Among them: James Bennett, a synaesthetic art critic for The New York Times whose unlikely condition enables him to describe art in profound, magical ways, and Raul Engales, an exiled Argentinian painter running from his past and the Dirty War that has enveloped his country. As the two men ascend in the downtown arts scene, dual tragedies strike, and each is faced with a loss that acutely affects his relationship to life and to art. It is not until they are inadvertently brought together by Lucy Olliason—a small town beauty and Raul’s muse—and a young orphan boy sent mysteriously from Buenos Aires, that James and Raul are able to rediscover some semblance of what they’ve lost.As inventive as Jennifer Egan's A Visit From The Goon Squad and as sweeping as Meg Wolitzer's The Interestings, Tuesday Nights in 1980 boldly renders a complex moment when the meaning and nature of art is being all but upended, and New York City as a whole is reinventing itself. In risk-taking prose that is as powerful as it is playful, Molly Prentiss deftly explores the need for beauty, community, creation, and love in an ever-changing urban landscape.

    Now, almost three decades after their relationship first blossomed in London, they live more or less happily in the suburbs with their moody seventeen-year-old son, Albie; then Connie tells him she thinks she wants a divorce.The timing couldn’t be worse. Hoping to encourage her son’s artistic interests, Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead with the original plan is for the best anyway. Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage and might even help him bond with Albie.Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves and learning how to get closer to a son who’s always felt like a stranger.

    Since her eccentric father’s untimely death, she is the presumed heir to a long-rumored trove of diaries, paintings, letters, and early novel drafts passed down from the Brontë family - a hidden fortune never revealed to anyone outside of the family, but endlessly speculated about by Brontë scholars and fanatics. Samantha, however, has never seen this alleged estate and for all she knows, it’s just as fictional as Jane Eyre or Wuthering Heights.But everything changes when Samantha enrolls at Oxford University and long lost objects from the past begin rematerializing in her life, beginning with an old novel annotated in her father’s handwriting. With the help of a handsome but inscrutable professor, Samantha plunges into a vast literary mystery and an untold family legacy, one that can only be solved by decoding the clues hidden within the Brontës’ own works

    Everyone in town, even her best friend, Andy, thinks grief keeps her locked inside, and Evvie doesn’t correct them.Meanwhile, in New York City, Dean Tenney, former Major League pitcher and Andy’s childhood best friend, is wrestling with what miserable athletes living out their worst nightmares call the “yips”: he can’t throw straight anymore, and, even worse, he can’t figure out why. As the media storm heats up, an invitation from Andy to stay in Maine seems like the perfect chance to hit the reset button on Dean’s future.When he moves into an apartment at the back of Evvie’s house, the two make a deal: Dean won’t ask about Evvie’s late husband, and Evvie won’t ask about Dean’s baseball career. Rules, though, have a funny way of being broken—and what starts as an unexpected friendship soon turns into something more. To move forward, Evvie and Dean will have to reckon with their pasts—the friendships they’ve damaged, the secrets they’ve kept—but in life, as in baseball, there’s always a chance—up until the last out.

    Her husband of nearly twenty years has just left her for one of her friends, and she is let go from her office job--on Valentine's Day, of all days. Bewildered and completely lost, Thea doesn't know what to do. But when she learns that a distant great uncle in Scotland has passed away, leaving her his home and a hefty antique book collection, she decides to leave Sussex for a few weeks. Escaping to a small coastal town where no one knows her seems to be exactly what she needs.Almost instantly, Thea becomes enamored with the quaint cottage, comforted by its cozy rooms and shaggy, tulip-covered lawn. The locals in nearby Baldochrie are just as warm, quirky, and inviting. The only person she can't seem to win over is bookshop owner Edward Maltravers, to whom she hopes to sell her uncle's antique novel collection. His gruff attitude--fueled by an infamous, long-standing feud with his brother, a local lord--tests Thea's patience. But bickering with Edward proves oddly refreshing and exciting, leading Thea to develop feelings she hasn't felt in a long time. As she follows a thrilling yet terrifying impulse to stay in Scotland indefinitely, Thea realizes that her new life may quickly become just as complicated as the one she was running from.

