Hand Games, poems of the first section, is the daily bread of my past two years or so. They are the artifacts of loving in a personal way, of struggles in a wide and a narrower frame, of planting and harvesting in the earth and on paper, of building new friendships and mourning the death of friends. They speak of zucchini and oaks and cats, of jogging and writing, of nuclear power plants and suicide, of fat and of street hassling. ”The Lunar Cycle forms the second part. I first heard of the lunar calendar in my childhood, when I asked why Passover falls on a different date every year and was answered that it falls on Nisan 14, the fourteenth day of the lunar month of Nisan. The next time I came across the moon-month was in reading Robert Graves in search of the old goddess religions. But the lunar calendar has really only been an intimate part of my life since I moved near the ocean and the bay and had to become conscious of the tides; for one thing, to get the sweet Wellfleet oysters. For more precise understanding I owe a lot to Nancy F. W.Passmore of the Luna Press, who every year produces The Lunar Calendar with thirteen months, their old Celtic names, associations from around the world, time of moon rise and set and all the phases. It tells me at a glance when my period will come and when I can expect to ovulate, and it is the most beautiful calendar I have ever seen, with the months in the form of spirals rather than grids.”Not being constrained by commerce to produce a calendar to sell by January first, Roman time, I begin when my year opens, in the spring; with Nisan, the first month of the Jewish religious year – although I have used the Celtic names, as does The Lunar Calendar, in homage to that labor of love. Rediscovering the lunar calendar has been a part of rediscovering women’s past, but it has also meant for me a series of doorways to some of the non-rational aspects of being a living woman: Thus The Lunar Cycle, explorations of my last two years.”

    She smiles like she is hiding a secret. She holds her head high, like she is wearing an invisible crown. The air Around her is charged with confidence, strength, and courage. Have you heard the whispers? She woke up different today. Yet it feels she has been like this always. Maybe it’s the story that has changed.About the Author‘Fragile but Unbreakable’ is how Reecha describes herself. She believes in miracles, takes life head on, and is passionate about weaving magic with her words. And now that she has found her calling, she desires to spend her entire life reading, travelling, and dwelling in her own little fictional and poetic worlds. An MBA from Loyola Institute of Business Administration, she is based out of New Delhi where she lives with her husband and two kids. She – Screw Silence is her third book.

    Rilke is unquestionably the most significant and compelling poet of romantic transformation, of spiritual quest, that the twentieth century has known. His poems of ecstatic identification with the world exert a seemingly endless fascination for contemporary readers.In Stephen Mitchell’s versions, many readers feel that they have discovered an English rendering that captures the lyric intensity, fluency, and reach of Rilke’s poetry more accurately and convincingly than has ever been done before.Mr. Mitchell is impeccable in his adherence to Rilke’s text, to his formal music, and to the complexity of his thoughts; at the same time, his work has authority and power as poetry in its own right. Few translators of any poet have arrived at the delicate balance of fidelity and originality that Mr. Mitchell has brought off with seeming effortlessness.Originally published: New York : Random House, 1982.

    This promise, to look after her younger sister, is one she has always kept, even though Marie sometimes feels that the cosseted Grainne doesn't deserve it.But then the sudden appearance of intense, rebellious Con on Seaview Beach one afternoon changes everything.As her childhood comes to a sudden and shocking end, Marie must make some choices about her future.But will she find the courage to become the woman she was meant to be? The House on Seaview Road is a story about first love, growing up and about the enduring bonds of sisterhood.

    This collection brings back into print the best of her early work, including selected poems from The Invitation and Women Are Not Roses and the entire text of her landmark 1988 collection, My Father Was a Toltec. Whether invoking her origins as the daughter of a street warrior, a member of the Toltec gang in Chicago, or defining her own lyrical positions on a variety of social, political, sexual, and esthetic issues, Ana Castillo's poetic voice is unmistakably her own - and will be immediately recognizable to the lovers of her fiction.

    Although short in length (the longest are 24 lines, most 16 lines or less), these poems are long on beauty, power, imagination, and originality.Included are such memorable compositions as John Donne's "Death Be Not Proud," Shakespeare's "When, in Disgrace with Fortune and Men's Eyes," "On His Blindness" by John Milton, William Blake's "The Tyger," Wordsworth's "I Wandered Lonely as a Cloud," Byron's "She Walks in Beauty," Shelley's "Ozymandias," as well as works by Alfred Lord Tennyson, Walt Whitman, Emily Dickinson, Gerard Manly Hopkins, Amy Lowell, William Butler Yeats, Robert Frost, Edna St. Vincent Millay, Langston Hughes, Dylan Thomas, Paul Laurence Dunbar, and many others.Attractive and inexpensive, this compilation of carefully chosen verse contains many of the most loved, most anthologized poems in the English language. Students, teachers, and any lover of great poetry will treasure this splendid collection. Includes "The Road Not Taken," "Loveliest of Trees," and "Ozymandias."

