In If You Were Here, the bestselling author of Red Dust and Crimson Falls reveals the events of thirty-five years ago, which led up to the mysterious disappearance of Brianna Donahue's mother from their family farm. Brianna is three years old and very much loved by her mother, Josie, and her father, Russell. What seems like an ordinary work day on the farm becomes a nightmare when Josie vanishes without a trace. Do the travellers found camping on their property have something to do with her disappearance or is it something more sinister?This original SHORT STORY by Fleur McDonald includes a sneak peek of her forthcoming novel Suddenly One Summer.

     First THREE books in series. BOOK ONE: Live and Let Diet USA Today BestsellerSybil Potts moves to Little Tatterford, a small town in the middle of nowhere in Australia, seeking to find peace and quiet after the upheaval of her divorce. Although the town is sleepy and nothing has ever happened, her arrival coincides with a murder in the property adjacent to her cottage. Sybil soon finds she is at odds with the attractive Blake Wessley, the exasperated police officer who is trying to solve the murder. After Sibyl narrowly misses becoming the next victim, she turns her attention to the suspects. Is it the English gentleman, Mr. Buttons, who serves everyone tea and cucumber sandwiches, or her landlord, Cressida Upthorpe, who is convinced that her fat cat, Lord Farringdon, speaks to her? Or is it someone else entirely? BOOK TWO: Natural-born Grillers When one of the new boarders, an eminent professor of Socratic philosophy, is found poisoned by hemlock in a meal of grilled quail, eccentric boarding house owner Cressida Upthorpe soon becomes the main suspect. Sibyl Potts, with the help of Mr. Buttons, launches herself into the investigation, much to the consternation of stressed police officer Blake Wessley. As the body count mounts, will Sibyl be able to clear Cressida’s name and find the real killer? BOOK THREE: Dye Hard Obnoxious ghost hunters descend on Cressida Upthorpe’s boarding house, convinced it must be a source of paranormal activity given that three murders have occurred there in a short space of time. After one of the ghost hunters is murdered with poisoned hair dye, Sibyl does her best to keep well away from the investigation, that is, until Cressida almost falls victim. With the bumbling detectives back in town and on the scene, Sibyl races to solve the murder before the body count rises. In this fun cozy mystery series so far: 1. Live and Let Diet 2. Natural-born Grillers 3. Dye Hard 4. The Prawn Identity 5. Any Given Sundae 6. Last Mango in Paris

    He needs surgery for a chronic shoulder injury sustained when he was hit by a car in Kabul. Like the others in detention with him, he faces an uncertain fate, and years in limbo. Most of the people in the centre have already had their spirits broken.'When psychiatrist and mother of three Emma Adams travels to Darwin as an observer of conditions for mothers and babies in the immigration detention centres there, she expects the trip to be confronting. What she doesn't expect is to return to Canberra consumed by the idea that she must help a sixteen-year-old unaccompanied Hazara boy from Afghanistan - Abdul.The premise was simple: Wouldn't any teenage boy be better off staying with a family rather than locked behind a wire fence? In this brutal and bureaucratic system, freedom was a hopeless dream. Emma and Abdul's connection, and her fight to get him out and provide him with an Australian home, a family and a future, forms an important testimony in Australia's appalling treatment of asylum seekers. Their story is a beacon of hope and humanity.

    The sign taunts a fool into feeling some sense of achievement, some kind of end- that you have reached a destination in the very least. Yet as the sign states, Darnmoor is merely a gateway, a waypoint on the road to where you really want to be.Darnmoor is the home of the Billymil family, three generations who have lived in this 'gateway town'. Race relations between Indigenous and settler families are fraught, though the rigid status quo is upheld through threats and soft power rather than the overt violence of yesteryear.As progress marches forwards, Darnmoor and its surrounds undergo rapid social and environmental changes, but as some things change, some stay exactly the same. The Billymil family are watched (and sometimes visited) by ancestral spirits and spirits of the recently deceased, who look out for their descendants and attempt to help them on the right path.When the town's secrets start to be uncovered the town will be rocked by a violent act that forever shatters a century of silence.Full of music, Yuwaalaraay language and exquisite description, Song of the Crocodile is a lament to choice and change, and the unyielding land that sustains us all, if only we could listen to it.

