But after her father's death, the bad luck piles up: departing workers, impossible debts, an overbearing uncle. Then a stranger named Jack Spinner offers a tempting proposition: He can turn straw into gold thread, for the small price of her mother's ring. As Charlotte is drawn deeper into her bargains with Spinner-and a romance with the local banker-she must unravel the truth of the curse on the mill and save the community she's always called home.

    It is like the ocean surging, the wind that blows across the open water, the far call of gulls. Suddenly, each girl must decide what matters most: friendship, or love. What both girls don’t know is that the stakes are even higher than either of them could have imagined. They're not the only ones who have noticed Jack’s gift; his music has awakened an ancient evil—and a world both above and below which may not be mythical at all.  We have paved over the ancient world but that does not mean we have erased it. The real and the mystical; the romantic and the heartbreaking all begin to swirl together in All Our Pretty Songs, Sarah McCarry's brilliant debut, carrying the two on journey that is both enthralling and terrifying. And it’s up to the narrator to protect the people she loves—if she can.

    A whole lot of Brooklyn is like that now—but not Vassa’s working-class neighborhood.In Vassa’s neighborhood, where she lives with her stepmother and bickering stepsisters, one might stumble onto magic, but stumbling away again could become an issue. Babs Yagg, the owner of the local convenience store, has a policy of beheading shoplifters—and sometimes innocent shoppers as well. So when Vassa’s stepsister sends her out for light bulbs in the middle of night, she knows it could easily become a suicide mission.But Vassa has a bit of luck hidden in her pocket, a gift from her dead mother. Erg is a tough-talking wooden doll with sticky fingers, a bottomless stomach, and a ferocious cunning. With Erg’s help, Vassa just might be able to break the witch’s curse and free her Brooklyn neighborhood. But Babs won’t be playing fair…

    Josef Breuer—celebrated psychoanalyst—is about to encounter his strangest case yet. Found by the lunatic asylum, thin, head shaved, she claims to have no name, no feelings—to be, in fact, not even human. Intrigued, Breuer determines to fathom the roots of her disturbance.Years later, in Germany, we meet Krysta. Krysta’s Papa is busy working in the infirmary with the ‘animal people,’ so little Krysta plays alone, lost in the stories of Hansel and Gretel, the Pied Piper, and more. And when everything changes and the world around her becomes as frightening as any fairy tale, Krysta finds her imagination holds powers beyond what she could have ever guessed. . . .Eliza Granville has had a life-long fascination with the enduring quality of fairytales and their symbolism, and the idea for Gretel and the Dark was sparked when she became interested in the emphasis placed on these stories during the Third Reich.

    Wendy’s journey leads her to a mysterious hidden cove inhabited by a tribe of young renegade surfers, most of them runaways like her brothers. Wendy is instantly drawn to the cove’s charismatic leader, Pete, but her search also points her toward Pete's nemesis, the drug-dealing Jas. Enigmatic, dangerous, and handsome, Jas pulls Wendy in even as she's falling hard for Pete. A radical reinvention of a classic, Second Star is an irresistible summer romance about two young men who have yet to grow up--and the troubled beauty trapped between them.

    No one, except for Marra herself.Seeking help from a powerful gravewitch, Marra is offered the tools to kill a prince—if she can complete three impossible tasks. But, as is the way in tales of princes, witches, and daughters, the impossible is only the beginning.On her quest, Marra is joined by the gravewitch, a reluctant fairy godmother, a strapping former knight, and a chicken possessed by a demon. Together, the five of them intend to be the hand that closes around the throat of the prince and frees Marra's family and their kingdom from its tyrannous ruler at last.

    S. Byatt knows that fairy tales are for grownups. And in this ravishing collection she breathes new life into the form.Little Black Book of Stories offers shivers along with magical thrills. Leaves rustle underfoot in a dark wood: two middle-aged women, childhood friends reunited by chance, venture into a dark forest where once, many years before, they saw–or thought they saw–something unspeakable. Another woman, recently bereaved, finds herself slowly but surely turning into stone. A coolly rational ob-gyn has his world pushed off-axis by a waiflike art student with her own ideas about the uses of the body. Spellbinding, witty, lovely, terrifying, the Little Black Book of Stories is Byatt at the height of her craft.

