursuit of the Doll Maker, a ruthless serial killer who dresses up little kids as Barbie dolls and displays their bodies in glass cases. But Simone knows that time is running out to piece together the clues as the Doll Maker has made it clear that the killings have only just begun . . .Another serial killer, the Clipper, who enjoyed nine years of infamy as India's most notorious butcher, erupts into an all-consuming rage when he is cast aside by the media in favour of the sick new slayer-the Doll Maker. The Clipper turns his fury into blood-soaked revenge to capture the top spot. As corpses start to pile up, Simone fights to maneuver the Doll Maker into a clever trap. But the Clipper is hell-bent on striking first and regaining the crown with his most grisly murder yet.Can Simone take down the two serial killers and stop the psychotic competition before it gets out of hand?The Girl in the Glass Case is a jaw-dropping psychological crime thriller. If you like determined heroines, nail-biting twists and chilling serial murderers, then you'll love this rollercoaster ride.Read The Girl in the Glass Case today to step into the arena of deadly competition!

    Between 1939 and 1974 he wrote the autobiography and eight novels now collected by the Library of America in an authoritative three-volume set, earning a place as one of the greatest writers of America, his beloved adopted home.The Real Life of Sebastian Knight, the first novel Nabokov wrote in English, published a year after he settled in the U. S., is a tantalizing literary mystery in which a writer’s half brother searches to unravel the enigma of the life of a famous author. A characteristically cunning play on identity and deception, this novel was published in 1941.Bend Sinister (1947), Nabokov’s most explicitly political novel, is the haunting, dreamlike story of Adam Krug, a quiet philosophy professor caught up in the bureaucratic bungling of a totalitarian police state. “I am neither a didacticist nor an allegorizer,” Nabokov affirms in his introduction to the novel, but goes on to state: “There can be distinguished, no doubt, certain reflections in the glass caused by idiotic and despicable regimes that we all know and that have brushed against me in the course of my life: worlds of tyranny and torture, of Fascists and Bolshevists, of Philistine thinkers and jack-booted baboons.”Speak, Memory: An Autobiography Revisited (1951; revised 1966), Nabokov’s dazzling memoir of his childhood in imperial Russia and exile in Europe, is central to an understanding of his art. With its balance of inner and outer worlds—of family chronicle and private fantasy, revolutions and butterflies, the games of childhood and the disasters of politics—the work that Nabokov called “a systematically correlated assemblage of personal recollections” is a haunting transmutation of life into art. “I have to make a rapid inventory of the universe…I have to have all space and all time participate in my emotion, in my mortal love,” he writes toward the end of the book, “so that the edge of its mortality is taken off, thus helping me to fight the utter degradation, ridicule, and horror of having developed an infinity of sensation and thought within a finite existence.”The texts of this volume incorporate Nabokov’s penciled corrections in his own copies of his works and correct long-standing errors. They are the most authoritative versions available and have been prepared with the assistance of Dmitri Nabokov, the novelist’s son.

    SpaceshipPiper in the Woods

    The Best Of Robicheaux: 'In The Electric Mist With Confederate Dead'; 'Cadillac Jukebox'; 'Sunset Limited'

    Morton's first two unforgettable novels in one volume: The House at Riverton plus The Forgotten Garden.

    In one morning, he gets two.DNA from a 1989 rape and murder matches a 29-year-old convicted rapist. Was he an eight-year-old killer or has something gone terribly wrong in the new Regional Crime Lab? The latter possibility could compromise all of the lab's DNA cases currently in court.Then Bosch and his partner are called to a death scene fraught with internal politics. Councilman Irvin Irving's son jumped or was pushed from a window at the Chateau Marmont. Irving, Bosch's longtime nemesis, has demanded that Harry handle the investigation.Relentlessly pursuing both cases, Bosch makes two chilling discoveries: a killer operating unknown in the city for as many as three decades, and a political conspiracy that goes back into the dark history of the police department.