When Scarlett falls asleep on a Caribbean beach she awakes to her worst nightmare – Katie is gone. With all fingers pointed to her Scarlett must risk everything to clear her name. As Scarlett begins to unravel the complicated past of Katie's mother she begins to think there's more to Katie's disappearance than meets the eye. But who would want to steal a child? And how did no-one see anything on the small island? Time is running out and Scarlett is certain of only one thing – she didn't kill Katie. Did she?

    As she and her boys begin to settle in to life in America, she continues to send letters and tapes back to Cong, hopeful that they will be reunited and her children will grow up with a father.But with time, Huong realizes she will never see her husband again. While she copes with this loss, her sons, Tuan and Binh grow up in their absent father's shadow, haunted by a man and a country trapped in their memory and imagination. As they push forward, the three adapt to life in America in different ways: Huong takes up with a Vietnamese car salesman who is also new in town; Tuan tries to connect with his heritage by joining a local Vietnamese gang; and Binh, now going by Ben, embraces his adopted homeland and his burgeoning sexuality. Their search for identity--as individuals and as a family--threatens to tear them apart. But then disaster strikes the city they now call home, and they must find a new way to come together and honor the ties that bind them. A stunning debut novel about an immigrant Vietnamese family who settles in New Orleans and struggles to remain connected to one another as their lives are inextricably reshaped.

    In 1962, Williams retitled and expanded The Parade into a full-length play. Both versions of the play are set on the fishing wharves and in the sand dunes of Provincetown, Massachusetts, and tell the story of a young playwright named August dealing with his unrequited love for another man. It was produced posthumously in Provincetown in 2006.

    . .So the next time you get that feeling, and you think you're alone . . . think again.

    If they over think it, they'll never do it. But if they rush, it could be a disaster.Lungs premiered in October 2011 at the Studio Theatre in Washington, D.C.In 2019 a production of the play was hosted at The Old Vic starring Matt Smith and Claire Foy.

    As the composer, lyricist, actors and director prepare their performance, and a blizzard cuts off any possible retreat, bodies start to drop in plain sight, knives spring out of nowhere, masked figures drag their victims behind swiveling bookcases, and accusing fingers point in all directions. However, and with no thanks to the bumbling police inspector who snowshoes in to investigate, the mystery is solved in the nick of time and the "Slasher" unmasked-but not before the audience has been treated to a sidesplitting good time and a generous serving of the author's biting, satiric and refreshingly irreverent wit.

    But his luck turns when he is asked to house-sit wannabe but talentless actress Fawn Farrar's $10 million Beverly Hills estate. Capitalizing on his new position, he is soon befriended by his all-time favorite star, Marina Stetson, a Janis Joplin-esque singer just out of rehab and trying to make a comeback -- and whose husband Jason secretly covets.Adding to the drama is Jason's ex-roommate, the incredibly pretentious Tricia Cox, whose struggles to make it as a talent agent take a wrong turn when she contracts her meal ticket, the talented and beautiful Violet Cyr, to a hip-hop sitcom called "Chillin' with Billy."When Billy turns out to be a talking goat, all hell breaks loose. The trashy, hip young heroes suffer through humiliations galore before they have a chance to make it -- but not before Christian McLaughlin has laid bare in hilarious detail all the foibles and fumbles of a group of happening young people in La La Land in their shameless pursuit of fame, fortune -- and sex.

    It's an antebellum fever-dream, where fear and desire entwine in the looming shadow of the Master's House. Jim trembles as Kaneisha handles melons in the cottage, Alana perspires in time with the plucking of Phillip's fiddle in the boudoir, while Dustin cowers at the heel of Gary's big, black boot in the barn. Nothing is as it seems, and yet everything is as it seems.

    Now middle-aged women, they were teenagers when Dean filmed Giant two decades ago in nearby Marfa. One of them, an extra in the film, has a child whom she says was conceived with Dean during the shoot. The ladies' congenial reminiscences mingle with flash backs to their youth; then the arrival of a stunning but familiar stranger se

    He wants nothing more than a 'normal' happy family life - will being with Katie ever give him that? Katie does not know how to love him or anyone but she knows she could not be without him. She has detached from life, from love, from any true emotion yet Chris continues to love her unconditionally wishing for the day she will declare her love and even cry for the first time since he has known her. Katie's mother - Jill Williams is desperately trying to rebuild a relationship with her daughter who has been missing from her life for six years for reasons she has never understood. Bringing Gerry back into Katie's life was not the answer. Gerry brought back the horror of her 'missing years' causing her distress, misery and even blackouts. Why, what had Gerry done? What had happened in those two years when she had been missing that could cause this pain and anguish and if they found out would they feel the same about her? Katie didn't think so, she had to protect them against the truth and she had to face her past - but at what cost? Disconnected is an intense, emotional journey that will have you smiling one minute and then feeling hurt and pain the next. You want it to work out, you want the happy ending - but then life is never that straightforward, this book will leave you with a void, this book will leave you disconnected!

    And when she gets to Yorkshire, Billie’s shocked to discover the family dairy farm is in dire straits.Battling misogyny, homophobia and the economic turmoil of a dairy crisis, can Billie find a way to save the farm, save the cows and save herself?

    On 7th November 1843, Harriet Monckton, 23 years old and a woman of respectable parentage and religious habits, was found murdered in the privy behind the dissenting chapel she had regularly attended in Bromley, Kent. The community was appalled by her death, apparently as a result of swallowing a fatal dose of prussic acid, and even more so when the autopsy revealed that Harriet was six months pregnant. Drawing on the coroner's reports and witness testimonies, the novel unfolds from the viewpoints of each of the main characters, each of whom have a reason to want her dead. Harriet Monckton had at least three lovers and several people were suspected of her murder, including her close companion and fellow teacher, Miss Frances Williams. The scandal ripped through the community, the murderer was never found and for years the inhabitants of Bromley slept less soundly. This rich, robust novel is full of suggestion and suspicion, with the innocent looking guilty and the guilty hiding behind their piety. It is also a novel that exposes the perilous position of unmarried women, the scandal of sex out of wedlock and the hypocrisy of upstanding, church-going folk.

    Now, after celebrating a decade together, everyone thinks they're about to get engaged. A romantic escape to Dubai is the perfect moment, but instead of the proposal Lizzy hopes for, Ian reveals he's not sure he even wants her anymore.Lizzy is heartbroken. But through the tears, she realises this is her chance to seize the opportunities she missed as Ian's other half. But what does she want? How much of her is really Lizzy, and how much was Ian's influence? Determined to discover who she is at heart, Lizzy sets out to rediscover the girl she was before - and in the meantime, have a little fun . . .

    Three plays from Pulitzer-Prize winning playwright August Wilson: Ma Rainey's Black Bottom, Fences, and Joe Turner's Come and Gone.

    Filled with poignancy and humor, The Eves captures the conversations we wish we had had with our parents, if we had taken the opportunity, and the lessons we would want to impart to our children, if they were ready to listen.Told through the voice of the psychologically complex Jessica Barnet, this is her story. As the primary witness in a messy trial she has been torn from the foundation of her existence—her connection to her children. With a partially finished doctoral degree, and incomplete renovations on her Washington, DC row house, she has let go of her ambitions and her appearance, but not her vodka or her sense of loss and guilt. When Jessica meets five diverse, determined, and sometimes ditzy old women living in a sustainable community everything and everybody changes. Through plot twists and turns that cover three continents, we learn the truth of Jessica’s life and lies just as we fall in love with the vividly drawn characters and the vibrantly described settings.