He never expected an undercover assignment to unleash emotional chaos and destroy life as he knew it.But that's before he discovers that teammate and friend Shawn Matthews nurses a secret love for him, before he embarks on a sexual relationship with the other man. Their "love affair," after all, is nothing but a matter of necessity, an elaborate and daring ruse to save their lives during a dangerous undercover sting operation, right? Except Alex's heart doesn't believe that for an instant. So how can he return to his old life as if Shawn doesn't matter?

    He approaches Edward Marsden, Viscount Routhsley, a known playboy and philanthropist, about sponsorship for his charity. To his surprise, Edward isn’t the shallow pleasure-seeker everyone assumes, and he and Edward share many interests. Little by little, they are drawn together in spite of the different worlds they come from.But for two men in the public eye, happiness won’t be so easily achieved. Edward fears coming out as gay will shift attention from his charity work, and Jack worries his relationship with the aristocrat will undermine the integrity of his foundation. They come under intense scrutiny, leading to an inevitable clash between Jack and the press who won’t stop harassing them. As what they’ve built comes crashing down, Jack and Edward must make a choice: continue presenting the facade the public expects, or expose the private truths in their hearts so they can be together.

    Yet as he gets to know Matthew—an irrepressibly cheerful ad man whose missing arm hasn’t dimmed his smile—George begins to lose sight of his mission. As Matthew’s advances become ever harder to resist, George tries to convince himself his brother’s death was just the luck of the draw, and to forget he’s hiding a secret of his own. His true identity—and an act of conscience that shamed his family. But as their mutual attraction grows, so does George’s desperation to know the truth about what happened that day in Ypres. If only to prove Matthew innocent—even if it means losing the man he’s come to love. Warning: Contains larks in the snow, stiff upper lips, shadows of the Great War, and one man working undercover while another tries to lure him under the covers.

    Martin's first impulse is to send him back to his parents. But when he discovers that Carter has been in a mental hospital to cure his gay-ness he realizes he's stuck with the boy. Unfortunately, the two get on each other's nerves, each driving the other to distraction. Independently, however, they each arrive at the same conclusion. The other would be much less annoying if he only had... a boyfriend.

    A garden with an air of the supernatural. Jerry's there for love, Doug's there for sex, and Tony? Well, Tony is practically dragged along against his will. A comedy of errors ensues as the three men cling stubbornly to their self-destructive ways; can a cook named Anna Magnani, a roller-skating drag queen, and the magic of the garden tame the tempest and prevent love's labors from being lost?

    Powerful and artful, and ten years in the writing, it is a masterwork from Jamie O’Neill.Jim Mack is a naïve young scholar and the son of a foolish, aspiring shopkeeper. Doyler Doyle is the rough-diamond son—revolutionary and blasphemous—of Mr. Mack’s old army pal. Out at the Forty Foot, that great jut of rock where gentlemen bathe in the nude, the two boys make a pact: Doyler will teach Jim to swim, and in a year, on Easter of 1916, they will swim to the distant beacon of Muglins Rock and claim that island for themselves. All the while Mr. Mack, who has grand plans for a corner shop empire, remains unaware of the depth of the boys’ burgeoning friendship and of the changing landscape of a nation.

     From the moment he lays eyes on Nathan, a homeless young man with a secret past he has hidden from for years; Sebastian is captivated by the beautiful teenager. Having escaped his abusive home, Nathan lives on the streets, selling himself to survive. When he hits rock bottom, he turns to the only person who might be able to help him: Sebastian. As Sebastian devotes himself to Nathan’s recovery, he falls deeply in love with the damaged young man. But Sebastian’s domineering father is determined to separate his son from the man he loves.

    Archie isn't a vicar anymore, but the good souls of Droyton can't seem to let him go! He's become their informal squire, and all is well in the village, but Archie misses Rufus, who these days is in huge demand, travelling the world in search of ancient treasures.But Rufus is home for his first Christmas at the rectory. The reunited pair are overjoyed and longing for some time alone. It's not to be: Archie's gift for gathering waifs and strays has packed the old house to its rafters. Worse still, Rufus is on the archaeological scent for a stunning local discovery, and Archie is starting to fear that the most he'll see of his lover these holidays is his shapely backside, sticking out of a trench!As festive chaos erupts in Droyton, will Archie be able to resist the advances of a glamorous actress who's got her eye on the handsome, charming squire? Will he even notice them? And will the contents of the Christmas stocking Rufus has prepared for him overset the village apple cart once and for all?

    Brett's convinced his partner-in-crime sister is behind the theft -- a theft that's liable to bring more scandal to their eccentric family, and cost Brett his marriage to society heiress Juliet Lennox. What Brett doesn't count on is the instant and powerful attraction that flares between him and Rafferty.Once before, Brett took a chance on loving a man, only to find himself betrayed and broken. This time around there's too much at risk. But as the Bard himself would say, Journey's end in lovers meeting.Publisher's Note: This book contains explicit sexual content, graphic language, and situations that some readers may find objectionable: male/male sexual practices.

    Now college graduates, they take a road trip around the USA, visiting every state in 100 days.As they start their cross-country odyssey, Jake and Aiden think they have their journey and their futures mapped out. But the road has a funny way of changing course.Fifty states. Two boys. One love story.

    In the 22nd century, a forbidden love between a man and a machine spins the Earth toward one final war.