    With his five successive novels and his wide-ranging philosophical and occasional essays, Walker Percy shored up his reputation as one of America's greatest writers - an ironic moralist and perhaps the shrewdest chronicler of life in the New South. Yet even by the time of his death in 1990, little was known about this intensely private man. Based on extensive interviews, written with access to Percy's letters and manuscripts, Jay Tolson has fashioned the first major biography of the writer, an authoritative portrait that brings Percy alive as it illuminates his distinguished body of work. We see Percy's life and his brilliant career against the background of the American South, whose colorful and tragic history is rooted deeply in the hearts and minds of its most talented sons and daughters. With a novelist's eye for character and the judgment of an informed critic, Tolson captures the lifelong drama of genius, always attentive to its artistic, psychological and spiritual dimensions. Percy was the scion of a proud, honorable and accomplished family, a clan haunted by a crippling streak of melancholy that issued repeatedly in suicides, including the self-inflicted deaths of Walker Percy's father and grandfather. Tolson depicts the struggle of Percy's life and the heroism with which he battled his family demons (and his own tubercular condition) and worked his way toward a writing career. Here is the young Percy in the days after his father's death, traveling with his brother and his mother (who would soon dieherself, in mysterious circumstances) from his childhood home of Birmingham, Alabama, to Athens, Georgia, and then on to Greenville, Mississippi, and the sprawling house of his Uncle Will. Adopted at 16 by this remarkable "bachelor-poet-lawyer-planter, " the most important single influe

    With illustrative diagrams and interactive examples, Why I am Paying More is a highly useful and accessible book on microeconomics for both the uninitiated and the seasoned—a must buy for students, professionals, and laypersons alike.

    Whether meditating upon a button, the role of habit in our lives, or the elusive nature of our relationship to sleep, Hirshfield brings each subject into a surprising and magnified existence.

    Kerouac's debut novel is a great coming of age story which can be read as the essential prelude to his later classics. Inspired by grief over his father's death and gripped by determination to write the Great American Novel, he draws largely on his own New England childhood.

    An unusually rich selection from Byron's letters and journals accompanies the poems. The critical essays offer an integrated view of Byron's achievement as well as analyses of its different facets. Published for the first time is Bergen Evans's general essay Lord Byron's Pilgrimage; other essays are by John D. Jump, Michael G. Cooke, Francis Berry, Robert F. Gleckner, James R. Thompson, Frank D. McConnell, Leslie A. Marchand, and E. D. Hirsch, Jr. A special section, Images of Byron, presents 26 views of Byron as artist and as the epitome of the Romantic hero, ranging from the perspectives of his contemporaries to those of such modern writers as James Joyce, Virginia Woolf, T. S. Eliot, and Albert Camus. A Chronology sets forth the main events of Byron's life, and a Selected Bibliography lists sources for further study.

    Defying the conventions of the time, they were truly innovative. Featuring meditations on everyday life, love, nature, and society, the genius of her creativity is hard to ignore.Short, yet keenly observed, her poems pack a powerful punch. This carefully chosen selection covers a range of her most loved verses and brings you face to face with the private world of one of America's greatest poets.

    Yum! I hope you like it.

    The Nobel-laureate Chilean wrote The Captain's Verses and One Hundred Love Sonnets—two of the most celebrated volumes of love lyrics in modern Spanish letters—for her. In My Life with Pablo Neruda, Urrutia reveals her side of their famed romance. But her book is not simply a love story told by a muse; it is also a document of her life as the persecuted widow of a national hero. Her voice lifts out of the sorrow and violence of the military dictatorship that precipitated her beloved's death in 1973, to reaffirm the power of Neruda's own passionate voice.My Life with Pablo Neruda opens with the dramatic events of September 11, 1973, with Augusto Pinochet's overthrow of the democratically elected socialist president of Chile, Salvador Allende. Devastated by the coup, the sixty-nine-year-old Neruda dies a few days later of a heart attack. Grief-stricken, Urrutia takes refuge in her memories, reeling back through time to recount the heady early days of her twenty-two-year romance with Neruda. Here, she reveals the birth of The Captain's Verses and divulges the secrets of their illicit marriage in Italy. Urrutia then returns to the grim reality she faces in Santiago in the mid-1970s, to describe life under the dictatorship. Harassed by Pinochet's henchmen, she becomes an exile within her own country, mourns the torture and disappearance of loved ones, and finally awakes from the stupor of sorrow and commits herself to using Neruda's words to lash out against the bloody regime.Reading My Life with Pablo Neruda is like spending a long afternoon with Matilde Urrutia. In a conversational style, she brings Neruda to life, and he emerges as a vibrant, playful, and impatient man driven by unbounded appetites. At once humorous and heart-breaking, Urrutia's story makes for a fine domestic complement to Neruda's own lush memoirs.

    . .--from "The Death of the Shah" The poems in Ooga-Booga are about a youthful slave owner and his aging slave, and both are the same man. This is the tenderest, most savage collection yet from "the most frightening American poet ever" (Calvin Bedient, Boston Review).