not realizing it would be the first night of the rest of her life. But Cecily had a few secrets of her own. Now it's over a century later, elegant Cecily is a vengeance demon named Halfrek endeavoring to destroy another young poet, and William the Bloody -- the renowned Spike - squaring off against her to try and even the scales. Photo cover, full-color illustrated interiors.

    Nearly every year since, the rich thematic material of good vs. evil, Slayer vs. vampire, friendship vs. isolation, and black vs. the new black has been explored at Dark Horse in over a hundred different issues - and by the biggest luminaries in the business. The stunning visuals unachievable on a small-screen budget have come to life, realized by Chris Bachalo, J. Scott Campbell, Jeff Matsuda, Mike Mignola, Terry Moore, Eric Powell, Tim Sale and Ryan Sook, among others. Take a look back at the most dynamic and memorable line art and paintings from the first ten years of the Slayer in comics - the best visions of Buffy that comics have to offer is finally given the deluxe coffee-table treatment, in a tradition started by our popular Star Wars: Panel to Panel series.

    She must keep her darkest self at bay while she battles demons—the scaly and horned type as well as her own! Collects the five-issue miniseries.

    In his ongoing search for redemption, Angel firmly believes he's found a way to make amends - by reviving the dead! Cue Faith - rebel Slayer charged with helping Angel recover in the aftermath of his biggest misdeed. Out of fierce loyalty she supports his ridiculous scheme, if only to prevent him from going too far to attain his goal. Past, present, and potential future threats emerge as this unlikely duo struggles against real and personal demons while hitting the dark streets of London.Comic scribe Christos Gage (Avengers Academy) and series artist Rebekah Isaacs (DVS) launch readers into the heart of Angel & Faith, the newest addition to Joss Whedon's world of Buffy the Vampire Slayer! This collection also features a one-shot starring vampire Harmony, with art by Phil Noto.

    Bad television--predictable, commercial, exploitative--simply yields to the forces. Good television, like the character of Buffy the Vampire Slayer, fights them. Fighting the Forces explores the struggle to create meaning in an impressive example of popular culture, the television series phenomenon Buffy the Vampire Slayer. In the essays collected here, contributors examine the series using a variety of techniques and viewpoints. They analyze the social and cultural issues implicit in the series and place it in its literary context, not only by examining its literary influences (from German liebestod to Huckleberry Finn) but also by exploring the series' purposeful literary allusions. Furthermore, the book explores the extratextual, such as fanfiction and online discussion groups. The book is additionally supplemented by an online journal Slayage (www.slayage.tv), created by the book editors in acknowledgement of the ongoing nature of television art. Rhonda V. Wilcox and David Lavery have written and edited several books and articles exploring the social, literary, and artistic merit of quality television. In addition to Buffy the Vampire Slayer, their work has covered a variety of programs including Twin Peaks, Northern Exposure, The X-Files, and The Sopranos.

    Completely illustrated and annotated by the rest of the gang, this book of spells is a unique keepsake for fans of the Buffy-verse and an incredible celebration of the show’s twenty-year legacy.

    Set during seasons one and two of the Angel television series, favorite characters appear - Cordelia, Doyle, Wes, Gunn - as the investigations of LA's vampire detective agency delve into all that is dark, grotesque, strange, and unexplainable. Angel faces demonic rats, bizarre deaths from spontaneous combustion, Hollywood demons encountered courtesy of Cordelia, angry spirits, zombies, and more Before you take a look at the upcoming new Dark Horse Angel comic series and the aftermath of Buffy Season Eight, take a step back and remember Angel's LA saga

    has disappeared in less than two months! But Buffy's oblivious. She's brainstorming a theme for the senior dance. One nightmare later, she meets a stranger named Merrick who tells her she bears the mark of the order: only she - the Pom-Pom Princess of California cheerleaders - can stop the vampires before they engulf L.A. They're everywhere... she can't even trust her best friends! Merrick has brought her knowledge, physical and mental powers beyond her wildest dreams, and a terrifying enemy: Lothos, King of the Vampires, who is determined to have Buffy for himself! All she has are a stake, a cross and a mission: destroy the evil - even if it takes her own life!

