The one she creates after coming face to face with the devastating, lonely-making butt-kicking phenomenon known as heartbreak.Heartbreak comes in all forms: There’s Keats, the charmingly handsome new guy who couldn’t be more perfect for her. There’s possibly the worst person in the world, Cherisse, whose mission in life is to make Penelope miserable. There’s Penelope’s increasingly distant best friend Audrey. And then there’s Penelope’s other best friend, the equal-parts-infuriating-and-yet-somehow-amazing Eph, who has been all kinds of confusing lately.But sometimes the biggest heartbreak of all is learning to let go of that wondrous time before you ever knew things could be broken…

    She is quickly taken under the unlikely wings of up-and-coming gridiron stars and classmates John Caldwell and Trey Don Hall, orphans like herself, with whom she forms a friendship and eventual love triangle that will determine the course of the rest of their lives. Taking the three friends through their growing up years until their high school graduations when several tragic events uproot and break them apart, the novel expands to follow their careers and futures until they reunite in Kersey at forty years of age. Told with all of Meacham's signature drama, unforgettable characters, and plot twists, readers will be turning the pages, desperate to learn how it all plays out.Duration: approximately 15 hr.

    In fact, Panning’s last collection of short stories, Super America, was a New York Times Book Review Editor’s Choice. Enter this exciting new novel, the best work yet from a writer whose astute observations of American life are as honest as they are engaging.Butter is a coming of age tale set against the backdrop of small-town Minnesota during the 1970s and told from the perspective of an eleven-year-old girl, Iris, who learns from her parents that she is adopted. The story of Iris’s childhood is at first beguiling and innocent: hers is a world filled with bell-bottoms and Barbie dolls, Shrinky Dinks and Shaun Cassidy records, TV dinners and trips to grandma’s. But as her parents’ marriage starts to unravel, Iris grows more and more observant of disintegration all around her, and the simple cadences of her story quickly attain an unnerving tension as she wavers precariously between girlhood and adolescence. In the end, Iris’s story represents a profound meditation on growing up estranged in small town America—on being an outsider in a world increasingly averse to them. Passionate, lyrical, and disquieting, this intensely moving novel is a rich exploration of a crucial theme in American literature that will confirm Anne Panning’s place as a major figure in the world of contemporary fiction.

    At least, that’s what it feels like during her first week of junior year at her new ultra-intimidating prep school in Los Angeles. Just when she’s thinking about hightailing it back to Chicago, she gets an email from a person calling themselves Somebody/Nobody (SN for short), offering to help her navigate the wilds of Wood Valley High School. Is it an elaborate hoax? Or can she rely on SN for some much-needed help?It’s been barely two years since her mother’s death, and because her father eloped with a woman he met online, Jessie has been forced to move across the country to live with her stepmonster and her pretentious teenage son.In a leap of faith—or an act of complete desperation—Jessie begins to rely on SN, and SN quickly becomes her lifeline and closest ally. Jessie can’t help wanting to meet SN in person. But are some mysteries better left unsolved?

    Eleven years after a shooting rocked the small town of East Ridge, New Jersey and left eighteen first graders in their classroom dead, survivors and recent high school graduates Matt Simpson and Cole Hewitt are still navigating their guilt and trying to move beyond the shadow of their town's grief. Will Cole and Matt ever be able to truly leave the ghosts of East Ridge behind? Do they even want to? As they grapple with changing relationships, falling in love, and growing apart, these two friends must face the question of how to move on—and truly begin living.

    Rebellious and adrift in late 1980s Wisconsin, he is resentful of his Indian roots and has no clue what he wants from his future—other than to escape his family’s life of endless moving and financial woes. But after a drunken weekend turns disastrous, Vikram’s outraged parents decide to pack up the family and return to India—permanently.So begins a profound journey of self-discovery as Vikram, struggling with loneliness, culture shock, and the chaos of daily Indian life, finds his creativity awakened by a new romance and an old camera. His artistic gifts bring him closer to a place and family he barely knew. But a devastating family crisis challenges Vikram’s sense of his destiny, hurtling him toward a crossroads where he must make the fateful choice between India, the land of his soul, and America, the land of his heart.

    John has it all—loyal best friends, a hot guy, and artistic talent. And she’s right on track to win the Miss Scarlet pageant. Her perfect life is possible because of just one thing: her long, wavy, coppery red hair.Having red hair is all that matters in Scarletville. Redheads hold all the power—and everybody knows it. That’s why Felicity is scared down to her roots when she receives an anonymous note:I know your secret.Because Felicity is a big fake. Her hair color comes straight out of a bottle. And if anyone discovered the truth, she’d be a social outcast faster than she could say "strawberry blond." Her mother would disown her, her friends would shun her, and her boyfriend would dump her. And forget about winning that pageant crown and the prize money that comes with it—money that would allow her to fulfill her dream of going to art school.Felicity isn’t about to let someone blackmail her life away. But just how far is she willing to go to protect her red cred?

