The car is packed to capacity, and as midnight approaches, a family flees the city in a fit of panic and paranoid, conflicting emotions. The ensuing journey spans decades and offers a sharp-eyed perspective on a hardscrabble future, as a boy jettisons his family and all other ties in order to survive as a journeyman in an uncertain landscape. By turns led by love, larceny, and a new sexual order, he must avoid capture and imprisonment, starvation, pandemic, and some particularly bad weather. In Things We Didn’t See Coming, Steven Amsterdam links together nine luminous narratives through the mind of one peripatetic and resourceful wanderer who always has one eye on the exit door and the other on a future that shifts more drastically and more often than anyone would like to imagine.

    Once there, and living in a run-down apartment block called Cairo, he is befriended by an eccentric musician Max Cheever, his beautiful wife Sally, and their close-knit circle of painters and poets. Tom is delighted at his new life, but his charismatic older friends aren’t quite what they appear to be. As he falls increasingly under their sway, Tom enters a bohemian world of parties and gallery openings, but also of more sinister events involving murder, deception and betrayal, not to mention one of the greatest unsolved art heists of the twentieth century: the infamous theft of Picasso’s *Weeping Woman*. Set among the demimonde — where nothing and nobody is as they seem — *Cairo* is a novel about growing up, the perils of first love, and finding one’s true place in the world.

    In the capital hospital, a gifted young surgeon is plagued by demons that are beginning to threaten his livelihood. Elsewhere in the hospital lies a dying man who was young during the country’s turbulent postcolonial years and has stories to tell that are far from heroic. As past and present intersect in the buzzing city, these men are drawn unwittingly closer by a British psychologist with good intentions, and into the path of one woman at the center of their stories. A work of breathtaking writing and rare wisdom, The Memory of Love seamlessly weaves together two generations of African life to create a story of loss, absolution, and the indelible effects of the past—and, in the end, the very nature of love.

    Eight-year-old Pearl tries very hard to get things right. Attuned to her mother’s brittle moods, she watches over her younger brother while carefully guarding her private passions. But a senseless act of violence at summer camp shatters Pearl’s family, and nothing may ever be right again.In a cooler, greener suburb, Sonia is learning to live alone after the death of her husband, a furniture designer who will soon be commemorated by an exhibition of his work. At the edge of the city, the young sculptor Adam Logan is hoping that his controversial new exhibit will change his fortunes. Connected by grief and longing, and united by a shared goal to create a memorial for the city’s lost children, these characters’ lives become entangled in ways that none could have foreseen.Combining the intimacy of a family’s heartache with the suspense of a thriller, Careless is a gripping, seductive novel about the ties of caring and responsibility that are both formed and broken in today’s society and about the resilience of the human psyche.

    Twenty-six years earlier, Sammy Went, a two-year old girl vanished from her home in Manson, Kentucky. An American accountant who contacts Kim is convinced she was that child, kidnapped just after her birthday. She cannot believe the woman who raised her, a loving social worker who died of cancer four years ago, crossed international lines to steal a toddler.On April 3rd, 1990, Jack and Molly Went’s daughter Sammy disappeared from the inside their Kentucky home. Already estranged since the girl’s birth, the couple drifted further apart as time passed. Jack did his best to raise and protect his other daughter and son while Molly found solace in her faith. The Church of the Light Within, a Pentecostal fundamentalist group who handle poisonous snakes as part of their worship, provided that faith. Without Sammy, the Wents eventually fell apart.Now, with proof that she and Sammy are in fact the same person, Kim travels to America to reunite with a family she never knew she had. And to solve the mystery of her abduction—a mystery that will take her deep into the dark heart of religious fanaticism where she must fight for her life against those determined to save her soul…

    A delicious satire of our contemporary obsession with food, cooking and fine dining, The Cook is a wild and darkly funny novel.Zac, a teenage boy with a difficult past, throws himself into the world and work of haute cuisine but when sweet turns sour, his mind turns from first-class service to revenge.Published to rave reviews in the UK, Australia.

    A woman leaves her boyfriend because he reminds her of a corpse. A woman undergoes brain surgery to try and live more comfortably in higher temperatures. A widow attempts to physically transform into her husband so that she does not have to grieve.The characters that populate She is Haunted search for recognition and connection, and, more than anything else, small moments of empathy—offering piercing insights into transnational Asian identity and intergenerational trauma and grief, the dynamics of mother-daughter relationships, the inexplicable oddities of female friendship, and the love of a good dog.Paige Clark has crafted an exquisite, moving and sophisticated debut work of fiction with wit, humour and a literary voice as contemporary as it is unique.Paige Clark is a third-generation Chinese-American short story writer. Born in Los Angeles, she now lives in Melbourne.

    In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam--and what seems at first a satire of turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise," an aging New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees, where a young woman's bond with a mother and her small son forces both women to a shattering decision. Brilliant, daring, and demonstrating a jaw-dropping versatility of voice and point of view, "The Boat" is an extraordinary work of fiction that takes us to the heart of what it means to be human, and announces a writer of astonishing gifts.