    When the daughters from each family meet and form a friendship, only one of them knows they are sisters. It is a relationship destined to explode when secrets are revealed and illusions shattered. As Jones explores the backstories of her rich and flawed characters, she also reveals the joy, and the destruction, they brought to each other’s lives.At the heart of it all are the two girls whose lives are at stake, and like the best writers, Jones portrays the fragility of her characers with raw authenticity as they seek love, demand attention, and try to imagine themselves as women.

    Now they’ve graduated high school, and Cath is off to college while Scott stays at home trying to get his band off the ground. Neither of them realized that their first year after high school would be so hard.Fortunately, Scott and Cath still have each other, and it’s through their letters that they survive heartache, annoying roommates, family dramas, and the pressure of figuring out what to do with the rest of their lives. And through it all, they realize that the only person they’ve ever wanted to turn to is each other. But does that mean they should think about being more than friends? One thing is clear: Change is an inescapable part of growing up, and we share unbreakable bonds with the friends who help us navigate it.

    It's in her hair, covering the windowsills, coating the animals in the barn, in the corners of her children's dry, cracked lips. It's 1934 and the Bell farm in Mulehead, Oklahoma is struggling as the earliest storms of The Dust Bowl descend. All around them the wheat harvests are drying out and people are packing up their belongings as storms lay waste to the Great Plains. As the Bells wait for the rains to come, Annie and each member of her family are pulled in different directions. Annie's fragile young son, Fred, suffers from dust pneumonia; her headstrong daughter, Birdie, flush with first love, is choosing a dangerous path out of Mulehead; and Samuel, her husband, is plagued by disturbing dreams of rain.As Annie, desperate for an escape of her own, flirts with the affections of an unlikely admirer, she must choose who she is going to become. With her warm storytelling and beautiful prose, Rae Meadows brings to life an unforgettable family that faces hardship with rare grit and determination. Rich in detail and epic in scope, I Will Send Rain is a powerful novel of upheaval and resilience, filled with hope, morality, and love.

    If only she’d stayed in Wisconsin, she might never have met Anthony Shaw, and she would have held onto the future she’d so carefully planned for herself. Instead, Ann ends up harboring a devastating secret that strains her relationship with her parents, sends her sister Poppy to every corner of the world chasing waves (and her next fling), and leaves her adopted brother Michael estranged from the family. Now, fifteen years later, her parents have died, and Ann and Poppy are left to decide the fate of the beach house that’s been in the Gordon family for generations. For Ann, the once-beloved house is forever tainted with bad memories. And while Poppy loves the old saltbox on Drummer Cove, owning a house means settling, and she’s not sure she’s ready to stay in one place.Just when the sisters decide to sell, Michael re-enters their lives with a legitimate claim to a third of the estate. He wants the house. But more than that, he wants to set the record straight about what happened that long-ago summer that changed all of their lives forever. As the siblings reunite after years apart, their old secrets and lies, longings and losses, are pulled to the surface. Is the house the one thing that can still bring them together––or will it tear them apart, once and for all?Told through the shifting perspectives of Ann, Poppy, and Michael, this assured and affecting debut captures the ache of nostalgia for summers past and the powerful draw of the places we return to again and again. It is about second homes, second families, and second chances. Tender and compassionate, incisive and heartbreaking, Christina Clancy's The Second Home is the story of a family you'll quickly fall in love with, and won't soon forget.

