Wystan Owen’s Other People’s Love Affairs, the people of Glass, a picturesque village on the rugged English coast, are haunted by longings and deeply held secrets, captive to pasts that remain as alive as the present. Each story takes us into the lives of characters reaching earnestly and often courageously for connection to the people they have loved. Owen observes their heartbreaks, their small triumphs, and their generous capacity for grace.A young nurse, reeling from the disappearance of her mother, forges an unlikely friendship with a local vagrant who might know why her mother vanished. A young boy is by turns dazzled and disillusioned by a trip to the circus with a family friend. A widower revisits the cinema where, as a teenager, he and an older woman had secret trysts that both thrilled and baffled him.  A woman is offered fragile, uneasy forgiveness for a cruel act from years ago. And in the title story, a shopkeeper’s vision of the woman she loved is upended by the startling revelation of a secret life. Surprising and powerful, these stories mark the debut of a remarkable new talent.Lovers of a Kind --At the Circus --Virginia's Birthday --A Romance --What Is Meant to Remain --A Bit of Fun --Housekeeper --The Patroness --Other People's Love Affairs --The Well Sister --

    Passions hopelessly conceived, affections betrayed, marriages made and broken: the joys, fears, loves and awakenings of women echo throughout these twelve unforgettable stories, laying bare the unexceptional and yet inescapable pain of human contact.

    Kevin, recently unemployed, is already at his wits’ end tending to a full house while his wife travels to exotic locales for work, leaving him solo with his sulky, misbehaved teenaged daughter, Aideen, whose troubles escalate when she befriends the campus rebel at her new boarding school. Into the Gogarty fray steps Sylvia, Millie’s upbeat American home aide, who appears at first to be their saving grace—until she catapults the Gogarty clan into their greatest crisis yet. With charm, humor, and pathos to spare, Good Eggs is a delightful study in self-determination; the notion that it’s never too late to start living; and the unique redemption that family, despite its maddening flaws, can offer.

    In one story, a Jewish college Sarah passively consents to a form-life in pursuit of an MRS degree and is swept into a culture of normalized sexual violence. Another reveals a version of Sarah finding pleasure—and a new set of problems—by playing dead for a wealthy necrophiliac. A Buffy-loving Sarah uses fan fiction to work through romantic obsession. As the collection progresses, Cohen explodes this search for self, insisting that we have more to resist and repair than our own personal narratives. Readers witness as the ever-evolving "Sarah" gets recast: as a bible-era trans woman, an aging lesbian literally growing roots, a being who transcends the earth as we know it. While Cohen presents a world that will clearly someday end, "Sarah" will continue.In each Sarah's refusal to adhere to a single narrative, she potentially builds a better home for us all, a place to live that demands no fixity of self, no plague of consumerism, no bodily compromise, a place called Sarahland.

    She dares to fall in love.And only then do they discover the true horror of the Vallarca curse.

    Broke and knocked up, she’s got all her worldly possessions crammed into six giant trash bags, and nowhere to go. Try as she might, Mattie can no longer deny that she really is turning into her mother, a broken alcoholic who never met a bad choice she didn’t make. When Mattie gets news of a possible inheritance left by a grandmother she’s never met, she jumps at this one last chance to turn things around. Leaving the Florida Panhandle, she drives eight hundred miles to her mother’s birthplace—the tiny town of Gandy, Oklahoma. There, she soon learns that her mother remains a local mystery—a happy, talented teenager who inexplicably skipped town thirty-five years ago with nothing but the clothes on her back. But the girl they describe bears little resemblance to the damaged woman Mattie knew, and before long it becomes clear that something terrible happened to her mother, and it happened here. The harder Mattie digs for answers, the more obstacles she encounters. Giving up, however, isn’t an option. Uncovering what started her mother’s downward spiral might be the only way to stop her own.Hilarious, gripping, and unexpectedly wise, The Art of Crash Landing is a poignant novel from an assured new voice.

    “There is a way to be cruel that seems Jamaican to me.” Tenderness and cruelty, loyalty and betrayal, ambition and regret—Alexia Arthurs navigates these tensions to extraordinary effect in her debut collection about Jamaican immigrants and their families back home. Sweeping from close-knit island communities to the streets of New York City and midwestern university towns, these eleven stories form a portrait of a nation, a people, and a way of life. In “Light Skinned Girls and Kelly Rowlands,” an NYU student befriends a fellow Jamaican whose privileged West Coast upbringing has blinded her to the hard realities of race. In “Mash Up Love,” a twin’s chance sighting of his estranged brother—the prodigal son of the family—stirs up unresolved feelings of resentment. In “Bad Behavior,” a mother and father leave their wild teenage daughter with her grandmother in Jamaica, hoping the old ways will straighten her out. In “Mermaid River,” a Jamaican teenage boy is reunited with his mother in New York after eight years apart. In “The Ghost of Jia Yi,” a recently murdered international student haunts a despairing Jamaican athlete recruited to an Iowa college. And in “Shirley from a Small Place,” a world-famous pop star retreats to her mother’s big new house in Jamaica, which still holds the power to restore something vital. The winner of The Paris Review’s Plimpton Prize for “Bad Behavior,” Alexia Arthurs emerges in this vibrant, lyrical, intimate collection as one of fiction’s most dynamic and essential young authors.