    . . its emotional wallop is earned honestly and uncompromisingly.”—Kevin Thomas, L.A. TimesWinner of the Outstanding First Narrative Feature Award at OUTFest (the Los Angeles Gay & Lesbian Film Festival), and the Best Gay Male Feature Film Award at the Philadelphia International Gay & Lesbian Film Festival.Combine a hunky, repressed Mormon missionary and an L.A. party boy, sensual sex and knowing humor, and the result is a sure-fire crowd-pleaser. Christian is a handsome, young man who flits from guy to guy without much of a thought in his pretty little head. So when his roommate Julie discovers that the gorgeous group of young men who moved in next door are Mormon missionaries, they bet on whether Christian can bed one of them. Christian quickly moves in for the kill, identifying Elder Aaron Davis as a repressed homo—and quite a sexy one at that. Their initial encounters have a charged sexual tension, but fear of the devil keeps Aaron’s libido at bay. When the two are alone together, Aaron’s Mormon missionary roommates interrupt, spot their brother as gay and send him back in shame to his Idaho hometown and embarrassed parents. But in a heartfelt conclusion that brought festival audiences to their feet, love wins out over fear.The feature film version of Latter Days will be released in January 2004, starring Jacqueline Bisset, Mary Kay Place, Wes Ramsey, Steve Sandvoss and Amber Benson.C. Jay Cox wrote the screenplay for the smash hit film Sweet Home Alabama, starring Reese Witherspoon, and makes his directing debut with Latter Days, for which he also wrote the screenplay.

    However, his new agent's brilliant plan for Landon's superstardom doesn’t have anything to do with his music – it’s called Kitchen Wars, and it’s the hottest new reality show on TV. Landon wishes he could have nothing to do with it. Since the first morning he mixed flour and water, Quentin Maxwell knew he wanted to be a baker. After becoming the pastry chef at a popular LA bakery, anyone else might be satisfied. But Quen wants to call his own shots. Going on Kitchen Wars to win the money for his own bakery seems like a huge risk, but maybe it's worth it. They’re an unlikely pair. Landon can’t even figure out how to turn an oven on, while Quentin makes his living with one. But with each passing week on Kitchen Wars, they discover what a great team they make – on set, off set, and between the sheets. Winning should be everything, but what happens when the tastiest pairing is their own? Taste on my Tongue is a 80,000 word standalone gay romance featuring two men falling adorably in love, reality TV shenanigans, and too much food porn. Don't read hungry!

    The gay son of a wealthy family has disappeared. Now it's up to private dick Don Strachey to get to the bottom of this mess--even if he has to cruise every gay bar in the city to do it Don Strachey isn't exactly the most sought-after private eye in Albany, New York. In fact, this gay P.I. has gotten to the point of having to write checks to pay his tab at the cheapest lunch counter in town. And he isn't sure that the latest one, for the grand total of two dollars and ninety-three cents, is going to clear. Then the phone rings. Billy Blount, the gay heir to one of Saratoga Springs' upper-crust families, has disappeared, and his parents want him back. On top of that, Billy, a young and outspoken gay activist, is wanted for the grisly murder of the man he slept with on his last night in Albany--a man he'd never met before that night Set in the glorious, promiscuous pre-HIV late 1970s, Death Trick: A Murder Mystery is a fast-paced excursion through the seamy underside of gay Albany. From gay discos where the hard-pumping music never stops, to the city's infamous baths, to the dark alley behind the local precinct house, this hard-bitten private dick searches for answers to the questions that plague Billy's parents and the police. With his faithful companion (and unfaithful lover) Timmy, plus a cast of characters that includes drag queens, ex-jock gay bar owners, homophobic cops, male hustlers, and wealthy suburbanites, Strachey begins a chase that leads him to seedy gay bars, posh suburban homes, and pricey mental institutions where they use electric shock to destroy "sick" gay tendencies.

     No matter how many times he tries to clean up his act, drinking and fighting and picking pockets are about the only things that make him feel good. All he wants when he boards a train headed for Nevada is a fresh start. He might not even know where it is on a map, but nobody knows him there. He just needs a little change, a little adventure, a chance to shake off the dark cloud he seems to be stuck under. What he doesn’t expect is to meet Will Kaplan. A tall, handsome cowboy with a chiseled jaw who pulls him out of a jam five minutes after he steps off the train. He’s ever met anyone like the no nonsense stranger who offers him a temporary place to stay. Will might be stern and have a lot of strict rules, but he’s patient and fair, and he makes Jesse crave things he’s never thought about. Makes him want to cause trouble, just to see what might happen. Will makes him want to do all kinds of things that are definitely a bad idea. Will Kaplan couldn’t care less about people. Everyone he was ever close to is long gone, and he’s perfectly happy on his farm with his animals and just enough to get by— alone. He only heads into town when he has to, and sure never expected to come back home with a mouthy stranger who seems dead set on driving him crazy. Will doesn’t need a farmhand. He definitely doesn’t need one who’s stubborn and reckless and has an ugly temper, even if he’s sexy as hell. Just because Jesse is good company when he isn’t being irritating doesn’t mean Will is interested in having another person in his life for more than a week or two. Excitement and disruption are not things he’s fond of. Just like he’s not fond of this sassy, sullen city boy who seems determined to cause trouble, almost like he’s begging for a firm hand… Looking for Trouble is a 135,000 word low angst, slow burn, historical western romance between a stern, reclusive cowboy and a rowdy, troublemaking stranger. It includes forced proximity, a bit of hurt/comfort, some serious pining, a ten year age gap, spanking, daddy kink, first times, steamy scenes, a woodshed, and an HEA.