    His girlfriend has stopped returning his text messages. His dissertation adviser is dubious about his job prospects. It's the summer of 2008, and his bank account is running dangerously low. Perhaps a few months in Moscow are just what he needs. So Andrei sublets his room in Brooklyn, packs up his hockey stuff, and moves into the apartment that Stalin himself had given his grandmother, a woman who has outlived her husband and most of her friends. She survived the dark days of communism and witnessed Russia's violent capitalist transformation, during which she lost her beloved dacha. She welcomes Andrei into her home, even if she can't always remember who he is.Andrei learns to navigate Putin's Moscow, still the city of his birth, but with more expensive coffee. He looks after his elderly--but surprisingly sharp!--grandmother, finds a place to play hockey, a cafe to send emails, and eventually some friends, including a beautiful young activist named Yulia. Over the course of the year, his grandmother's health declines and his feelings of dislocation from both Russia and America deepen. Andrei knows he must reckon with his future and make choices that will determine his life and fate. When he becomes entangled with a group of leftists, Andrei's politics and his allegiances are tested, and he is forced to come to terms with the Russian society he was born into and the American one he has enjoyed since he was a kid.A wise, sensitive novel about Russia, exile, family, love, history and fate, A Terrible Country asks what you owe the place you were born, and what it owes you. Writing with grace and humor, Keith Gessen gives us a brilliant and mature novel that is sure to mark him as one of the most talented novelists of his generation.

    . . and finding herself again . . . in the middle of her life.Maybe it was those extra five pounds I’d gained. Maybe it was because I was about to turn the same age my mother was when I lost her. Maybe it was because after almost twenty years of marriage my husband and I seemed to be running out of things to say to each other.   But when the anonymous online study called “Marriage in the 21st Century” showed up in my inbox, I had no idea how profoundly it would change my life. It wasn’t long before I was assigned both a pseudonym (Wife 22) and a caseworker (Researcher 101).   And, just like that, I found myself answering questions.   7. Sometimes I tell him he’s snoring when he’s not snoring so he’ll sleep in the guest room and I can have the bed all to myself. 61. Chet Baker on the tape player. He was cutting peppers for the salad. I looked at those hands and thought, I am going to have this man’s children. 67. To not want what you don’t have. What you can’t have. What you shouldn’t have. 32. That if we weren’t careful, it was possible to forget one another.   Before the study, my life was an endless blur of school lunches and doctor’s appointments, family dinners, budgets, and trying to discern the fastest-moving line at the grocery store. I was Alice Buckle: spouse of William and mother to Zoe and Peter, drama teacher and Facebook chatter, downloader of memories and Googler of solutions.   But these days, I’m also Wife 22. And somehow, my anonymous correspondence with Researcher 101 has taken an unexpectedly personal turn. Soon, I’ll have to make a decision—one that will affect my family, my marriage, my whole life. But at the moment, I’m too busy answering questions.   As it turns out, confession can be a very powerful aphrodisiac.

    Rochester himself."Reader, she married me."For one hundred seventy years, Edward Fairfax Rochester has stood as one of literature's most romantic, most complex, and most mysterious heroes. Sometimes haughty, sometimes tender-professing his love for Jane Eyre in one breath and denying it in the next-Mr. Rochester has for generations mesmerized, beguiled, and, yes, baffled fans of Charlotte Brontë's masterpiece. But his own story has never been told.Now, out of Sarah Shoemaker's rich and vibrant imagination, springs Edward: a vulnerable, brilliant, complicated man whom we first meet as a motherless, lonely little boy roaming the corridors and stable yards of Thornfield Hall. On the morning of Edward's eighth birthday, his father issues a decree: He is to be sent away to get an education, exiled from Thornfield and all he ever loved. As the determined young Edward begins his journey across England, making friends and enemies along the way, a series of eccentric mentors teach him more than he might have wished about the ways of the men-and women-who will someday be his peers.But much as he longs to be accepted-and to return to the home where he was born-his father has made clear that Thornfield is reserved for his older brother, Rowland, and that Edward's inheritance lies instead on the warm, languid shores of faraway Jamaica. That island, however, holds secrets of its own, and not long after his arrival, Edward finds himself entangled in morally dubious business dealings and a passionate, whirlwind love affair with the town's ravishing heiress, Antoinetta Bertha Mason.Eventually, after a devastating betrayal, Edward must return to England with his increasingly unstable wife to take over as master of Thornfield. And it is there, on a twilight ride, that he meets the stubborn, plain, young governess who will teach him how to love again.It is impossible not to watch enthralled as this tender-hearted child grows into the tormented hero Brontë immortalized-and as Jane surprises them both by stealing his heart. Mr. Rochester is a great, sweeping, classic coming-of-age story, and a stirring tale of adventure, romance, and deceit. Faithful in every particular to Brontë's original yet full of unexpected twists and riveting behind-the-scenes drama, this novel will completely, deliciously, and forever change how we read and remember Jane Eyre.

