While Kesey's Merry Prankster's were off tripping the light fantastic, the Diggers were transforming the Haight from a seedy district of abandoned Victorian houses into an evanescent paradise on earth.For anyone who thinks that those were days only of peace, love and flower power, Ringolevio will be a revelation, as it evokes the gritty urban sensibility that supplied the backbone to the community's free flights of fancy.Vastly entertaining, Ringolevio is at once high adventure, political screed, social history. and hyperbolic memoir. This classic traces the story of Emmett Grogan, a larger-than-life sixties legend of great controversy, from the streets of New York to the heights of the Haight.Citadel Underground's edition of Ringolevio features a new introducing by the actor Peter Coyote, one of Grogan's oldest friends, a fellow Digger and a veteran of the San Francisco Mime Troupe."The San Francisco Diggers combined Dada street theater with the revolutionary politics of free." Slum-alley saints, they lit up the period by spreading the poetry of love and anarchy with broad strokes of artistic genius. Their free store, communications network of instant offset survival poetry, along with an Indian-inspired consciousness, was the original white light of the era. Emmett Grogan was the hippie warrior par excellence. He was also a junkie, amaniac, a gifted actor, a rebel hero, ...and above all a pain in the ass to all his friends. Ringolevio is half-brilliant." -- Abbie Hoffman

    Margot and Rudolf Wittkower explore the history of the familiar idea that artistic inspiration is a form of madness, a madness directly expressed in artists' unhappy and eccentric lives. This idea of the alienated artist, the Wittkowers demonstrate, comes into its own in the Renaissance, as part of the new bid by visual artists to distinguish themselves from craftsmen, with whom they were then lumped together. Where the skilled artisan had worked under the sign of light-fingered Mercury, the ambitious artist identified himself with the mysterious and brooding Saturn. Alienation, in effect, was a rung by which artists sought to climb the social ladder.As to the reputed madness of artists; well, some have been as mad as hatters, some as tough-minded as the shrewdest businessmen, and many others wildly and willfully eccentric but hardly crazy. What is certain is that no book presents such a splendid compendium of information about artists' lives, from the early Renaissance to the beginning of the Romantic era, as Born Under Saturn. The Wittkowers have read everything and have countless anecdotes to relate: about artists famous and infamous; about suicide, celibacy, wantonness, weird hobbies, and whatnot. These make Born Under Saturn a comprehensive, quirky, and endlessly diverting resource for students of history and lovers of the arts."This book is fascinating to read because of the abundant quotations which bring to life so many remarkable individuals."--The New York Review of Books