The ISBN for the set is 9780307595577.On Stieg Larsson, a previously unpublished collection of essays about and correspondence with the author.

    Now the city is again under siege, in this gritty, suspenseful, and beautifully written novel from award-winning debut author T.J. Martinson.Somewhere in Chicago, a roomful of people have been taken hostage. The hostages will be killed one by one, the masked gunman says on-screen, unless the police will admit that they faked the death of the legendary black superhero called the Kingfisher and helped him to give up his defense of the city thirty years ago.Retired reporter Marcus Waters made his name as a journalist covering the enigmatic superhero’s five years of cleaning up Chicago’s streets. Then the Kingfisher died, Chicago resumed its violent turmoil, and Marcus slid back into obscurity. But did the Kingfisher really die? And who would take hostages connected to the Kingfisher's past attempts to clean up the streets? With the help of disgraced police officer Lucinda Tillman and a young hacktivist named Wren, Marcus will explore the city's violence, corruption, and chaos to figure out if the vigilante hero died tragically, or gave up hope and abandoned the city—and for the hostages, the clock is ticking.

    With "Nightfall," written in 1941, Asimov triggered a spark of awareness in the publishing community that science fiction could be more than Buck Rogers comic books. His "Foundation" series and robot novels (he coined the word "robotics") are acknowledged as the cornerstone of modern science fiction. Asimov's Foundation series was awarded the Best All-time Novel Series Hugo Award in 1966. He was awarded the special lifetime Nebula Grandmaster award in 1987.Over the next fifty years, Isaac Asimov would distinguish himself as one of the most prolific, versatile, and creative authors ever. His broad range of works includes histories, children's books, collections of articles, mysteries, and books concerning the Bible, literature, geography, humor, and nonfiction science material. He managed over his creative lifetime to have at least one book included in each of the Dewey Decimal System's 10 major library classifications. He was known for his profound knowledge of Shakespeare, the Bible, Gilbert and Sullivan, limericks, and history, whether it be Roman, Greek or American. Isaac Asimov died in 1992 at the age of 72.Volume 1 of "Isaac Asimov: Short Stories" contains the Hugo and Nebula Award Nominee, Locus Poll Award Winner and Asimov's Reader's Choice Award Winner "Robot Dreams," the Hugo Award Winner and Locus Poll Award Nominee "Gold," the Locus Poll Award Nominee "Potential," the Asimov's Reader's Choice Award Nominated "Kid Brother," and more excellent short science fiction, including arare 1974 Saturday Evening Post four-part series, collectively entitled the "The Dream."

    Jack could turn away from the case, but he won't because some old scores need to be settled. So Jack takes the plunge into a world of crime, ambition, and evil.

    A Firebird transports a crew of glitter kids away from the city. Forget the trunk full of cash and illegal firearms. Forget the disco heist and sea of felonies left in their wake. They are five friends happily rolling down thunder road with no horizon in sight. They are YOUNG AMERICANS.

    M. Homes. “It is a place where things are not what they seem; even on a morning that is sunny and clear there is always the threat of darkness looming, of things taking a turn for the worse.” Jackson’s characters–mostly unloved daughters in search of a home, a career, a family of their own–chase what appears to be a harmless dream until, without warning, it turns on its heel to seize them by the throat. We are moved by these characters’ dreams, for they are the dreams of love and acceptance shared by us all. We are shocked when their dreams become nightmares, and terrified by Jackson’s suggestion that there are unseen powers–“demons” both subconscious and supernatural–malevolently conspiring against human happiness.In this volume Joyce Carol Oates, our leading practitioner of the contemporary Gothic, presents the essential works of Shirley Jackson, the novels and stories that, from the early 1940s through the mid-1960s, wittily remade the genre of psychological horror for an alienated, postwar America. She opens with The Lottery (1949), Jackson’s only collection of short fiction, whose disquieting title story–one of the most widely anthologized tales of the twentieth century–has entered American folklore. Also among these early works are “The Daemon Lover,” a story Oates praises as “deeper, more mysterious, and more disturbing than ‘The Lottery,’” and “Charles,” the hilarious sketch that launched Jackson’s secondary career as a domestic humorist.Here too are Jackson’s masterly short novels The Haunting of Hill House (1959), the tale of an achingly empathetic young woman chosen by a haunted house to be its new tenant, and We Have Always Lived in the Castle (1962), the unrepentant confessions of Miss Merricat Blackwood, a cunning adolescent who has gone to quite unusual lengths to preserve her ideal of family happiness. Rounding out the volume are 21 other stories and sketches that showcase Jackson in all her many modes, and the essay “Biography of a Story,” Jackson’s acidly funny account of the public reception of “The Lottery,” which provoked more mail from readers of The New Yorker than any contribution before or since.