    His work bears special resonance for writers and readers, and yet his paintings never tell a story so much as they invite viewers to find for themselves the untold stories within."So says Lawrence Block, who has invited seventeen outstanding writers to join him in an unprecedented anthology of brand-new stories: In Sunlight or In Shadow. The results are remarkable and range across all genres, wedding literary excellence to storytelling savvy.Contributors include Stephen King, Joyce Carol Oates, Robert Olen Butler, Michael Connelly, Megan Abbott, Craig Ferguson, Nicholas Christopher, Jill D. Block, Joe R. Lansdale, Justin Scott, Kris Nelscott, Warren Moore, Jonathan Santlofer, Jeffery Deaver, Lee Child, and Lawrence Block himself. Even Gail Levin, Hopper’s biographer and compiler of his catalogue raisonée, appears with her own first work of fiction, providing a true account of art theft on a grand scale and told in the voice of the country preacher who perpetrated the crime.In a beautifully produced anthology as befits such a collection of acclaimed authors, each story is illustrated with a quality full-color reproduction of the painting that inspired it.

    She intends to quickly tie up loose ends then return to her busy life and thriving antique shop in New Orleans. Instead, she learns Mags has willed The Hideaway to her and charged her with renovating it—no small task considering her grandmother’s best friends, a motley crew of senior citizens, still live there.Rather than hurrying back to New Orleans, Sara stays in Sweet Bay and begins the biggest house-rehabbing project of her career. Amid drywall dust, old memories, and a charming contractor, she discovers that slipping back into life at The Hideaway is easier than she expected.Then she discovers a box Mags left in the attic with clues to a life Sara never imagined for her grandmother. With help from Mags’s friends, Sara begins to piece together the mysterious life of bravery, passion, and choices that changed her grandmother’s destiny in both marvelous and devastating ways.When an opportunistic land developer threatens to seize The Hideaway, Sara is forced to make a choice—stay in Sweet Bay and fight for the house and the people she’s grown to love or leave again and return to her successful but solitary life in New Orleans.

    Rita Hayworth and Shawshank Redemption--the most satisfying tale of unjust imprisonment and offbeat escape since The Count of Monte Cristo.Apt Pupil--a golden California schoolboy and an old man whose hideous past he uncovers enter into a fateful and chilling mutual parasitism.The Body--four rambunctious young boys venture into the Maine woods and in sunlight and thunder find life, death, and intimations of their own mortality.The Breathing Method--a tale told in a strange club about a woman determined to give birth no matter what.source: stephenking.com

    Following the fractured origins and destines of two brothers named after demigods from the ancient epic the Mahabharata, we meet a family struggling with the reverberations of the past in their lives. These ten interlinked stories redraw the map of our world in surprising ways: following an act of violence, a baby girl is renamed after a Hindu goddess but raised as a Muslim; a lonely butcher from Angola finds solace in a family of refugees in New Jersey; a gentle entomologist, in Sri Lanka, discovers unexpected reserves of courage while searching for his missing son.By turns heartbreaking and fiercely inventive, Half Gods reveals with sharp clarity the ways that parents, children, and friends act as unknowing mirrors to each other, revealing in their all-too human weaknesses, hopes, and sorrows a connection to the divine.

    His wide-ranging, acclaimed stories from the last two decades, from The Lone Ranger and Tonto Fistfight in Heaven to his most recent PEN/Faulkner award-winning War Dances, have established him as a star in modern literature. A bold and irreverent observer of life among Native Americans in the Pacific Northwest, the daring, versatile, funny, and outrageous Alexie showcases all his talents in his newest collection, Blasphemy, where he unites fifteen beloved classics with fifteen new stories in one sweeping anthology for devoted fans and first-time readers. Included here are some of his most esteemed tales, including "What You Pawn I Will Redeem," "This is What it Means to Say Phoenix, Arizona,” "The Toughest Indian in the World,” and "War Dances.” Alexie’s new stories are fresh and quintessential—about donkey basketball leagues, lethal wind turbines, the reservation, marriage, and all species of contemporary American warriors.An indispensable collection of new and classic stories, Blasphemy reminds us, on every thrilling page, why Sherman Alexie is one of our greatest contemporary writers and a true master of the short story.

    These eleven stories showcase Kyle’s keen eye for character, her humor, and her uncanny grasp of the loneliness, selfishness, and longing that underlie female experience. In "Nine," a young girl given to exaggeration escapes a humiliating ninth birthday celebration with the help of her father’s new girlfriend. The dubious benefits of sleeping with one’s boss are revealed when a bookstore manager defends an employee from an irate customer in the hilarious "Sex Scenes from a Chain Bookstore." A raid on a neighbor’s meth lab strengthens the unlikely friendship between a solitary woman and a Goth teenage girl in "Boys and Girls Like You and Me." And in a notable exception to the rule, "Captain’s Club" features a boy whose devotion to a lonely woman transforms his cruise vacation.In moments electric with sudden harmony or ruthless indifference, the girls and women in this collection provoke, beguile, and entertain. Writing with remarkable tenderness and wisdom, Kyle gives us a collection radiant with bittersweet revelations and startling insights, and secures her reputation as a major young talent.

    These stories explore everything from artificial intelligence to parallel universes to video games, and each story is accompanied by an author’s note exploring the background and genesis of each story.   Howey’s incisive mind makes Machine Learning: New and Collected Stories a compulsively readable and thought-provoking selection of short works—from a modern master at the top of his game.

    A boy waits at a bus stop, mocking businessmen struggling to keep their umbrellas open in a typhoon--until an old man shows him that they hold the secret to flying. A woman working in a clothing boutique waits endlessly on a customer who won't come out of the fitting room--and who may or may not be human. A newlywed notices that her husband's features are beginning to slide around his face--to match her own.In these eleven stories, the individuals who lift the curtains of their orderly homes and workplaces are confronted with the bizarre, the grotesque, the fantastic, the alien--and, through it, find a way to liberation. The English-language debut of one of Japan's most fearlessly inventive young writers.