Hecuba, translated and with an introduction by William Arrowsmith2. Andromache, translated and with an introduction by John Frederick Nims3. The Trojan Women, translated and with an introduction by Richmond Lattimore4. Ion, translated and with an introduction by Ronald Frederick Willets'Clear accurate reflections of the Greek in well-polished mirrors of contemporary American language and taste. Not just language and taste: although they are far from being playbook 'treatments, ' they are eminently actable'. . . . Kenneth Rexroth, The Nation

    He is absolutely indestructible... He changes with the styles in fiction but he never goes out of fashion. He is the really permanent citizen of the earth, for mortals, at best, are but transients' - Dorothy ScarboroughThis new selection of ghost stories, by Michael Newton, brings together the best of the genre. From Elizabeth Gaskell's 'The Old Nurse's Story' through to Edith Wharton's 'Afterword', this collection covers all of the most terrifying tales of the genre. With a thoughtful introduction, and helpful notes, Newton places the stories contextually within the genre and elucidates the changing nature of the ghost story and how we interpret it.

    This volume also includes poems and translations never previously collected, and a selection of drafts that demonstrate the poet's constant drive to reimagine his work. Collected Poems at last offers readers the opportunity to take in, in its entirety, one of the great careers in twentieth-century poetry.

    Daniel Simko's collection Autumn Sonata, has been lauded for the "simplicity and directness" of its translations, accomplished with out sacrificing the drama of Trakl's rich imagery. Suffering from manic depressive episodes and haunted by his experiences tending the wounded and dying during World War One, Trakl's poems reflect a sense of lostness: nightmare visions and disembodied voices provide an often eccentric perspective of reality. Though he yearns for deliverance, there poems do not anticipate it. Instead, they map the interior landscape of a brilliant, though troubled, spirit.

    Charles Wright’s translation, Jonathan Galassi’s introduction, and, as afterword, Montale’s thoughtful essay on Campana, identify the heart of this poet’s achievement.

    Samanta Schweblin haunts and mesmerizes in this extraordinary, masterful collection.Schweblin's stories have the feel of a sleepless night, where every shadow and bump in the dark take on huge implications, leaving your pulse racing, and the line between the real and the strange blur.

    The beginning is marked by a vivid memory, which I can reconstruct down to the last detail. Before, there is nothing, and after, everything is an extension of the same vivid memory, continuous and unbroken, including the intervals of sleep, up to the point where I took the veil ." So starts Cesar Aira's astounding "autobiographical" novel. Intense and perfect, this invented narrative of childhood experience bristles with dramatic humor at each stage of growing up: a first ice cream, school, reading, games, friendship. The novel begins in Aira's hometown, Coronel Pringles. As self-awareness grows, the story rushes forward in a torrent of anecdotes which transform a world of uneventful happiness into something else: the anecdote becomes adventure, and adventure, fable, and then legend. Between memory and oblivion, reality and fiction, Cesar Aira's How I Became a Nun retains childhood's main treasures: the reality of fable and the delirium of invention.A few days after his fiftieth birthday, Aira noticed the thin rim of the moon, visible despite the rising sun. When his wife explained the phenomenon to him he was shocked that for fifty years he had known nothing about "something so obvious, so visible." This epiphany led him to write How I Became a Nun. With a subtle and melancholic sense of humor he reflects on his failures, on the meaning of life, and the importance of literature.

    At once dramatic and witty, his poems lay bare the loneliness and despair of life in genteel small towns ("Tilbury Down" and "The Mill"), the tyranny of love ("Eros Turrannos" and "The Unforgiven"), and unspoken, unnoticed suffering ("The Wandering Jew", and "Isaac and Archibald"). In addition, the fictional characters he created in "Reuben Bright", "Miniver Cheevy", "Richard Cory", and the historical figures he brought to life -- Lincoln in "The Master" and the great painter in "Rembrandt to Rembrandt" -- harbor demons and passions the world treats with indifference or cruelty. With an Introduction that sheds light on Robinson's influence on poets from Eliot and Pound to Frost and Berryman, this collection brings an unjustly neglected poet to new readers.

    Fray Servando--priest, blasphemer, dueler of monsters, irresistible lover, misunderstood prophet, prisoner, and consummate escape artist--wanders among the vice-ridden populations of eighteenth-century Europe and the Americas, fleeing dungeons, a marriage-minded woman, a slave ship captain, and the Inquisition. Whether by burro, by boat, or by the back of a whale, Fray Servando's journey is at once funny and romantic, melancholy and profound--a tale rooted in history, yet outrageously hallucinatory."An impenitent amalgam of truth and invention, historical fact and outrageous make-believe . . . a philosophical black comedy."--The New York Times

    His writings comprise verse, prose poems, film scenarios, a historical novel, plays, essays on film, theater, art, and literature, and many letters. Susan Sontag's selection conveys the genius of this singular writer.

    Truthful and magical, his poetry has captivated both Greek and foreign readers. Aptly described by Charlotte Du Cann as 'the unlocker of ancient stones and sea voyages', Seferis was for Peter Levi 'one of the greatest writers in this century in any language...From Seferis it was possible to learn...what seriousness about poetry is'.

    It is written around 200BC by the great Hindu Scholar Pandit Vishnu Sharma. Panchatantra means "the five books". It is a "Nitishastra" which means book of wise conduct in life. The book is written in the form of simple stories and each story has a moral and philosophical theme which has stood the test of time in modern age of atomic fear and madness. It guides us to attain success in life by understanding human nature. Panchatantra is commonly available in an abridged form written for children. Here is the complete translation of the book as written by Vishnu Sharma.

    Young aristocrat Antoni de Montpalau, a passionate scientist, progressive and liberal, having deduced scientifically that a vampire has committed a mysterious series of murders, is drawn into pursuit of the creature, which has assumed the aspect of a Carlist guerrilla leader known as the Owl. Montpalau is soon captured, however, by the Carlist General Cabrera who turns out to be one of the Owl's victims; despite their political differences, the two become fast friends. Fully aware that only if the vampire is destroyed before his victim, can he himself avoid becoming a vampire, Cabrera's involvement in the hunt becomes increasingly urgent, while the vampire metamorphoses always in startling guises. Unfortunately, Perucho's novel, for all its invention and playful mock erudition, disappoints in its failure to draw the reader into its conceits with an impelling narrative flow or to point outside itself to larger meaning.

    In his poetry, Rilke addresses the problems of death, God, and "destructive time," and attempts to overcome and transform these problems into an indestructive inner world.

    Unconventional in both style and content, it shattered the myths of small town American life. A collection of epitaphs of residents of a small town, a full understanding of Spoon River requires the reader to piece together narratives from fragments contained in individual poems."