While a near constant fog envelopes the estate, Alex begins questioning the bizarre things she’s seeing around him, as gossip circulates that Thom is more than just different. Determined not to let rumours influence her, Alex tries to learn who he really is, even as he provokes her with his dark sense of humour. But discovery of Thom’s terrible secret propels Alex’s life in a direction she could have never predicted.Halton Cray is a contemporary paranormal romance and dark adventure inspired by Charlotte Bronte’s Jane Eyre. The first book in the Shadows of the World series.

    In seventeenth-century China, three women become emotionally involved with The Peony Pavilion, a famed opera rumored to cause lovesickness and even death, including Peony, the cloistered daughter of a wealthy scholar, who succumbs to its spell only to return after her death as a "hungry ghost" to haunt her former fiancé, who has married another.

    As the book opens, he is driving along a dark road when he is distracted by what seems to be a flight of arrows. He crashes into a ravine and suffers horrible burns over much of his body. As he recovers in a burn ward, undergoing the tortures of the damned, he awaits the day when he can leave the hospital and commit carefully planned suicide—for he is now a monster in appearance as well as in soul. A beautiful and compelling, but clearly unhinged, sculptress of gargoyles by the name of Marianne Engel appears at the foot of his bed and insists that they were once lovers in medieval Germany. In her telling, he was a badly injured mercenary and she was a nun and scribe in the famed monastery of Engelthal who nursed him back to health. As she spins their tale in Scheherazade fashion and relates equally mesmerizing stories of deathless love in Japan, Iceland, Italy, and England, he finds himself drawn back to life—and, finally, in love.He is released into Marianne's care and takes up residence in her huge stone house. But all is not well. For one thing, the pull of his past sins becomes ever more powerful as the morphine he is prescribed becomes ever more addictive. For another, Marianne receives word from God that she has only twenty-seven sculptures left to complete—and her time on earth will be finished.

    But when her husband dies, Jessie fears the family she's longed for is slipping away - until Chase Logan unexpectedly comes to her rescue. By pretending to be her husband, Chase can make all of her dreams come true.Three days are all she asks of him. Three days to ignite a love neither of them ever imagined possible....Number of Pages: 283

    A dark cloud hovers over Wolfram. The death of Nathaniel’s first wife has never been solved, and some of the villagers believe him responsible. Struggling to understand the distant man she married, Laura tries to uncover the truth. With each stone unturned, she comes closer to danger. Lord Nathaniel Lanyon had decided never to marry again. But when he meets Miss Laura Parr, the daughter of Sir Edmund Parr, one rainy afternoon, he realizes almost immediately that he must have her in his life. And the only way he could was to marry her. Nathaniel believes that his troubled past is behind him and he can offer Laura a good life at Wolfram. However, he knows he can never offer her his heart. But as soon as they come to live in the ancient abbey, the past returns to haunt him, revealing secrets that he thought had been buried forever.

    Now, she’s at risk to lose her sanctuary to Lord Nicolas Thornton, a twenty-seven-year-old mysterious and eccentric architect with designs on her humble estate. When she secretly witnesses him raging beside a grave, Juliet investigates, finding the name “Hawk” on the headstone and an unusual flower at the base. The moment Juliet touches the petals, a young English nobleman appears in ghostly form, singing a song only her deaf ears can hear. The ghost remembers nothing of his identity or death, other than the one name that haunts his afterlife: Thornton. To avenge her ghostly companion and save her estate, Juliet pushes aside her fear of society and travels to Lord Thornton’s secluded holiday resort, posing as a hat maker in one of his boutiques. There, she finds herself questioning who to trust: the architect of flesh and bones who can relate to her through romantic gestures, heartfelt notes, and sensual touches … or the specter who serenades her with beautiful songs and ardent words, touching her mind and soul like no other man ever can. As sinister truths behind Lord Thornton’s interest in her estate and his tie to Hawk come to light, Juliet is lured into a web of secrets. But it’s too late for escape, and the tragic love taking seed in her heart will alter her silent world forever.

