Between the black stallion and young boy, a strange understanding grew that you lead them through untold dangers as they journeyed to America. Nor could Alec understand that his adventures with the black stallion would capture the interest of an entire nation.

    Her new guardian, her uncle Sir Benjamin, is kind and funny; the Manor itself feels like home right away; and every person and animal she meets is like an old friend. But there is something incredibly sad beneath all of this beauty and comfort, that shadowing Moonacre Manor and the town around it. Maria is determined to learn about it, change it, and give her own life story a happy ending.The enchanted valley of Moonacre is shadowed by a tragedy that happened years ago, and the memory of the Moon Princess and the mysterious little white horse. Determined to restore peace and happiness to the whole of Moonacre Valley, Maria finds herself involved with an ancient feud, and she discovers it is her destiny to end it and right the wrongs of her ancestors. Maria usually gets her own way. But what can one solitary girl do?A new-fashioned fantasy story that is as wonderful as the best classic fairy tales.(The 1994 mini-series "Moonacre" and 2008 movie "The Secret of Moonacre" and the are both based on this book.)

    The lack of a name is appropriate, because he and his mother are but poor peasants in 14th century medieval England. But this thirteen-year-old boy who thought he had little to lose soon finds himself with even less - no home, no family, or possessions. Accused of a crime he did not commit, he may be killed on sight, by anyone. If he wishes to remain alive, he must flee his tiny village. All the boy takes with him is a newly revealed name - Crispin - and his mother's cross of lead.

    Soon the care of the soldier becomes the girls' preoccupation, but it's not just the secret they share that emboldens them to steal food and other comforting items for the man. They are fascinated by what he holds in his hand — a tiny silver donkey. As the girls and their brother devise a plan for the soldier's safe passage home, he repays them by telling four wondrous tales about the humble donkey — from the legend of Bethlehem to a myth of India, from a story of rescue in war to a tale of family close to the soldier's heart. Sonya Hartnett explores rich new territory in this inspiring tale of kindness, loyalty, and courage.

    That is the only thing that never fails."--Merlyn the WizardBefore there was a famous king named Arthur, there was a curious boy named Wart and a kind old wizard named Merlyn. Transformed by Merlyn into the forms of his fantasy, Wart learns the value of history from a snake, of education from a badger, and of courage from a hawk--the lessons that help turn a boy into a man. Together, Wart and Merlyn take the reader through this timeless story of childhood and adventure--The Sword in the Stone. T.H. White's classic tale of the young Arthur's questioning and discovery of his life is unparalleled for its wit and wisdom, and for its colorful characters, from the wise Merlyn to the heroic Robin Wood to the warmhearted King Pellinore.Golden Kite Honor artist Dennis Nolan has loved The Sword in the Stone since childhood, and he imbues White's tale with magic and mystery in his glowing illustrations. Readers who know Arthur or are meeting him for the first time will delight in this beautiful rendering of one of the greatest stories of all time.

    There were so many trucks making deliveries that it might take an hour for a car to travel a few blocks. People blamed the truck owners and the truck owners blamed the little wooden pushcarts that traveled the city selling everything from flowers to hot dogs. Behind closed doors the truck owners declared war on the pushcart peddlers. Carts were smashed from Chinatown to Chelsea. The peddlers didn’t have money or the mayor on their side, but that didn’t stop them from fighting back. They used pea shooters to blow tacks into the tires of trucks, they outwitted the police, and they marched right up to the grilles of those giant trucks and dared them to drive down their streets. Today, thanks to the ingenuity of the pushcart peddlers, the streets belong to the people—and to the pushcarts.The Pushcart War was first published more than fifty years ago. It has inspired generations of children and been adapted for television, radio, and the stage around the world. It was included on School Library Journal’s list of One Hundred Books That Shaped the Twentieth Century, and its assertion that a committed group of men and women can prevail against a powerful force is as relevant in the twenty-first century as it was in 1964.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    Even if I told you that we have oceans filled with sea turtles and dolphins, or forests lush with parrots that call through air thick with warmth... Nobody comes here because they want to.The island of no return.Ami lives with her mother on an island where the sea is as blue as the sky. It’s all she knows and loves, but the arrival of malicious government official Mr Zamora changes her world forever: her island is to be made into a colony for lepers. Taken from her mother and banished across the sea, Ami faces an uncertain future in an orphanage. There she meets a honey-eyed girl named for butterflies, and together they discover a secret that will lead her on an adventure home. Ami must go back to the island of no return, but will she make it in time?

    He takes refuge with his Merrie Men in the vast Sherwood Forest, emerging time and again to outwit his enemies with daring and panache. This book presents the story of social justice and cunning.

    Swallows and Amazons introduces the lovable Walker family, the camp on Wild Cat island, the able-bodied catboat Swallow, and the two intrepid Amazons, Nancy and Peggy Blackett.

    "Fetch the whipping boy!" A young orphan named Jemmy rouses from his sleep. "Ain't I already been whipped twice today? Gaw! What's the prince done now?" It was forbidden to spank, thrash, or whack the heir to the throne. Jemmy had been plucked from the streets to serve as whipping boy to the arrogant and spiteful Prince Brat. Dreaming of running away, Jemmy finds himself trapped in Prince Brat's own dream at once brash and perilous. In this briskly told tale of high adventure, taut with suspense and rich with colorful characters, the whipping boy and Prince Brat must at last confront each other. Award-winning author Sid Fleischman again blends the broadly comic with the deeply compassionate in this memorable novel.

    Distraught over her parents' separation, Abigail follows a strange child called Beatie Bow and time slips back a hundred years where she becomes involved with an Australian shopkeeper's family.

    And if twelve-year-old Rose hadn't been so unhappy in her new home, where she'd been sent to live with unknown relatives, she probably would never have fled down the stairs to the root cellar in the first place. And if she hadn't, she never would have climbed up into another century, the world of the 1860s, and the chaos of Civil War...

    But things do not turn out as they had expected. The sole survivors of a terrible shipwreck, they wash ashore to learn that the danger has only begun. Their new world will test their courage, cleverness, endurance, and faith as they struggle to survive and create a civilization of their own in the wilderness. Note: This Townsend Library classic has been carefully edited to be more accessible to today's students. It includes a brief author's biography and an afterword that provides important context about the work.

    The sequel to Johanna Spyri's "Heidi", this is a Classic story for children and teens beautifully illustrated in Color & B/W by June Goldsborough.