Beth Soames is fourteen years old when her aunt takes her to stay at Raven Hall, a rambling manor in the isolated East Anglian fens. The Averells, the family who lives there, are warm and welcoming, and Beth becomes fast friends with their daughter, Nina. At times, Beth even feels like she's truly part of the family...until they ask her to help them with a harmless game--and nothing is ever the same.2019. Sadie Langton is an actress struggling to make ends meet when she lands a well-paying gig to pretend to be a guest at a weekend party. She is sent a suitcase of clothing, a dossier outlining the role she is to play, and instructions. It's strange, but she needs the money, and when she sees the stunning manor she'll be staying at, she figures she's got nothing to lose.In person, Raven Hall is even grander than she'd imagined--even with damage from a fire decades before--but the walls seem to have eyes. As day turns to night, Sadie starts to feel that there's something off about the glamorous guests who arrive, and as the party begins, it becomes chillingly apparent their unseen host is playing games with everyone...including her.

    “With its tale of provincial life, gimlet-eyed spinsters, and thwarted love…it feels almost like a Miss Marple mystery written by Colm Tóibín” (New York Times).The remote Irish village of Duneen has known little drama, and yet its inhabitants are troubled: Sergeant P.J. Collins hasn’t always been this overweight; Brid Riordan, a mother of two, hasn’t always been an alcoholic; and elegant Evelyn Ross hasn’t always felt that her life was a total waste.So when human remains—suspected to be those of Tommy Burke, a former lover of both Brid and Evelyn—are discovered on an old farm, the village’s dark past begins to unravel. As a frustrated P.J. struggles to solve a genuine case for the first time in his professional life, he unearths a community’s worth of anger and resentments, secrets and regrets.Darkly comic, at times profoundly sad, and “especially inviting because of its tongue-in-cheek wit” (Kirkus Reviews), Holding is a masterful debut. Graham Norton employs his acerbic humor to breathe life into a host of lovable characters, and explore—with searing honesty—the complexities and contradictions that make us human.

    On a freezing day in December, another child goes missing: 13-year-old Alison Carter vanishes from the isolated Derbyshire hamlet of Scardale. For the young George Bennett it is the beginning of his most difficult and harrowing case: a murder with no body, an investigation with more dead ends and closed faces than he'd have found in the inner city; an outcome that reverberates down the years.Decades later he tells his story to journalist Catherine Heathcote, but just when her book is poised for publication, Bennett tries to pull the plug. He has new information that he will not divulge, and that threatens the very foundation of his existence. Catherine is forced to reinvestigate the past, with results that turn the world upside down.A taut psychological thriller that explores, exposes and explodes the border between reality and illusion in a multilayered narrative that turns expectations on their head and reminds us that what we know is what we do not know...

    Struggling to recover from his injuries, beginning to understand that he might never be the same man again, he takes refuge at his family's ancestral home to care for his dying uncle Hugo. Then a skull is found in the trunk of an elm tree in the garden - and as detectives close in, Toby is forced to face the possibility that his past may not be what he has always believed.The Witch Elm asks what we become, and what we're capable of, when we no longer know who we are.

    ‘In brief: you are charged with the murder of Stuart Robert Rees, on December 21st, between the hours of ten-forty in the morning and half-past three o’clock in the afternoon.’ Tabitha is accused of murder. She is in prison awaiting trial.There is a strong case against her, and she can’t remember what happened on December 21st.She is alone, frightened and confused.But somehow, from the confines of her cell, she needs to prove everyone wrong.

    Recently, a similar party had also attempted to explore the town and was never heard from again. Now the area is believed to be haunted. This crew is about to discover, twenty miles from civilization with a blizzard bearing down, that they are not alone, and the past is very much alive.Revised edition: This edition of Abandon includes editorial revisions.

    Why would Beth do that, and risk dredging up painful memories? She hasn't seen Flora for twelve years. She doesn't want to see her today, or ever again.But she can't resist. She parks outside the open gates of Newnham House, watches from across the road as Flora and her children Thomas and Emily step out of the car. Except... There's something terribly wrong. Flora looks the same, only older. As Beth would have expected. It's the children. Twelve years ago, Thomas and Emily were five and three years old. Today, they look precisely as they did then. They are still five and three. They are Thomas and Emily without a doubt - Hilary hears Flora call them by their names - but they haven't changed at all. They are no taller, no older... Why haven't they grown?

    Since he first started breaking into houses when he was fourteen years old, he’s never once been caught. But now, after twenty-two years of an exemplary career, Junior has been blackmailed by Trey Annunziato, one of the most powerful crime bosses in LA, into acting as a private investigator on the set of Trey’s porn movie venture, which someone keeps sabotaging.The star Trey has lined up to do all that’s unwholesome on camera is Thistle Downing, America’s beloved child star, who now lives alone in a drug-induced stupor, destitute and uninsurable. Her starring role will be the scandalous fall-from-grace gossip of rubber-neckers across the country. No wonder Trey needs help keeping the production on track.Junior knows what that he should do — get Thistle out and find her help — but doing the right thing will land him on the wrong side of LA’s scariest mob boss. With the help of his precocious twelve-year-old daughter, Rina, and his criminal sidekick, Louie the Lost (an ex-getaway driver), Junior has to figure out a miracle solution.