    Part one follows the pattern of the fairy tale, though the central character is not the white bear prince or the intrepid young woman who travels east of the sun and west of the moon to save him from a curse. Our narrator, whom I named Hulde, only had a bit-part in that original story. The novel-length version takes Hulde way out of her comfort zone as she heads off into the unknown world beyond the glass mountain, to find out what it means to make your own story.

    Nevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own. Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather’s room. She opens it—and accidentally frees the spirit of the Mayan god of death, who requests her help in recovering his throne from his treacherous brother. Failure will mean Casiopea’s demise, but success could make her dreams come true.In the company of the strangely alluring god and armed with her wits, Casiopea begins an adventure that will take her on a cross-country odyssey from the jungles of Yucatán to the bright lights of Mexico City—and deep into the darkness of the Mayan underworld.Alternate cover edition of ISBN 9780525620754

    Your hands are empty. You are nearly naked.And the wolf is angry.Since her grandmother became her caretaker when she was four years old, Bisou Martel has lived a quiet life in a little house in Seattle. She’s kept mostly to herself. She’s been good. But then comes the night of homecoming, when she finds herself running for her life over roots and between trees, a fury of claws and teeth behind her. A wolf attacks. Bisou fights back. A new moon rises. And with it, questions. About the blood in Bisou’s past and on her hands as she stumbles home. About broken boys and vicious wolves. About girls lost in the woods—frightened, but not alone.

    Tales of blood and intrigue, betrayal and enchantment from a leading Irish YA author.With 13 stunning black and white illustrations by new Irish illustrator Karen Vaughan.

    A despairing author abandons his wife, but in the course of a long night's wandering, he learns love's true value and returns to her, only to find her a different woman than the one he left. A landowner, seeking to prove a principle, inadvertently exposes the ferocity of mother love. A wealthy young traveler melts the hauteur of a lovely woman by masquerading as her aged and loyal servant.Shimmering and haunting, Dinesen's Winter's Tales transport us, through their author's deft guidance of our desire to imagine, to the mysterious place where all stories are born.

    The interviews that follow have echoes of another, far more famous literary journey, undertaken long ago and in another world.Drawing on the original, unexpurgated tales collected by Jacob and Wilhelm Grimm, six of their most famous works are re-imagined in the rich and endlessly varied landscapes of contemporary America.From the glass towers of Manhattan to the remoteness of the Blue Ridge mountains; from the swamps of Louisiana to the jaded glamour of Hollywood, New World Fairy Tales reclaims the fairy tale for the modern adult audience. A haunting blend of romance and realism, these stripped-back narratives of human experience are the perfect read for anyone who has read their child a bedtime fairy story, and wondered who ever said these were stories meant for children.

    A desperate young woman makes a prayer to the Saint of Sidewalks, but the miracle she receives isn’t what she expected. A painter spies a naked man, crouched by the Cathedral of St. John the Divine, transform into a beautiful white bird and decides to paint him, and becomes involved in his curse. Jeanne, a duelist and a sacred blade for God and Her holy saints, finds that the price of truth is always blood. And in the novella “Once, Future” Howard reimagines the Arthurian romance on a modern college campus as a story that is told, and told again, until the ending is right.

    From enchantment and shapeshifting to the age-old dichotomies of conflict versus peacemaking and love versus betrayal, all of these tales are uniquely reinvented, creating fresh, contemporary narratives that portray the real world as much as they depict the past. Based on the fable of Branwen, Daughter of Llyr, this interpretation revives one of the most action-packed stories in the whole myth cycle. Moving this bloodthirsty tale of Welsh and Irish power struggles and family tensions into the 21st century, this retelling retains many of the bizarre and magical happenings of the original. After being wounded in Italy, Matthew O’Connell is seeing out WWII in an obscure government department, spreading rumors and myths to the enemy. When he is assigned the bizarre task of escorting a box containing six raven chicks from a remote hill farm to the Tower of London, he soon finds himself ensnared in an adventure that leaves him powerless.