    Alice has begun having panic attacks whenever she thinks about how her life hasn't turned out the way she dreamed. Even the beloved honeybees she raises in her spare time aren't helping her feel better these days.In the grip of a panic attack, she nearly collides with Jake--a troubled, paraplegic teenager with the tallest mohawk in Hood River County--while carrying 120,000 honeybees in the back of her pickup truck. Charmed by Jake's sincere interest in her bees and seeking to rescue him from his toxic home life, Alice surprises herself by inviting Jake to her farm.And then there's Harry, a twenty-four-year-old with debilitating social anxiety who is desperate for work. When he applies to Alice's ad for part-time farm help, he's shocked to find himself hired. As an unexpected friendship blossoms among Alice, Jake, and Harry, a nefarious pesticide company moves to town, threatening the local honeybee population and illuminating deep-seated corruption in the community. The unlikely trio must unite for the sake of the bees--and in the process, they just might forge a new future for themselves.Beautifully moving, warm, and uplifting, The Music of Bees is about the power of friendship, compassion in the face of loss, and finding the courage to start over (at any age) when things don't turn out the way you expect.

    Decades later the bond remains powerful, but so much else has changed. In The Interestings, Wolitzer follows these characters from the height of youth through middle age, as their talents, fortunes, and degrees of satisfaction diverge. The kind of creativity that is rewarded at age fifteen is not always enough to propel someone through life at age thirty; not everyone can sustain, in adulthood, what seemed so special in adolescence. Jules Jacobson, an aspiring comic actress, eventually resigns herself to a more practical occupation and lifestyle. Her friend Jonah, a gifted musician, stops playing the guitar and becomes an engineer. But Ethan and Ash, Jules's now-married best friends, become shockingly successful—true to their initial artistic dreams, with the wealth and access that allow those dreams to keep expanding. The friendships endure and even prosper, but also underscore the differences in their fates, in what their talents have become and the shapes their lives have taken. Wide in scope, ambitious, and populated by complex characters who come together and apart in a changing New York City, The Interestings explores the meaning of talent; the nature of envy; the roles of class, art, money, and power; and how all of it can shift and tilt precipitously over the course of a friendship and a life.

    Frank Baum's intrepid wife, Maud--from the family's hardscrabble days in South Dakota to the Hollywood film set where she first meets Judy Garland. Maud Gage Baum, widow of the author of the book The Wonderful Wizard of Oz, met Judy Garland, the young actress playing the role of Dorothy on the set of The Wizard of Oz in 1939. At the time, Maud was seventy-eight and Judy was sixteen. In spite of their age difference, Maud immediately connected to Judy--especially when Maud heard her sing "Over the Rainbow," a song whose yearning brought to mind the tough years in South Dakota when Maud and her husband struggled to make a living--until Frank Baum's book became a national sensation.This wonderfully evocative two-stranded story recreates Maud's youth as the rebellious daughter of a leading suffragette, and the prairie years of Maud and Frank's early days when they lived among the people--especially young Dorothy--who would inspire Frank's masterpiece. Woven into this past story is one set in 1939, describing the high-pressured days on The Wizard of Oz film set where Judy is being badgered by the director, producer, and her ambitious stage mother to lose weight, bind her breasts, and laugh, cry, and act terrified on command. As Maud had promised to protect the original Dorothy back in Aberdeen, she now takes on the job of protecting young Judy.