Except Alison knows better… The woman is Mary Seymour, the daughter of Katherine Parr who was taken to Wolf Hall in 1557 as an unwanted orphan and presumed dead after going missing as a child.The painting is more than just a beautiful object from Alison’s past – it holds the key to her future, unlocking the mystery surrounding Mary’s disappearance, and the enigma of Alison’s son.But Alison’s quest soon takes a dark and foreboding turn, as a meeting place called the Phantom Tree harbours secrets in its shadows…

    This time, it leads to a medieval manuscript and murder. Was it an ordinary theft gone wrong or something more? The Carabinieri in Rome would like to know.Michael Romano is an American priest working in the Vatican's Secret Archives with a penchant for stepping over the line. Church Inquisitors have noticed -- and they aren’t happy. Nevertheless, Romano is also the Church’s senior paleographer, an expert in ancient manuscripts, and his expertise is needed to examine a ninth-century codex known as a Psalter.Father Romano’s examination leads him into the past as he uncovers an historical narrative of medieval forgeries, Saracen invasions and a legendary fight for the richest kingdom on earth. Yet he has unwittingly become a target for those who will stop at nothing to possess the secret of the Psalter.*Untraditional Christianity Warning

    The victim is the Prince of Wales, the egg itself a gift from the Russian Tsar — and if the Tsar takes offence at the Prince's carelessness in losing it, the delicate balance of power in Europe could be destroyed for ever. Yet if Blackstone is investigating a simple robbery, why is there an attempt on his life the moment he sets foot in Russia — an attempt which would have succeeded but for the intervention of mysterious masked figures? Why will no one talk about the closed coach which fled the scene after the theft? And what is the motive behind the murder of a young British officer staying at the house? The more Blackstone learns, the less he knows … Who can he really trust? And is this priceless Golden Egg masking a deeper, darker secret? “Vivid characters, a dazzling plot, authentic period details, and plenty of surprising twists make this latest effort by Sally Spencer an outstanding choice for historical mystery fans” - Booklist “This new series from the author of the Chief Inspector Woodend novels features a nicely captured Victorian ethos, solid prose, and winning subplot diversions. Anne Perry fans and devotees of Victorian-era mysteries will enjoy this new historical. For most collections” - Library Journal Sally Spencer worked as a teacher both in England and Iran - where she witnessed the fall of the Shah. She now writes full time. Endeavour Press is the UK's leading independent publisher of digital books.

    But each morning she wakes to find his side of the bed cold is more painful than the last, and she’s struggling to make ends meet as a writer. She must admit defeat and move into the crumbling seaside guest house her daughter just bought. Perhaps it might help put what’s left of their broken family back together…There, Louisa is offered a final chance to save her career by writing an article on a local sand artist, Isaac. Except, when he turns to greet her – tall, handsome and weather-worn – something about him feels disturbingly familiar. Why, when he looks into her eyes, does she feel like he knows exactly who she is and everything she’s been through?As they explore the rugged coastline’s hidden coves together – living and laughing like she never thought she would again – Louisa is fascinated by this man who creates beautiful sculptures on the shoreline, but deep down she knows he’s keeping a secret from her. The discovery of a charcoal scribble in one of his sketchbooks linking him to the death of her husband, confirms her deepest fear. Is she ready for what he will tell her, and will letting him in tear her family and her heart apart all over again?A heartbreaking, page-turning and completely unforgettable family drama you will read in one sitting. Perfect for anyone who loves Amanda Prowse, Kerry Fisher and Jodi Picoult.

    Desperate to get as far away as possible from New York City and those who want her dead, she has her sights set on Oregon: a distant frontier that seems the end of the line.She befriends Max, a black Pullman porter who reminds her achingly of Harlem, who leads Alice to the Paragon Hotel upon arrival in Portland. Her unlikely sanctuary turns out to be the only all-black hotel in the city, and its lodgers seem unduly terrified of a white woman on the premises. But as she meets the churlish Dr. Pendleton, the stately Mavereen, and the unforgettable club chanteuse Blossom Fontaine, she begins to understand the reason for their dread. The Ku Klux Klan has arrived in Portland in fearful numbers–burning crosses, inciting violence, electing officials, and brutalizing blacks. And only Alice, along with her new “family” of Paragon residents, are willing to search for a missing mulatto child who has mysteriously vanished into the Oregon woods.Why was “Nobody” Alice James forced to escape Harlem? Why do the Paragon’s denizens live in fear–and what other sins are they hiding? Where did the orphaned child who went missing from the hotel, Davy Lee, come from in the first place? And, perhaps most important, why does Blossom DuBois seem to be at the very center of this tangled web?

    Trapped in a world over which she has no control, Sibyl flees for solace to the parlor of a table-turning medium.But when her brother is suddenly kicked out of Harvard under mysterious circumstances and falls under the sway of a strange young woman, Sibyl turns for help to psychology professor Benton Derby, despite the unspoken tensions of their shared past. As Benton and Sibyl work together to solve a harrowing mystery, their long-simmering spark flares to life, and they realize that there may be something even more magical between them than a medium’s scrying glass.From the opium dens of Boston’s Chinatown to the opulent salons of high society, from the back alleys of colonial Shanghai to the decks of the Titanic, The House of Velvet and Glass weaves together meticulous period detail, intoxicating romance, and a final shocking twist that will leave readers breathless.

    The Great War. Although the world is at war, Delia Markham is adjusting to her job as a typewriting teacher at the Glennon Normal School in the fall term of 1918. Her new life revolves around teaching future teachers. It isn’t an easy transition from her former assignment as Yeoman (F) in the U. S. Naval Reserve. When the call was made for women to help in the war effort, Delia was one of the first to sign up for a four-year enlistment using a loophole in the language that allowed women to join the service. That loophole relieved men of the clerical duties that kept them from combat. It offered women equal pay and rank for the same work. Thousands rushed forward to fill that gap. To differentiate them from other yeomen, the (f) designation was used. After spending years caring for her parents and ultimately losing them both, joining the service in the spring of 1917 was an exciting opportunity. One she relished for the time she put in as the amanuensis to a high-ranking officer. Her life with the admiral and his wife allowed her to grow, learn new skills, and enjoy new experiences until she was sidelined in the summer of 1918 by an incident that meant the abrupt end of her military career. A career that was as exciting as it was fulfilling. Circumstances and a remaining family connection brought Delia to the Glennon Normal School when other doors were closed to her. She was happy to have the job and her new home with her cousin Hazel, the head chef at the school. But life at the teachers’ training school isn’t quite as exciting as her time in the service. Not until a mystery at Glennon Hall is followed by a murder and Delia finds herself drawn into both. Suddenly, some of the past excitement found its way back into her life.