    
This is the story of seven friends. We met in college, completely free for the first time in our lives and determined to enjoy every minute of it. For four years, we gossiped and flirted, partied and road-tripped. We were inseparable. Each of us has our own story of falling in or out of love. Of finding out who we are. Of growing up. We thought we knew everything. We knew nothing. We Were Here is where the Modern Love Stories begins, in a standalone that perfectly captures the humor, angst, and sheer chaos of college.

    But Eldon wouldn’t want to live anywhere else, because in Madison, everyone gets one wish—and that wish always comes true.Some people wish for money, some people wish for love, but Eldon has seen how wishes have broken the people around him. And with the lives of his family and friends in chaos, he’s left with more questions than answers. Can he make their lives better? How can he be happy if the people around him aren’t? And what hope is there for any of them if happiness isn’t an achievable dream? Doubts build, leading Eldon to a more outlandish and scary thought: maybe you can’t wish for happiness…maybe, just maybe, you have to make it for yourself.

    In a right-wing coup one man, Volkner, has seized power in New Zealand and is using army and special police to maintain his government. Smith's Dream forces us to imagine such a situation and to ask ourselves: Where would you stand? How far would you go?

    The book, which Sullivan calls The Statistical Probability of Love at First Sight meets Bridesmaids, is a dual narrative novel by authors who dated when they were in high school, about a boy and girl who must navigate social misunderstandings, the plotting of well-meaning friends, and their own fears about being virgins forever. It's slated for summer 2016; Allison Hellegers of Rights People brokered the deal on behalf of Barry Cunningham and Elinor Bagenal at Chicken House in the U.K.

    She works for L.A. Rideshare, adores her rent-stabilized apartment in Santa Monica, and struggles with losing a few pesky pounds. But June’s life is about to change.After a dark turn of events involving Weight Watchers, a chili recipe and a car accident in which her passenger, Marissa, dies, June finds herself in possession of a list, “20 Things to Do By My 25th Birthday.” Even though they barely knew each other, June is compelled by both guilt and a desire to set things right to finish the list for Marissa.The tasks before her range from inspiring (Run a 5K), to daring (Go braless), to near-impossible (Change someone’s life), and as June races to achieve each goal before the deadline, she learns more about her own life than she ever bargained for.source: jillsmolinski.com

    Kate manages her life by organizing it as logically as the periodic table. She can handle it all—or so she thinks. Then, things change as suddenly as a string of chemical reactions; first, the Malones' neighbors get burned out of their own home and move in. Kate has to share her room with her nemesis, Teri Litch, and Teri's little brother. The days are ticking down and she's still waiting to hear from the only college she applied to: MIT. Kate feels that her life is spinning out of her control—and then, something happens that truly blows it all apart. Set in the same community as the remarkable Speak, Catalyst is a novel that will change the way you look at the world.

    Failing out of school, picking up shifts at Margo’s diner, she’s left fending for herself in a town where she’s never quite felt at home. When she “borrows” her neighbor’s car to perform at an open mic night, she realizes her life could be much bigger than where she came from. After a fight with her dad, April packs her stuff and leaves for good, setting off on a journey to find a life that’s all hers.As April moves through the world, meeting people who feel like home, she chronicles her life in the songs she writes and discovers that where she came from doesn’t dictate who she has to be. This lyrical, unflinching tale is for anyone who has ever yearned for the fierce power of found family or to grasp the profound beauty of choosing to belong.

    And her parents’ divorce and the move to Arizona three years ago didn’t help. Being the new girl is hard enough without being socially awkward too. So out of desperation and a desire to please her worried mother, Caroline invented a whole life for herself—using characters from Felicity, an old show she discovered online and fell in love with.But now it’s time for Caroline to go off to college and she wants nothing more than to leave her old “life” behind and build something real. However, when her mother discovers the truth about her manufactured friends, she gives Caroline an ultimatum: Prove in this first semester that she can make friends of the nonfictional variety and thrive in a new environment. Otherwise, it’s back to living at home—and a lot of therapy.Armed with nothing more than her resolve and a Felicity-inspired plan, Caroline accepts the challenge. But she soon realizes that the real world is rarely as simple as television makes it out to be. And to find a place where she truly belongs, Caroline may have to abandon her script and take the risk of being herself.