    A. Milne was also the author of numerous dramas, essays, and novels for adults — among them, this droll and finely crafted whodunit.In it, Milne takes readers to the Red House, a comfortable residence in the placid English countryside that is the bachelor home of Mr. Mark Ablett. While visiting this cozy retreat, amateur detective Anthony Gillingham and his chum, Bill Beverley, investigate their genial host's disappearance and its connection with a mysterious shooting. Was the victim, whose body was found after a heated exchange with the host, shot in an act of self-defense? If so, why did the host flee, and if not, what drove him to murder?Between games of billiards and bowls, the taking of tea, and other genteel pursuits, Gillingham and Beverley explore the possibilities in a light-hearted series of capers involving secret passageways, underwater evidence, and other atmospheric devices.Sparkling with witty dialogue, deft plotting, and an intriguing cast of characters, this rare gem will charm mystery lovers, Anglophiles, and general readers alike.

    When her latest client, Nadia Denham, a curio shop owner, dies from an apparent suicide, Mickie honors the old woman’s last wish and begins curating her peculiar objets d’art. A music box, a hair clip, a key chain―twelve mementos in all that must have meant so much to Nadia, who collected them on her flea market scavenges across the country.But these tokens mean a lot to someone else, too. Mickie has been receiving threatening messages to leave Nadia’s past alone.It’s becoming a mystery Mickie is driven to solve. Who once owned these odd treasures? How did Nadia really come to possess them? Discovering the truth means crossing paths with a long-dormant serial killer and navigating the secrets of a sinister past. One that might, Mickie fears, be inescapably entwined with her own.

    Prison visitor and prisoner. Powerful and powerless. Dorothea Truelove is young, wealthy and beautiful. Ruth Butterham is young, poor and awaiting trial for murder.When Dorothea's charitable work leads her to Oakgate Prison, she is delighted with the chance to explore her fascination with phrenology and test her hypothesis that the shape of a person's skull can cast a light on their darkest crimes. But when she meets teenage seamstress Ruth, she is faced with another theory: that it is possible to kill with a needle and thread. For Ruth attributes her crimes to a supernatural power inherent in her stitches.The story Ruth has to tell of her deadly creations – of bitterness and betrayal, of death and dresses – will shake Dorothea's belief in rationality and the power of redemption.Can Ruth be trusted? Is she mad, or a murderer?

    The novel opens in northern Kenya with the gruesome murder of Tessa Quayle--young, beautiful, and dearly beloved to husband Justin. When Justin sets out on a personal odyssey to uncover the mystery of her death, what he finds could make him not only a suspect among his own colleagues, but a target for Tessa's killers as well. A master chronicler of the betrayals of ordinary people caught in political conflict, John le Carre portrays the dark side of unbridled capitalism as only he can. In The Constant Gardener he tells a compelling, complex story of a man elevated through tragedy as Justin Quayle--amateur gardener, aging widower, and ineffectual bureaucrat--discovers his own natural resources, and the extraordinary courage of the woman he barely had time to love.

    The doctors and police, however, insist that he was alone at the scene. The shock of the accident must have made him imagine Lena, especially since his description of her resembles his late sister, Laura.Convinced that Lena is as real as he is, Rob teams up with Rebecca Lewis, a London-based PI who has a mysterious connection to Laura—and learns that even a close-knit community like the Isle of Man can hide dangerous secrets that will not stay safe forever.

    

    However, a week later, Adam vanishes, leaving their baby daughter on the doorstep. The following year, Grace returns to the tiny village of Roseby. She is desperate for answers, but it seems the slumbering village is unwilling to give up its secrets. As Grace learns more about the locals and the area’s superstitions and folklore, strange dreams begin to trouble her. Are the villagers hiding something, or is she becoming increasingly paranoid? Only as snowfall threatens to cut them off from the rest of the world does Grace begin to understand how close the threat lies, and that she and her daughter may be in terrible danger if she cannot get them away in time. Praise for Beneath the Shadows 'Something for everyone: mystery, romance and mortal danger' Kirkus Reviews 'Sara Foster overtly appropriates the tone, atmosphere and themes of classics from Wuthering Heights to Rebecca, delivering a modern gothic that has the charm and suspense of Susan Hill's ghost stories.'―Saturday Age 'Sara Foster slowly unravels the mystery in this highly engaging thriller… Secrets Grace uncovers in the cellar, not to mention the ghostly antics of the grandfather clock, further enhance this very readable novel's Gothic flavour' ―Canberra Times 'Loss, grief, abandonment, and search for truth are dark themes woven through Beneath the Shadows. Combining elements of mystery, psychological thriller, romance, and ghost story, the novel leaves readers guessing until the very end.―West Australian 'As winter snows start to cut them off from the world, Grace finds the answers lie in unsuspected places. Heart-stopping moments are ahead for her… and us.” ―Women's Day “If you’ve ever fantasised about leaving all the chaos of the city behind and opting for a more peaceful existence in a small town, you might think again after reading Beneath the Shadows… Full of intrigue and wonderfully dark descriptions of ghosts that haunt the moors.―Good Reading Magazine