    Molly gives us his unforgettable encounters with The Beatles, Elton John, David Bowie, The Rolling Stones, Madonna, John Farnham, Bruce Springsteen, the Bee Gees, Rod Stewart, Russell Crowe, Oasis, Beyonce and Prince. As well as the tales that surround his other loves: the Australian cricket team, the St Kilda footy club and the Melbourne Storm."I have a lot of love for the great Ian 'Molly' Meldrum" - Shane WarneNo one has lived a life like Ian 'Molly' Meldrum. And no one can tell a story like Molly.

    Amy is certain she can resist the attraction of this man who holds a secret. But is Amy as strong as she thinks she is? Will the truth of Dan’s past tear their love apart?

    The fall of Malaya and Singapore and the bombing of Darwin—what looked like the invasion of Australia—ebb and crash over a man’s long search to find a home and a woman’s determination to keep hers, connected by old memories and new betrayals. It is a thriller and a romance, a story of earth and water, air and metal—an unforgettable ride through the most precarious time in our region's recent history. Garry Disher writes: ‘Past the Headlands came from the same World War 2 research as The Stencil Man. I was struck by the power of two documents. The first was a letter written by a woman alone on a cattle station near Broome in 1942, at the time the Japanese were overrunning Malaya and Singapore and bombing areas of northern Australia. One day she found herself giving shelter to Dutch colonial officers and their families, who were fleeing Sumatra and Java ahead of the Japanese advance (many people like them lost their lives when Japanese planes shot up their waiting seaplanes in Broome Harbour in March, 1942). This woman stuck in my head (the isolation, the danger, the efforts to communicate, her bravery, etc). The second document was a war diary written by an Australian army surgeon who escaped Singapore ahead of the Japanese and was stuck in Sumatra, trying to get out. Here he treated many of the civilians (and Australian Army deserters) fleeing from Singapore. He was captured by the Japanese, but survived the war. But his last few diary entries detail how he and a mate were waiting for a plane or a ship to take them out, then one day he wrote, “Davis [his mate] left last night without telling me”. So much for mateship. I spent years trying to find my way into their stories. At one stage I spent a year writing 40,000 words before realising it wouldn’t work. I put it aside, then realised one subplot didn’t belong, so extracted it and turned it into a separate novel The Divine Wind, which has sold 100,000 copies around the world, won a major award and been published as both a young adult and a general market novel. But cutting it out like that freed me up to write about the woman and the man betrayed by his mate, in Past the Headlands.’

     Shortlisted for the ABIA Biography Book of the Year 2021 A deeply beautiful, profound and poetic biography of the formative years of the dark prince of Australian rock 'n' roll, Boy on Fire is Nick Cave's creation story. This is a portrait of the artist as, first, a boy, and then a young man. It charts his family, friends, influences, milieu and, most of all, his music, revealing how Nick Cave shaped himself into the extraordinary artist he has become.As well as a powerfully compelling biography of a singular, uncompromising artist, Boy on Fire is a fascinating social and cultural biography, a vivid and evocative rendering of the people, time and places that went into the making of Nick Cave - from the fast-running dark river and ghost gums of Wangaratta and the punk scene that hit staid 1970s Melbourne like an atom bomb, right through to the torn wallpaper, sticky carpet and manic energy of nights at St Kilda's Crystal Ballroom.Boy on Fire is a stunning biographical achievement.PRAISE FOR BOY ON FIRE:'Mordue's exploration of Cave's protean and dynamic artistic universe, and the boy at its heart - malanderer, badlander and fabulator - is rich, sensitive, rollicking and, yes, tender' The Australian'Boy On Fire is a beautiful book, evocative and sensual, yet with an even-handed and at times critical treatment of its subject' Sydney Review of Books'All the relevant voices have their say, creating a wonderfully alive picture of this tumultuous time in modern Australian music ... on the page they glint with vitality and humour ... written with mercurial flair.' Books+Publishing

    A trio of amateur thieves are left in charge of a baby moments before a heist. A group of boys compete in the final of a marbles tournament, only to find their biggest challenge was the opponent they didn’t see coming. Two young friends find a submerged car in their local swimming hole and become obsessed by the mystery of the driver’s identity. Across twelve blistering stories, The Promise delivers a sensitive and often humorous take on the lives of those who have loved, lost and wandered.

