It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins.From 1629 to 1775, North America was settled by four great waves of English-speaking immigrants. The first was an exodus of Puritans from the east of England to Massachusetts (1629-1640). The second was the movement of a Royalist elite and indentured servants from the south of England to Virginia (ca. 1649-75). The third was the "Friends' migration,"--the Quakers--from the North Midlands and Wales to the Delaware Valley (ca. 1675-1725). The fourth was a great flight from the borderlands of North Britain and northern Ireland to the American backcountry (ca. 1717-75).These four groups differed in many ways--in religion, rank, generation and place of origin. They brought to America different folkways which became the basis of regional cultures in the United States. They spoke distinctive English dialects and built their houses in diverse ways. They had different ideas of family, marriage and gender; different practices of child-naming and child-raising; different attitudes toward sex, age and death; different rituals of worship and magic; different forms of work and play; different customs of food and dress; different traditions of education and literacy; different modes of settlement and association. They also had profoundly different ideas of comity, order, power and freedom which derived from British folk-traditions. Albion's Seed describes those differences in detail, and discusses the continuing importance of their transference to America.Today most people in the United States (more than 80 percent) have no British ancestors at all. These many other groups, even while preserving their own ethnic cultures, have also assimilated regional folkways which were transplanted from Britain to America. In that sense, nearly all Americans today are "Albion's Seed," no matter what their ethnic origins may be; but they are so in their different regional ways. The concluding section of Albion's Seed explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still control attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.Albion's Seed also argues that the four British folkways created an expansive cultural pluralism that has proved to the more libertarian than any single culture alone could be. Together they became the determinants of a voluntary society in the United States.

    More than a thousand illustrations, based on surviving garments and contemporary paintings and photographs, demonstrate the astonishing changes in men’s and women’s clothing over the centuries—from the simple tunics and gowns of the eleventh century to the petticoat breeches and ostrich-plumed hats of Charles II’s reign to the T-shirts and shorts of today.Clear and detailed drawings, plus notes that pinpoint specific features such as fabric, decoration, accessories and cut, make each costume immediately comprehensible.Completely up to date, and with a new chart showing the main changes in fashion through the centuries, this is an essential reference for students of theatrical design and fashion, drama groups and anyone interested in the history of costume.

    More than 200 photos depict aristocrats and the middle class as well as Oscar Wilde, Lillie Langtry, Winston Churchill, Queen Victoria, and others. Commentary and annotations describe and identify the costumes.

    Starting with underwear – did you know Elizabeth I owned just one pair of drawers, worn only after her death? – she moves garment by garment through Western attire, exploring both the items we still wear every day and those that have gone the way of the dodo (sugared petticoats, farthingales and spatterdashers to name but a few).Beautifully illustrated throughout, and crammed with fascinating and eminently quotable facts, Stitches in Time shows how the way we dress is inextricably bound up with considerations of aesthetics, sex, gender, class and lifestyle – and offers us the chance to truly appreciate the extraordinary qualities of these, our most ordinary possessions.

    Drawn from the Victoria and Albert Museum's world-famous collection, these garments display skills that are now lost, yet continue to inspire today's leading designers.Much of the finery seen here is too fragile to be on permanent display, or its detail too intricate to be captured in conventional photography. Jacobean blackwork, neoclassical tambour work, exquisite stitching, and knife-sharp pleats are pictured in stunning photographs, alongside such unusual techniques as stamping, pinking, and slashing--many of which are rarely employees in the modern world, as they require labor-intensive handwork impossible to replicate by machine.With line drawings showing the construction of the complete garment and a text that sets each in the context of its time, this book is a visual feast for all fashion lovers, and an essential resource for curators, collectors, students, costumers and designers.

    The patterns for selected garments have been updated for the modern silhouette.

    Relating the history of the war as it developed, Anderson shows how the complex array of forces brought into conflict helped both to create Britain’s empire and to sow the seeds of its eventual dissolution.Beginning with a skirmish in the Pennsylvania backcountry involving an inexperienced George Washington, the Iroquois chief Tanaghrisson, and the ill-fated French emissary Jumonville, Anderson reveals a chain of events that would lead to world conflagration. Weaving together the military, economic, and political motives of the participants with unforgettable portraits of Washington, William Pitt, Montcalm, and many others, Anderson brings a fresh perspective to one of America’s most important wars, demonstrating how the forces unleashed there would irrevocably change the politics of empire in North America.

    Thrale's dinner party when the twenty-six-year-old Fanny has the incomparable thrill of hearing Dr. Johnson himself admiringly acknowledge her authorship of Evelina, her first novel, anonymously published for fear of upsetting her adored father, and now the talk of the town. We see her growing up, daughter of the charming and gifted musician and teacher Dr. Charles Burney, who was the very embodiment of a new class: talented, energized, self-educated, self-made, self-conscious, socially ambitious and easily endearing himself to aristocratic patrons.We see Fanny partly enjoying, partly rejecting the celebrity engendered by Evelina, and four years later by Cecilia ("If you will be an author and a wit," says Mrs. Thrale, "you must take the consequences"). And we see her mingling with the most famous men and women of the time, not only Dr. Johnson but Joshua Reynolds, Sheridan, David Garrick, Mrs. Siddons, Horace Walpole and, later, Chateaubriand and Madame de StaÎl.For five years, during the time of George III's madness, Fanny Burney held a position in the Royal Household as Second Keeper of the Robes to Queen Charlotte. For her father, Fanny's going to court was like going to heaven, but for Fanny it was more an incarceration. Her journals, published posthumously in 1842, gave her some solace. She saw herself as an eavesdropper. Dr. Johnson wryly called her "a spy." Her marriage at forty-one to a penniless Catholic exile, Alexandre d'Arblay, resulted in trans-Channel crossings that left her stranded for almost a decade in Napoleon's France, and then, after a dramatic flight from Paris, trapped in Brussels on the eve of Waterloo.Claire Harman's biography of Fanny Burney is as lively as it is meticulously researched and authoritative. It gives us the woman, her world and the early-blooming artist whose acute grasp of social nuance, gift for satire, drama and skillful play among large casts of characters won her comparison with the best of Smollett, Richardson and Fielding, the admiration of Jane Austen and Lord Byron and a secure place in the pantheon of the English novel.