    As a young girl, Bronwyn could pass through a time slip in her great-aunt’s house, where she visited William Thorne, a boy her own age, born two centuries earlier. After a family tragedy, the house was shuttered and Bronwyn was convinced that William existed only in her imagination. Now, twenty years later Bronwyn inherits Thorne Manor. And when she returns, William is waiting. William Thorne is no longer the boy she remembers. He’s a difficult and tempestuous man, his own life marred by tragedy and a scandal that had him retreating to self-imposed exile in his beloved moors. He’s also none too pleased with Bronwyn for abandoning him all those years ago. As their friendship rekindles and sparks into something more, Bronwyn must also deal with ghosts in the present version of the house. Soon she realizes they are linked to William and the secret scandal that drove him back to Thorne Manor. To build a future, Bronwyn must confront the past.

    One endless nightmare tearing Wales apart – and only they can stop it.Sunday Times bestselling author Barbara Erskine returns to Hay in the year that marks the 30th anniversary of her sensational debut bestseller, Lady of Hay.Hay-On-Wye, 1400 – War is brewing in the Welsh borders, Catrin is on the brink of womanhood and falling in love for the first time. Her father is a soothsayer, playing a dangerous game playing on the mixed loyalties and furious rivalries between welsh princes and English lords. For two hundred years, the Welsh people have lain under the English yoke, dreaming of independence. And finally it looks as though the charismatic Owain Glyndwr may be the man legend tralks of. In the walls of Sleeper’s Castle, Catrin finds herself caught in the middle of a doomed war as she is called upon to foretell Wales’s destiny… And what she sees, is blood and war coming closer…Hay, 2015. Miranda has moved to Sleeper’s Castle to escape and grieve. Slowly she feels herself coming to life in the solitude of the mountains. But every time she closes her eyes her dreams become more vivid. And she makes a connection with a young girl, who’s screaming, who’s reaching out… who only Miranda can help. Is she losing herself to time?

    With a modest inheritance and the three gowns that comprise her entire wardrobe, Theodora leaves Edinburgh--and a disappointed suitor--far behind. She is bound for Rumania, where tales of vampires are still whispered, to visit an old friend and write the book that will bring her true independence.She arrives at a magnificent, decaying castle in the Carpathians, replete with eccentric inhabitants: the ailing dowager; the troubled steward; her own fearful friend, Cosmina. But all are outstripped in dark glamour by the castle's master, Count Andrei Dragulescu.Bewildering and bewitching in equal measure, the brooding nobleman ignites Theodora's imagination and awakens passions in her that she can neither deny nor conceal. His allure is superlative, his dominion over the superstitious town, absolute--Theodora may simply be one more person under his sway.Before her sojourn is ended--or her novel completed--Theodora will have encountered things as strange and terrible as they are seductive. For obsession can prove fatal...and she is in danger of falling prey to more than desire.

    As Alexandra Dunn's farmhouse is set ablaze, her grandfather places precious stones in her palm, telling her she has until the next full moon to return with a hero...a brave, chivalrous knight to help save her family. Familiar objects become a blur as she is swallowed in darkness. Suddenly Alexandra is standing in the middle of Central Park, but she has no time to ponder on the wondrous powers of the stones or the amazing sights before her...she must find a hero before all is lost. Joe McFarland would be the first to admit that he's far from hero material...definitely not the man she's looking for. A firm believer of quietude and non-violence, he avoids conflict at all costs. At thirty-four, he is one of the younger Professors at NYU where he lectures and teaches History: The High Middle Ages. Joe's main goal in life is to gain membership into the Medieval Academy, a highly distinguished group of archaeologists and historians. He believes membership will bring him respect and recognition...but what he really wants is to be reunited with his father; a man who has spent his entire life searching for the Black Knight, the last of the medieval knights.Joe's organized, well-structured life begins to unravel the moment he meets Alexandra Dunn. He figures she majored in medieval history before going off the deep end...until days later when he is miraculously transported through time, to 1499 England. Dressed in Dockers and a button down shirt, Joe thought he was ready for anything...anything but this! An armored man with a very authentic looking broadsword is about to strike him down. With only nail clippers and a Bic to defend himself, Joe has no time to think about such an implausible phenomenon as traveling through time...not if he wants to live to see another day.390 pages