    SECRETS AND LIES Eighteen months after being wrongly accused of her murder, Dan Searle returns to rebuild his life and forget. A MYSTERIOUS PAST But others won't let him forget. He is quickly drawn back into the case and a dark and violent mystery; one that involved another girl years before. OPEN YOUR EYES As the lies begin to unravel, Dan uncovers startling truths about the farm and its past. With dangerous people trying to keep their secrets safe, he must save those he loves - before time runs out…

    It tells the story of Homer Wells, an orphan who is raised and mentored by Wilbur Larch, the doctor at the orphanage. Dr. Larch teaches Homer eveything about medicine. Yet though his capacity for kindness is saintly, Larch is also an ether addict. He and Homer come into conflict, which is typical of many father-son relationships, but in this case, their conflict is intensified by their disagreements about abortion. The result is Homer leaves the only family he has ever known.Homer's new life provides more excitement than he could have imagined, especially when he falls in love for the first time. But, when forced to make decisions that will change the course of his future, Homer finally realizes that he can't escape his past. The Cider House Rules is ultimately about the choices we make and the rules that are meant to be broken.

    Though he is an aid worker, the secret service minders who have protected him for twenty years have reactivated him: they want information about the man who perpetrated a massacre in a Muslim village in Bosnia. His target is the most ruthless killer in the whole war zone: Milan Pravic, codename the Scorpion. And the only eyewitness to the massacre is a twelve-year-old girl whom Pravic will do anything to silence-

    But perhaps higher forces have something else in mind. For when a sign presaging the rising of the Third Temple is located in America and a dirty bomb is detonated in downtown Tel Aviv, events conspire to place a team of archaeologists in the tunnels deep under the Temple Mount. And there, Eric is witness to a discovery of such monumental proportions that nothing will ever be the same again.Harry Turtledove is the master at portraying ordinary people caught up in extraordinary events, and what is more extraordinary than the incontrovertible proof that there truly is a higher force controlling human destiny? But as to what that force desires...well, that is the question.

    She is a lifeguard at the pool at the Dunes hotel in Las Vegas, caught off guard by the new attention from men and boys, not quite sure of her own footing in the world. Her mother, Kathy, suddenly finds herself in a place equally uncertain: her children getting older, her stable marriage perhaps too stable, the slow days of summer leaving her adrift. When Kathy meets Helen’s boss, the manager at the pool, her life is on the brink of a different sort of change.Following Helen and Kathy through three summers, this novel is an intimate picture of two sexual awakenings under one roof and their aftershocks on a family. The Perfect Age is set in workaday Las Vegas, where people are married at drive-through chapels, and escort services are advertised alongside 99-cent shrimp cocktail. The novel takes the reader beyond the glitz of showgirls and Elvis impersonators and reveals the everyday life in homes and schools, and among the lukewarm waters of Lake Mead and the semi-cool of the surrounding mountains. In The Perfect Age, Heather Skyler explores the nature of beauty, sex, and class divisions in a society where things are at once normal and bizarre, showing us that the validity of life’s deepest experiences—love, betrayal, acceptance—is never compromised by age.

     This striking novella is based on first-hand research of the Camorra, an Italian organized crime network more powerful and violent than the Mafia. It's the brutal organization that was recently exposed by Roberto Saviano, both in his brilliant non-fiction account and the film adaptation. Saviano, as it turns out, first interviewed Camorra members while working as a research assistant to Nanni Balestrini, collecting the stories that would become Sandokan. Though fiction, Sandokan is horribly, devastatingly real. The narrator is a resigned victim of the Camorra. The Camorra members are his neighbors, and he presents an uncompromising description of a world under savage occupation, the true combination of backwardness, violence, and ambition that locks small-town southern Italy under the control of organized crime. It is one of the most meaningful and riveting books to have been produced by Italian literature of recent years, by one of Italy’s most significant authors.The Contemporary Art of the Novella series is designed to highlight work by major authors from around the world. In most instances, as with Imre Kertész, it showcases work never before published; in others, books are reprised that should never have gone out of print. It is intended that the series feature many well-known authors and some exciting new discoveries. And as with the original series, The Art of the Novella, each book is a beautifully packaged and inexpensive volume meant to celebrate the form and its practitioners.

    FYODOR MIKHAILOVICH DOSTOYEVSKY [1821-1881] was a Russian writer of novels and short stories .In 1841, he graduated from Saint Petersburg Academy of Military Engineering. In 1845, he published his first novel Poor Folk in the magazine Sovremennik. The poet Nikolai Nekrasov, editor of the magazine, said of Dostoyevsky, "a new Gogol has arisen!" In 1846, he published The Double. It was received with dissaponting reaction. In 1849, he was arrested and sentenced to death for being a member of the Petrashevsky Circle. The sentence was reduced to four years hard labor at a prison camp in Omsk, Siberia. Of the experience he wrote, "In summer, intolerable closeness; in winter, unendurable cold. All the floors were rotten. Filth on the floors an inch thick; one could slip and fall... We were packed like herrings in a barrel...There was no room to turn around. From dusk to dawn it was impossible not to behave like pigs... Fleas, lice, and black beetles by the bushel..." In 1854, and was required to serve five years in the Russian army at Semipalatinsk, Kazakhstan. In 1866, he published Crime and Punishment which made him one of Russia's most popular authors. In 1867, he published The Gambler. He had become a frequent visitor to casinos and wrote the book to pay debts. From 1873 to 1881, he published the Writer's Diary, a magazine of short stories and articles on current events.Many leading authors have been influenced by him including Proust, Faulkner, Camus, Kafka, Kerouac, and Salinger. Hemingway cited his influence in A Moveable Feast. James Joyce said of him, "...he is the man more than any other who has created modern prose ..."