    Set against a backdrop - the Australian coast - as randomly and imminently violent as it is beautiful, The Rip reveals the fragility of relationships between husbands and wives, children and parents, friends and lovers. You will find yourself set down in a modern Garden of Eden with a disgraced Adam seeking his Eve; sharing the fears of a small boy in a coastal classroom as a tsunami approaches; in an English gaol cell with an Australian surfer on drug charges; watching an American film scout confront his masculinity on a Pacific island; and witnessing a middle-aged farmer contemplating murdering the hippie who stole his wife. Written in a variety of moods, always compassionate, wry and razor-sharp, these dazzling stories are crafted with all the weight and resonance of Drewe's longer fiction as well as the incisive wit, passion and pathos of his Australian classic, The Bodysurfers.

    The surgeon conducting the autopsy claimed the remains were those of a woman. Why, then, was the victim identified as Little Jock, a sandalwood-cutter and former convict? And why was the murder so brutal, so gruesome?More than a hundred years later, Willa Samson embarks on a search to find out why in this novel. A recluse after having lost her daughter, Willa is drawn back into the world as she negotiates and researches various archives, communicates with family historians, and journeys to Scotland, Northern Ireland, and England, looking for clues to her questions.The Sinkings is a story within a story, the portrayal of a figure from the margins of history embedded within a contemporary narrative of a mother's guilt and grief. Beautifully crafted, this novel deals with the dilemma confronting parents of an intersexed child and of coming to terms with gender identification. While the book is a work of fiction, the discovery of Little Jock's remains and the controversy surrounding their identification are actual events.

    But for all the idyllic surroundings, Ettie can't help wondering where her dreams have disappeared to until fate offers her a lifeline, in the shape of a lopsided little cafe on the water's edge. When Bertie, its cantankerous septuagenarian owner, offers her "the Briny" for a fantastic price, it's an opportunity too good to miss. But it's a mammoth task, and she'll need a partner. Enter Kate Jackson, the enigmatic new resident of the haunted house on Oyster Bay. Kate is also clearly at a crossroads running from a life in the city that has left her lonely and lost. Could a ramshackle cafe and its endearingly eccentric customers deliver the new start both women so desperately crave?

    Here, four young housemates struggle to untangle their complicated relationships while a poignant story of loss, grieving, and recovery unfolds.The nameless narrator of this story has recently lost her father and now her existence is split in two: she conjures the past in which he was alive and yet lives in the present, where he is not. To others, she appears to have it all together, but the grief she still feels creates an insurmountable barrier between herself and others, between the life she had and the one she leads. Wry, relatable, lyrical, and beautifully told, a book about politics, desire, youth, relationships and friends, Friends and Dark Shapes introduces a bold new Australian voice to American readers.

    And you can talk about a Mallee tree. And you can talk about the Mallee itself: a land and a place full of red sand and short stubby trees. Silent skies. The undulating scorch of summer plains. Quiet, on the surface of things. But Elise wasn't from the Mallee, and she knew nothing of its ways. Discover the world of a small homestead perched on the sunburnt farmland of northern Victoria. Meet Elise, whose urbane 1950s glamour is rudely transplanted to the pragmatic red soil of the Mallee when her husband returns to work the family farm. But you cannot uproot a plant and expect it to thrive. And so it is with Elise. Her meringues don't impress the shearers, the locals scoff at her Paris fashions, her husband works all day in the back paddock, and the drought kills everything but the geraniums she despises.As their mother withdraws more and more into herself, her spirited, tearaway daughters, Marjorie and Ruby, wild as weeds, are left to raise themselves as best they can. Until tragedy strikes, and Marjorie flees to the city determined to leave her family behind. And there she stays, leading a very different life, until the boy she loves draws her back to the land she can't forget...'In the same vein as Rosalie Ham, Brinsden weaves a compelling story of country Australia with all its stigma, controversy and beauty.' Fleur McDonald

    Two years later, Rosie returns to the house and living there is Martha, whom Seb Gennaro married less than a year after the death of Rosie’s mother. Martha is struggling to fulfil Seb’s dream, while Rosie is coming to terms with new responsibilities. And so begins a stand-off between two women who refuse to move out of the home they both lay claim to.As the battle lines are drawn, Jimmy Hailler re-enters Rosie’s life. Having always watched other families from the perimeters, he’s now grappling, heartbreakingly, with forming one of his own . . .An unforgettable story about losing love and finding love; about the interconnectedness of lives and the true nature of belonging, from one of our most acclaimed writers.

    This is the story of the girl who stole it.Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the ‘Scriptorium’, a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word ‘bondmaid’ flutters to the floor. Esme rescues the slip and stashes it in an old wooden case that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world.Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. While she dedicates her life to the Oxford English Dictionary, secretly, she begins to collect words for another dictionary: The Dictionary of Lost Words.Set when the women’s suffrage movement was at its height and the Great War loomed, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. It’s a delightful, lyrical and deeply thought-provoking celebration of words, and the power of language to shape the world and our experience of it.