Intent upon his private dream he is unaware that he, his laboratory, and his accomplishments are pawns in a savage game of espionage and nuclear terror.

    Matigari is in search of his family to rebuild his home and start a new and peaceful future. But his search becomes a quest for truth and justice as he finds the people still dispossessed and the land he loves ruled by corruption, fear, and misery. Rumors spring up that a man with superhuman qualities has risen to renew the freedom struggle. The novel races toward its climax as Matigari realizes that words alone cannot defeat the enemy. He vows to use the force of arms to achieve his true liberation. Lyrical and hilarious in turn, Matigari is a memorable satire on the betrayal of human ideals and on the bitter experience of post-independence African society.

    As an atonement for original sin, they refused their body not only all pleasures and satisfactions, but even that care and attention which in this age are deemed indispensable. They believed that the diseases of our members purify our souls, and the flesh could put on no adornment more glorious than wounds and ulcers. It was a good and virtuous life. It was also fairly smelly.One day a desert hermit named Paphnutius was recalling the hours he had lived apart from God, and examining his sins one by one, that he might the better ponder on their enormity, he remembered that he had seen at the theatre at Alexandria a very beautiful actress named Thaïs. Repenting his boyhood lust for her, he saw her countenance weeping, and resolved that the courtesan must necessarily be brought to salvation. It was a terrible mistake, and one that still haunts us all.

    Combining inventive fiction and autobiography in a quite unprecedented way, Georges Perec leads the reader inexorably towards the horror that lies at the origin of the post-World War Two world, and at the crux of his own identity.

    A shell-shocked romantic—slow, distant, and dreamy—he begins to have trouble telling Rose's half-sister Nancy apart from Rose herself, now buried in the village churchyard. Coping and failing to cope with the quiet realities of daily life, Charley's delusions elevate his timid courtship of a practical and unremarkable young woman into an amnesiac love story both comic and disturbing. A contemporary of Anthony Powell and Evelyn Waugh, Henry Green was one of the greatest English novelists of the twentieth century, and Back is his most haunting and personal work.

    While their travels are fraught with complications and intrigue, Mercier and Camier at least “did not remove from home, they had that good fortune.”

    He wins many academic prizes and his future seems promising. Then his Cockney uncle arrives intending to open an eating-house adjacent to the college. Godwin is mortified of being associated with 'trade' and leaves the college rather than face the scorn he expects to receive from his upper-class fellow students. This is indicative of his social aspirations (upwards) and snobbery (downwards).

    Written in a French style that long defied successful translation - Cocteau was always a poet no matter what he was writing - the book came into its own for English-language readers in 1955 when the present version was completed by Rosamond Lehmann. It is a masterpiece of the art of translation of which the Times Literary Supplement said: "It has the rare merit of reading as though it were an English original." Miss Lehmann was able to capture the essence of Cocteau's strange, necromantic imagination and to bring fully to life in English his story of a brother and sister, orphaned in adolescence, who build themselves a private world out of one shared room and their own unbridled fantasies. What started in games and laughter became for Paul and Elisabeth a drug too magical to resist. The crime which finally destroyed them has the inevitability of Greek tragedy. Illustrated with twenty of Cocteau's own drawings.

    In this novel, Juan Goytisolo, one of Spain's most celebrated novelists, speaks for a generation of Spaniards who were only small children during the Spanish Civil War, grew up under a stifling dictatorship, and, in many cases, emigrated in desperation from their dying country. Upon his return, the narrator confronts the most controversial political, religious, social, and sexual issues of our time with ferocious energy and elegant prose. Torn between the Islamic and European worlds around him, he finds both ultimately unsatisfactory. In the end, only displacement survives.

    To the North centers on two young women in 1920s London, the recently widowed Cecilia Summers and her late husband's sister, Emmeline. Drawn to each other in the wake of their loss, the two set up house together and gradually become more entwined than they know. But the comfortable refuge they have made is "a house built on sand"; both realize it cannot last. While Cecilia, capricious and unsure if she can really love anyone, moves reluctantly toward a second marriage, Emmeline, a gentle and independent soul, is surprised to find the calm tenor of her life disturbed for the first time by her attraction to the predatory Mark Linkwater. Bowen’s psychological acuity is on full display in a conclusion that plumbs the depths of this seemingly detached young woman in a single, life-shattering moment.

    Nol, "the judge's son, ' is the person whose moral sentiments are being educated. But that education is acquired at the expense of an infinitely more valuable person, the young woman Nol loves, who has been exploited by men of weight and standing in their provincial community-all of them human, disgracefully human. Not tells the story from the time he was five years old, when, inspired by a rendition of one of Souza's marches in the garden where the brass band played, he danced with the conductor's daughter, taller and older than himself, before a bemused assemblage of adults. The web of incident and reflection in Nol's narration astonishes the reader with the texture of the lives it evokes, ending with Nol's small, crucial defection that precipitates tragedy. In The Garden Where the Brass Band Played, as with every real novel of the genre, it is the reader whose sentiments are educated, by the pain of it, and no doubt rather too late

    By taking one ambitious father and his determination to do everything in his power to produce a child of genius, Pope exposes the true folly of the men of his age and their absurd veneration of the ancients. As this hallowed child grows into a man, it becomes clear that instead of being the scholar his father so desired, he is simply the inevitable offspring of a laughable generation of pseudo-intellectuals and literati.

    A tetralogy containing "Spring Snow", a love story, "Runaway Horses", with a protagonist a right-wing terrorist, "The Temple of Dawn", where a Thai princess is mystically linked with the heroes of the preceding works and, written under the shadow of the author's death, "The Decay of the Angel".

    Winner of the Egon Hostovský Prize as the best Czech book of the year, this epic novel powerfully captures the sense of dislocation that followed the Czechs’ newfound freedom in 1989. More than just the story of its young protagonist—who is part businessman, part gang member, part drifter—it is a novel that includes terrifying dream scenes, Czech and American Indian legends, a nightmarish Eastern European flea market, comic scenes about the literary world, and an oddly tender story of the love between the protagonist and his spiritual sister.

    It is in fact the baron's own reminiscences which give the book its title.