But this story is set in the Last Frontier, and its details and imagery reflect Alaska's landscape and sensibility: the fairy godmother becomes an eagle spirit, the glass slipper a fisherwoman's boot. Evocative writing and colorful artwork distinguish this playful retelling of the classic. Here children learn about cultures and ways of life but happy endings are still the rule.

    Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions Aesop is believed to have lived in 6th century BC. Aesop's The Complete Fables is available in Penguin Classics.

    A new rendition of a beloved classic by award-winning author/illustrator team Jim Aylesworth and Barbara McClintock.Run! Run! Fast as you can! You can't catch me! I'm the Gingerbread Man! I've run from a husband! I've run from a wife! I've run from a butcher with a carving knife! I've run from a cow, and a muddy old sow, and I'll run from you, too! I can! I can!Jim Aylesworth's fresh, spirited tale --- to be read LOUD out loud --- and Barbara McClintock's expressive, exquisitely drawn characters combine to create a glorious new rendition of the favorite story about that sassy but delicious little cookie.

    Just as the little old woman is about to take him from the oven, he slips away and runs out the door past a cow, a horse, a group of threshers, mowers, etc. All follow in hot pursuit until the gingerbread boy meets up with a wily fox, and ‘at last and at last he went the way of every single gingerbread boy that ever came out of an oven . . . He was all gone!’ A wonderfully frenetic cross-country chase is depicted in Galdone’s broadly humorous color wash drawings. Of the eight editions of this well-known story now in print, this hilarious version is the most delectable.” —School Library Journal, starred“Galdone has already proven many times over that he is perfectly at home with those traditional nursery tales that are still preschoolers’ favorites, and his expressive, unassuming style just right for their very young audience. . . . Children will follow along breathlessly . . . right up to that last snip snap snip when the Gingerbread Boy goes ‘the way of every single gingerbread boy that ever came out of an oven.’”—Kirkus Reviews

    "The Mighty Bogatyr" and "The Eagle-Patron of Arts" are biting satires on autocracy; "The Crow That Went in Search of Truth" and "The Old Nag" picture the misery of the Peasants; the conceited lion of "Bears in Government" with his ludicrous "self-pawed" inscriptions, is a well-aimed thrust at the illiterate resolutions of Tsar Alexander III, while the Bruins in the same tale ridicule the woebegone ministers of tsarist Russia. But the message of the tales and the bitter truth conveyed in them go far beyond the limits of any one epoch, assuming ever new poignancy and actuality. "The sole object of my literary work," wrote Saltykov-Shchedrin, "was unfailingly to protest against greed, hypocrisy, falsehood, theft, treachery, stupidity..." The Tales, which he wrote during the last years of his life (1826-89), epitomize the entire work of the great satirist who did so much for the cause of revolutionary thought in Russia.

    Arlene Mosel and Blair Lent's classic re-creation of an ancient Chinese folktale has hooked legions of children, teachers, and parents, who return, generation after generation, to learn about the danger of having such an honorable name as Tikki tikki tembo-no sa rembo-chari bari ruchi-pip peri pembo.

    But the witch whose delicious house lured Hansel and his sister, Gretel had forgotten two things about lost children: they can be very clever and very brave.

    But then her mother dies, and her father remarries. Pear Blossom’s stepmother resents her new daughter’s beauty.Out of jealousy, she makes Pear Blossom perform impossible chores while her own daughter, Peony, watches idly. But fortunately, Pear Blossom is not alone. With the help of magical creatures—togkabis—she can accomplish each task, and triumph over her stepmother’s cruelty.