    He brings this vibrant city's long and noble history alive through the ever-shifting fortunes, fates, and intrigues of half-a-dozen families, from the age of Julius Caesar to the 20th century. Generation after generation, these families embody the passion, struggle, wealth, and verve of the greatest city in the world.

    These women held sway in the salons, in the councils of state, in the ballrooms, in the bedrooms; they enchanted (or intimidated) the most powerful of men and presided over an extraordinary cultural flowering of unprecedented luxury and sophistication. It is this captivating world that Olivier Bernier recreates. A world in which the shrewdness of Madame de Pompadour or the beauty of Madame du Barry could change the course of great nations. A world that could encompass the piquant frankness of Abigail Adams and the dark plotting of the queen of Naples. This world has been swept away, but its great ladies, the first modern women, still speak to us.Fourteen dashing and sometimes tragic women—empress and dressmaker, bluestocking and courtesan—come to life here in a series of lavishly illustrated essays. Delightfully informative, this timely book charts the beginnings of women's liberation, illuminates the century for those who are unfamiliar with it, and provides new insights for those who know it well.ForewordDiana VreelandPrefaceOlivier BernierChapter 1: The Emergence of PowerMadame des UrsinsThe Duchesse de BerryChapter 2: The Sway of IntelligenceMadame du DeffandMadame de PompadourChapter 3: Writer and PublicistBetie WolffMadame NeckerChapter 4: The Flesh TriumphantMademoiselle ClaironMadame du BarryChapter 5: In Search of FreedomAbigail AdamsGeorgiana, Duchess of DevonshireChapter 6: Working WomenMademoiselle BertinMadame Vigée-LebrunChapter 7: To Rule a WorldThe Margravine of BayreuthQueen Maria CarolinaSource NotesSelected Bibliography

    Meet the cockneys, politicians, fairies, philosophers, gangsters and royalty that populate the city, their stories becoming curiouser and curiouser as layers of time and history are peeled back.Find out which tube station once housed the Elgin Marbles and what lies behind a Piccadilly doorway that helped Darwin launch his theory of evolution and caused the Swedes to wage war against Britain. Do you believe in fairies? Do you know which Leadenhall site became a Nag's Head tavern, morphing into the mighty East India Company, before taking flight as the futuristic Lloyds Building? Who named the Natural History Museum's long-tailed dinosaur Mr Whippy?Spanning above and below ground, from the outer suburbs to the inner city, and from the medieval period to the modern day, Londonopolis is a celebration of the weird and the wonderful that makes the mysterious city of London so magical.

    Johnson had in his friend Boswell the ideal biographer.Notoriously and self-confessedly intemperate, Boswell shared with Johnson a huge appetite for life and threw equal energy into recording its every aspect in minute but telling detail. This irrepressible Scotsman was 'always studying human nature and making experiments', and the marvelously vivacious Journals he wrote daily furnished him with first-rate material when he came to write his biography.The result is a masterpiece that brims over with wit, anecdote and originality. Hailed by Macaulay as the best biography ever written and by Carlyle as a book 'beyond any other product of the eighteenth century', The Life of Samuel Johnson today continues to enjoy its status as a classic of the language.This shortened version is based on the 1799 edition, the last in which the author had a hand.

    Blending history and reportage with personal testimony and urban myths, and interspersing these with maps and photography, On Brick Lane is a one-of-a-kind chronicle of one of London's most remarkable streets. Bringing to life the memories and realities of Brick Lane's many communities, Rachel Lichtenstein harnesses the voices of the famous, the infamous and the obscure, merging memoir, reportage, poetry, photography and local history. The result is as vibrant and fascinating as the neighbourhood it so movingly celebrates.

    We discover where people lived and worked, how they behaved, what they wore and ate and how horrifically they suffered from illness and injury. A booming London appears modern in its commercialisation and overt materialism. It was "the most magnificent city in Europe" yet "the streets were open sewers" and life there was so precarious that it might be described as "a mere prelude to death". In 1700 the late 17th/early 18th-century world is brought vividly to life by imaginative vignettes drawn from the author's research and by excerpts from contemporary diarists, novelists and commentators, whose works are listed in the extensive bibliography. A relatively long book, it can be dipped into, as the chapters are thematically organised. In fact, open the book at any page and the intriguing detail will leap out and grab you. Creatively written, the text is so colourful that the slightly disappointing illustrations are not much of a drawback. This is a truly enticing read, exploring a period of significant development in London and clearly indicating the importance of this point in England's history. --Karen Tiley.

    Nagelpulls out the feminine threads of that tapestry to write all about the Adams women, from Abigail to daughter Nabby, from Louisa Catherine Adams, wife of John Quincy, to Clover Adams, wife of Henry, with others making more than cameo appearances. They all lived exceptional, if not extraordinary, lives, in different ways.