    When the corporate rug is pulled from under her Maddison Markham heads back home – back to Blue Gum Flat. It won’t be for long, just time to regroup and get her life back on track. But Blue Gum Flat is not the sleepy little town she remembers from her childhood. New people, new attitudes and even a coffee machine. Cameron Dean has every intention of making his dream of a rural life a reality and when Maddison arrives in town it seems his stars have finally aligned. But he hasn’t considered the impact their relationship will have on his son and after the mistakes he has made family comes first.

    But this farmer isn’t looking for a wife — his first love ended in tragedy, and he will never put his heart on the line again. The land is his love, and he’s happy that way.Sasha Hepworth has goals and ambitions and she has worked very hard for her success. She’s just forgotten how to enjoy herself. So a weekend fling with a gorgeous cowboy is just what she needs — after all, it can’t go any further. She’d never leave the conveniences and beauty of the city for a dusty outback town.But a weekend of fine dining and spectacular sights isn’t enough for Blake and Sasha, and the growing feelings that neither can deny make them question everything about their lives. When a city girl meets a country boy, will they find middle ground?

    From Aunty Boo’s surveillance of the local farmers’ sheep dip alliance to Aunty Bubby’s fireside tales of the Punic Wars, the women in this book offer sage advice to their nieces about growing up as Aboriginal girls in a white country town. Farming is not an easy pursuit for anyone, but the Aunties take all the challenges in stride, facing torrential rain, violent neighbors, and injured dogs with an equal mix of humor and courage.

    One event in 1934 - the shooting at Uluru of Aboriginal man Yokunnuna by white policeman Bill McKinnon, and subsequent Commonwealth inquiry - stood out as a mirror of racial politics in the Northern Territory at the time.But then, through speaking with the families of both killer and victim, McKenna unearthed new evidence that transformed the historical record and the meaning of the event for today. As he explains, 'Every thread of the story connected to the present in surprising ways.' In a sequence of powerful revelations, McKenna explores what truth-telling and reconciliation look like in practice.Return to Uluru brings a cold case to life. It speaks directly to the Black Lives Matter movement, but is completely Australian. Recalling Chloe Hooper's The Tall Man, it is superbly written, moving, and full of astonishing, unexpected twists. Ultimately it is a story of recognition and return, which goes to the very heart of the country. At the centre of it all is Uluru, the sacred site where paths fatefully converged.

    He's been part of five premierships: three as a player at Essendon, where he was coached by the best, and two at Geelong, where he coached that club's greatest team of all. He exited the game amid the Essendon supplements scandal with unfinished business. After 34 years 'at a thousand kilometres an hour', Thompson has taken the opportunity to reflect on the game that shaped him and to reveal the personal cost of his involvement at the top level. We ride the bumps of the coaches' box, the boardroom and the press conferences as Mark Thompson handles things his own way. He talks about his mentors, his proteges and contemporaries with insight and candour. And he reveals the development of what became his trademark as a successful coach: building a team from the ground up to play defence-first accountable footy, with kamikaze ball movement, under a teacher-mentor relationship. This is as good a book about football as you'll get, from a purist who is not interested in the politics of the AFL. His legacy is some of the greatest footy to be played in the modern era. 'I hate group-think, it's just not my style. I have never been part of any boy's club in footy. I have been an independent going right back to my youth ...I make no apologies for saying what I think. It is my story, after all.'

    A short critical essay which considers the significance of the title.