When the Queen in pursuit of her wandering corgis stumbles upon a mobile library she feels duty bound to borrow a book. Aided by Norman, a young man from the palace kitchen who frequents the library, the Queen is transformed as she discovers the liberating pleasures of the written word.The author of the Tony Award winner The History Boys, Alan Bennett is one of Britain’s best-loved literary voices. With The Uncommon Reader, he brings us a playful homage to the written word, imagining a world in which literature becomes a subversive bridge between powerbrokers and commoners. By turns cheeky and charming, the novella features the Queen herself as its protagonist. When her yapping corgis lead her to a mobile library, Her Majesty develops a new obsession with reading. She finds herself devouring works by a tantalizing range of authors, from the Brontë sisters to Jean Genet. With a young member of the palace kitchen staff guiding her choices, it’s not long before the Queen begins to develop a new perspective on the world - one that alarms her closest advisers and tempts her to make bold new decisions. Brimming with the mischievous wit that has garnered acclaim for Bennett on both sides of the Atlantic, The Uncommon Reader is a delightful celebration of books and writers, and the readers who sustain them.

    From the Booker Prizewinning author of ‘Offshore’ and ‘The Blue Flower’; a funny, touching, authentic story of life at Broadcasting House during the Blitz.The human voices of Penelope Fitzgerald’s novel are those of the BBC in the first years of the World War II, the time when the Concert Hall was turned into a dormitory for both sexes, the whole building became a target for enemy bombers, and in the BBC – as elsewhere – some had to fail and some had to die, but where the Nine O’Clock News was always delivered, in impeccable accents, to the waiting nation.

    Quietly suffering in a life filled with loneliness and regret, he’s accepted his punishment for not protecting the only person he’s ever loved.In his experiences, he’s learned to always expect the worst.He never expected to meet a woman who would bring light into his life, who would show him forgiveness and the beauty in acceptance.He never expected a chance at redemption.He never expected Isabella Hampton.This is the first book in a spin-off series of The Dimarco Series. Can be read as a standalone. Many characters from The Dimarco Series will appear in this story.

    So this was my strange new home…When Yvette receives a call to say her estranged father Joe has been attacked in a seemingly random act of violence, she rushes to his side.But when she arrives, she finds a man different to the larger-than-life father of her memories. Joe is broken, too scared to describe his attacker to the police, and seemingly haunted by memories of his past – memories he’s fought to suppress.About the boat journey that brought him and his wife Dolina to their new home in a hostile and unwelcoming Britain – as part of the Windrush Generation. About the secrets left behind in St Lucia… And about the darkest secret of all – the one that he has carried with him since stepping off the boat that cool, wet August day.As he fights for his life, he begs Yvette to find out what really happened on the last day of that crossing. Because, for forty years, Joe has believed that he killed a man. A man who had loved Dolina too. And who might hold the key to Yvette’s own story…What follows is a heart-stopping debut novel about family, identity, secrets, lies, and the journeys that define us. It will grip you, challenge you, and ultimately break you into a thousand pieces. Perfect for fans of Small Island and Girl, Woman, Other.

    When she calms a stray dog during an incident at school, she’s asked to help a nearby farm with a difficult horse.Cameron Rahl has had a very different relationship with animals since his mother died in a horse riding accident. But now he's inherited his family’s farm, he's determined to never let anyone affect him that way again.Until he meets Cilla. He tries to stay away from the gorgeous horse whisperer with the potential to tame him, but something keeps pulling him close. And as much as Cilla tells herself she can keep it casual, she knows they're too connected to be 'just a fling.'Will Cilla's heart win out? Or will it take history repeating itself for Cameron to realise just how much he needs her?

    Mrs. Hawkins, the majestic narrator, takes us well in hand and leads us back to her threadbare years in postwar London. There, as a fat and much admired young war widow, she spent her days working for a mad, near-bankrupt publisher ("of very good books") and her nights dispensing advice at her small South Kensington rooming house. At work and at home Mrs. Hawkins soon uncovered evil: shady literary doings and a deadly enemy; anonymous letters, blackmail, and suicide. With aplomb, however, Mrs. Hawkins confidently set about putting things to order, little imagining the mayhem that would ensue. Now decades older, thin, successful, and delighted with life in Italy--quite a far cry from Kensington--Mrs. Hawkins looks back to all those dark doings and recounts how her own life changed forever. She still, however, loves to give advice: "It's easy to get thin. You eat and drink the same as always, only half...I offer this advice without fee; it is included in the price of this book."

    --Delia Owens, author of Where the Crawdads SingSpanning World War II and the sweep of the twentieth century, We Must Be Brave explores the fierce love that we feel for our children and the power of that love to endure. Beyond distance, beyond time, beyond life itself.A woman. A war. The child who changed everything.December 1940. As German bombs fall on Southampton, England during World War II, the city's residents flee to the surrounding villages. In Upton village, amid the chaos, newly married Ellen Parr finds a girl asleep, unclaimed at the back of an empty bus. Little Pamela, it seems, is entirely alone.Ellen has always believed she does not want children, but when she takes Pamela into her home, the child cracks open the past Ellen thought she had escaped and the future she and her husband Selwyn had dreamed for themselves. As the war rages on, love grows where it was least expected, surprising them all. But with the end of the fighting comes the realization that Pamela was never theirs to keep. Spanning the sweep of the twentieth century, We Must Be Brave explores the fierce love that we feel for our children and the power of that love to endure. Beyond distance, beyond time, beyond life itself.