    Yet the show has lived on through syndication, global distribution, DVD release, and merchandising, as well as in the memories of its devoted viewers. Buffy stands out from much entertainment television by offering sharp, provocative commentaries on gender, sexuality, race, ethnicity, and youth. Yet it has also been central to changing trends in television production and reception. As a flagship show for two U.S. “netlets”—the WB and UPN—Buffy helped usher in the “post-network” era, and as the inspiration for an active fan base, it helped drive the proliferation of Web-based fan engagement.In Undead TV, media studies scholars tackle the Buffy phenomenon and its many afterlives in popular culture, the television industry, the Internet, and academic criticism. Contributors engage with critical issues such as stardom, gender identity, spectatorship, fandom, and intertextuality. Collectively, they reveal how a vampire television series set in a sunny California suburb managed to provide some of the most biting social commentaries on the air while exposing the darker side of American life. By offering detailed engagements with Sarah Michelle Gellar’s celebrity image, science-fiction fanzines, international and “youth” audiences, Buffy tie-in books, and Angel’s body, Undead TV shows how this prime-time drama became a prominent marker of industrial, social, and cultural change.Contributors. Ian Calcutt, Cynthia Fuchs, Amelie Hastie, Annette Hill, Mary Celeste Kearney, Elana Levine, Allison McCracken, Jason Middleton, Susan Murray, Lisa Parks

    Sex and the Slayer explores one of the most talked-about topics in relation to this pioneering TV series--gender. As fantasy, Buffy potentially opens up a space for alternative representations of gender. But how alternative can popular television be? Taking a feminist cultural studies approach, Jowett explores the ways in which the series represents femininity, masculinity, and gendered relations, including sexuality and sexual orientation. Written for undergraduates, Sex and the Slayer provides an introduction to the most important theoretical and historical underpinnings of contemporary gender criticism as it examines a range of thought-provoking issues: role reversal, the tension between feminism and femininity, the "crisis" of masculinity, gender hybridity, the appeal of bad girls, romance, and changing family structures. Through this introductory analysis, Jowett shows that Buffy presents a contradictory mixture of "subversive" and "conservative" images of gender roles and as such is a key example of the complexity of gender representation in contemporary television.

    We've gotten glimpses of these other women over the years on T.V., in comics, and in books. Now for the first time, the writers from the television series, including the show's creator, Joss Whedon, and one of its stars, Amber "Tara" Benson, present the tales of these girls, with the help of comics' greatest artists. Gene Colan, co-creator of Marvel's Blade and Tomb of Dracula, returns to Dark Horse for the story of a young girl in 1970s New York, battling vampires. Tim Sale, artist of recent epics Batman: The Long Halloween and Superman for All Seasons teams with Joss Whedon for a grim tale of a medieval slayer. American comics legend P. Craig Russell (Dr. Strange, The Ring of the Nibelung) and international rising star Mira Friedmann (Actus Tragicus) also join the stellar lineup.

    In this thoughtful, witty look at the acclaimed "Buffy" spin-off, five science fiction and fantasy writers discuss their favorite vampire.

    and more?Buffy the Vampire Slayer is a complete roleplaying game. In it, you will find:• An introduction to roleplaying and the Buffyverse.• A roleplaying guide to all seven season of Buffy the Vampire Slayer.• Detailed character creation, including pre-constructed Heroes and White Hats, for your quick-play pleasure.• Roleplaying specifics for the entire Original Cast, from Buffy to Dawn, including their wild and wacky changes.• The Buffy Unisystem, streamlined for cinematic slayage and sneakage.• A primer on magic mojo, for those who dare.• A guide to the hotspots of Sunnydale.• The monsters of mayhem, all stat-ed out and ready-to-slay, and the skinny every season's Big Bad.• Blow-by-blow instructions for creating Buffy roleplaying Episodes, Seasons, and Series.• A complete Episode to get slaying fast and easy.• A guide to Buffyspeak to add sparkle to your dialogue .

    It’s easy to see why. Whedon, who got his start writing for Roseanne, dreamed of writing movie screenplays. He got his shot when he sold his script for Buffy the Vampire Slayer, but the movie fell far short of his hopes for it. After a few years of working as a script doctor, Whedon got the chance to doBuffy again, this time as a TV show.Few expected it to succeed, but Whedon’s humor and intelligence shone through in the scripts, and viewers quickly became attached to the engaging, witty characters. Buffy kept getting better: each season of the show featured a complex story arc possessed of a real sense of danger and further developed the characters. The last few years have brought the Buffy spin-off Angel, the lamentably canceled Firefly (a space western), and the comic book Fray. Engaging and filled with fun quotes, this is a must-read for Whedon’s many fans.

    He's a hard worker and a reliable friend to Alexia, an athletic and headstrong young woman. But at night Jacob likes to cut loose at the local arcade, where he's befriended a reckless gang of vampires who enjoy drinking his blood. Jacob craves the high and the easy escape from the monotony of his life that this "bloodletting" provides.Enter the mysterious and sultry May, who can help Jacob leave those high-school days behind -- that is, if Alexia doesn't stop her first.