    The most mysterious is that of Sara Harrison Shea, who, in 1908, was found dead in the field behind her house just months after the tragic death of her daughter.Now, in present day, nineteen-year-old Ruthie lives in Sara's farmhouse with her mother, Alice, and her younger sister. Alice has always insisted that they live off the grid, a decision that has weighty consequences when Ruthie wakes up one morning to find that Alice has vanished. In her search for clues, she is startled to find a copy of Sara Harrison Shea's diary hidden beneath the floorboards of her mother's bedroom. As Ruthie gets sucked into the historical mystery, she discovers that she's not the only person looking for someone that they've lost. But she may be the only one who can stop history from repeating itself.

    When the eyes begin to fill with tears and the patience is long exhausted, there will appear a glimpse of something not quite seen... In this moment, an image will begin to form... in the space between what is real and what is only imagined. Can you read your future in a piece of lace? All of the Whitney women can. But the last time Towner read, it killed her sister and nearly robbed Towner of her own sanity. Vowing never to read lace again, her resolve is tested when faced with the mysterious, unsolvable disappearance of her beloved Great Aunt Eva, Salem s original Lace Reader. Told from opposing and often unreliable perspectives, the story engages the reader s own beliefs. Should we listen to Towner, who may be losing her mind for the second time? Or should we believe John Rafferty, a no nonsense New York detective, who ran away from the city to a simpler place only to find himself inextricably involved in a psychic tug of war with all three generations of Whitney women? Does either have the whole story? Or does the truth lie somewhere in the swirling pattern of the lace?(back cover)

     Alex Knight is dead -- or so everyone thinks. A widowed logger baron with a risk-taking streak, he took on a South American engineering project and was reported dead after a rebel attack. So when he turns up back in Maine very much alive, his grieving family is shocked. But the biggest shock is Alex's, when he discovers he's now married -- to a woman he's never met. Sarah Banks is ready for a change from running a quiet Bed & Breakfast, and working for the Knight family offers not only a bigger opportunity, but also the family life she yearns for. So she's glad to help secure custody of Alex's orphaned children, whom she's come to love, by marrying their father by proxy before he's legally declared dead. But when Alex returns, the sexy, determined woodsman upends all of Sarah's plans. Because suddenly she's married to a passionate stranger with an easy smile...and tumbling headlong into a fiery dance of seduction.

    She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

    Now, with The Ghost Orchid, a narrative that seamlessly weaves together the past and the present, Goodman creates her most lyrical and haunting work to date. For more than one hundred years, creative souls have traveled to Upstate New York to work under the captivating spell of the Bosco estate. Cradled in silence, inspired by the rough beauty of overgrown gardens and crumbling statuary, these chosen few fashion masterworks–and have cemented Bosco’s reputation as a premier artists’ colony. This season, five talented artists-in-residence find themselves drawn to the history of Bosco, from the extensive network of fountains that were once its centerpiece but have long since run dry to the story of its enigmatic founder, Aurora Latham, and the series of tragic events that occurred more than a century ago.Ellis Brooks, a first-time novelist, has come to Bosco to write a book based on Aurora and the infamous summer of 1893, when wealthy, powerful Milo Latham brought the notorious medium Corinth Blackwell to the estate to help his wife contact three of the couple’s children, lost the winter before in a diphtheria epidemic. But when a séance turned deadly, Corinth and her alleged accomplice, Tom Quinn, disappeared, taking with them the Lathams’ only surviving child. The more time she spends at Bosco, the more Ellis becomes convinced that there is an even darker, more sinister end to the story. And she’s not alone: biographer Bethesda Graham uncovers stunning revelations about Milo and Corinth; landscape architect David Fox discovers a series of hidden tunnels underneath the gardens; poet Zalman Bronsky hears the long-dry fountain’s waters beckoning him; and novelist Nat Loomis feels something lingering just out of reach.After a bizarre series of accidents befalls them, the group cannot deny the connections between the long ago and now, the living and the dead . . . as Ellis realizes that the tangled truth may ensnare them all in its cool embrace.From the Hardcover edition.