    But when old Smiler takes a seat beside him, sucking in pint after pint through his gingery whiskers, a whole new world of battles and bones opens up before him…H. E. Bates – a prolific English novelist and short story writer – wrote 'Castle in the Air' for The Evening News in 1957, but the story was never re-printed in any of his later collections. In fact, its existence was forgotten until 2013 when it was spotted accidentally during a rummage through a newspaper archive. On re-discovering this charming and humorous short story – which exemplifies H.E. Bates's great skill of drawing vivid characters and his ability to create an almost tangible sense of a place – Bates's descendants felt it had to be shared with a wider audience.Bloomsbury Reader is delighted to be re-publishing 'Castle in the Air' alongside the whole body of H. E. Bates's short fiction and novellas, and here we offer it as a free taste of Bates's irresistible writing.

    However, it was these early stories that first earned her a reputation as a writer with "the liveliest imagination and most delicate style of her time." Influenced by Joyce, Proust, and the theories of William James, Bergson, and Freud, she strove to write a new fiction that emphasized the continuous flow of consciousness, time's passage as both a series of sequential moments and a longer flow of years and centuries, and the essential indefinability of character.Readers can discover these and other aspects of her influential style in the eight stories collected here, among them a delightful, feminist put-down of the male intellect in "A Society" and a brilliant and sensitive portrayal of nature in "Kew Gardens." Also included are "An Unwritten Novel," "The String Quartet," "A Haunted House," "Blue & Green," "The Mark on the Wall," and the title story.In recent years, Woolf's fiction, feminism, and high-minded sensibilities have earned her an ever-growing audience of readers. This splendid collection offers those readers not only the inestimable pleasures of the stories themselves, but an excellent entrée into the larger body of Woolf's work.

    But before Lady Julia and her handsome sleuthing husband, Nicolas Brisbane, can take to the stage, a ruckus in the stable yard demands their attention. An abandoned infant is found nestled in the steel helm of St. George. What's more, their only lead is the local legend of a haunted cottage and its ghastly inhabitant—who seems to have returned.Once again, Lady Julia and Nicholas take up the challenge to investigate, and when the source of the mystery is revealed, they'll be faced with an impossible choice—one that will alter the course of their lives…forever.

    Four novellas. All quick reads for mature audiences only. Happily ever afters are guaranteed!

    She used to imagine she was the good kind, now she’s not sure. She’d like to ask Dad about it, but growing up in the saddest chapter of someone else’s story is difficult. She tries not to skate on the thin ice of his memories.Darren has done his best. He's studied his daughter like a seismologist on the lookout for waves and surrounded her with everything she might want - everything he can think of, at least - to be happy.What Clover wants is answers. This summer, she thinks she can find them in the second bedroom, which is full of her mother's belongings. Volume isn't important, what she is looking for is essence; the undiluted bits: a collection of things that will tell the full story of her mother, her father and who she is going to be.But what you find depends on what you're searching for.

    Days later, the family are forced to leave their home in search of safety. As they move from place to place, shelter to shelter, their journey traces both fear and wonder as Z's small fists grasp at the things he sees, as he grows and stretches, thriving and content against all the odds.This is a story of new motherhood in a terrifying setting: a familiar world made dangerous and unstable, its people forced to become refugees. Startlingly beautiful, Megan Hunter's The End We Start From is a gripping novel that paints an imagined future as realistic as it is frightening. And yet, though the country is falling apart around them, this family’s world – of new life and new hope – sings with love.

    My name is Flick and these are my images of my disconnected life, my forgettable weeks and unforgettable weekends. I am one of the disaffected youth. Marooned by a lack of education (and lack of anything better to do), Will Flicker, a.k.a. "Flick," spends most days pondering the artistry behind being a stoner, whether Pepsi is better than Coke, and how best to get clear of his tiny, one-horse suburb. But Flick senses there’s something else out there waiting for him, and the sign comes in the form of the new girl in town—a confident, unconventionally beautiful girl named Rainbow. As their relationship develops, Flick finds himself torn between the twisted loyalty he feels to his old life and the pull of freedom that Rainbow represents. The story unfolds in a small factory town in northern England, where bleak and sometimes treacherous circumstances make the taste of a love affair even sweeter. Told with humor and raw honesty, in a voice "both authentic and compelling" (GQ, UK), Flick captures an unforgettable moment in the life of a young man on the verge.

    The notebook containing the novel was rediscovered by her in adult life and sent by a friend to Frank Swinnerton, the English novelist, critic, editor and essayist. Published in 1919 by Chatto and Windus, with its original misspellings and an arch introduction by “Peter Pan” author J. M. Barrie, it was an immediate bestseller. Its child's view of high society (dukes and earls having ‘levies’ and residing in the ‘Crystall Pallace’) and its heavily romantic plot make it an engaging and enduring popular work. Source: jrank.org