So why does Lafitte refuse their generous offer? In the approaching War of 1812 General Andrew Jackson hasn’t any weapons, ammunition or money to fight the British with and no one to turn to for help but the notorious pirate Jean Lafitte. Jackson hates pirates, but he agrees to meet with Lafitte, and he forms an unlikely alliance with the dashing pirate. What changed Jackson’s mind about attending the meeting? Before the war begins, Lafitte buries an unusual treasure, one that is sought in the 21st century by two men and a beautiful woman. Julianna Montaigne a direct descendent of Pierre Lafitte has found his diary in her grandfathers old sea man’s trunk. The diary has a clue to the treasure. Eddie Calto a New York City firefighter has a second clue left to him by his great great grandfather, The two join forces in an attempt to find Lafitte's Treasure. But there are dangerous men who want the treasure for themselves and for 200 years they have waited patiently for anyone seeking Lafitte’s Treasure. Borrow this book for free with your prime subscription or subscribe to kindle lending library!

    She found a way of being a respected sovereign in an age when people were deeply uncomfortable with having a woman on the throne.As well as a queen, Victoria was a daughter, a wife, a mother and a widow, and at each of these steps along life's journey she was expected to conform to what society demanded of a woman. On the face of it, she was deeply conservative. But if you look at her actions rather than her words, she was in fact tearing up the rule book for how to be female. By looking at the detail of twenty-four days of her life, through diaries, letters and more, we can see Victoria up close and personal. Examining her face-to-face, as she lived hour to hour, allows us to see, and to celebrate, the contradictions at the heart of British history's most recognisable woman.

    Grey and his wife, speculation is rife that one of them might marry the local apothecary, Edward Hope. Although he is immediately attracted to Margaret, Hope is ultimately persuaded to marry the beautiful Hester and becomes trapped in an unhappy marriage. His troubles are compounded when a malicious village gossip accuses Hope of grave-robbing, threatening his career. A powerful exploration of the nature of ignorance and prejudice, Deerbrook also may be regarded as one of the first Victorian novels of English domestic life.Excerpt:Every town-bred person who travels in a rich country region, knows what it is to see a neat white house planted in a pretty situation, - in a shrubbery, or commanding a sunny common, or nestling between two hills, - and to say to himself, as the carriage sweeps past its gate, "I should like to live there," - "I could be very happy in that pretty place." Transient visions pass before his mind's-eye of dewy summer mornings, when the shadows are long on the grass, and of bright autumn afternoons, when it would be luxury to saunter in the neighbouring lanes; and of frosty winter days, when the sun shines in over the laurustinus at the window, while the fire burns with a different light from that which it gives in the dull parlours of a city. Mr. Grey's house had probably been the object of this kind of speculation to one or more persons, three times a week, ever since the stage-coach had begun to pass through Deerbrook. Deerbrook was a rather pretty village, dignified as it was with the woods of a fine park, which formed the back-ground to its best points of view. Of this pretty village, Mr. Grey's was the prettiest house, standing in a field, round which the road swept. There were trees enough about it to shade without darkening it, and the garden and shrubbery behind were evidently of no contemptible extent. The timber and coal yards, and granaries, which stretched down to the river side, were hidden by a nice management of the garden walls, and training of the shrubbery. In the drawing-room of this tempting white house sat Mrs. Grey and her eldest daughter, one spring evening.

    At its heart is Romola, the devoted daughter of a blind scholar, married to the clever but ultimately treacherous Tito whose duplicity in both love and politics threatens to destroy everything she values, and she must break away to find her own path in life. Described by Eliot as 'written with my best blood', the story of Romola's intellectual and spiritual awakening is a compelling portrayal of a Utopian heroine, played out against a turbulent historical backdrop.

    Ellen Wood played upon the anxieties of the Victorian middle classes who feared a breakdown of the social order as divorce became more readily available and promiscuity threatened the sanctity of the family. In her novel the simple act of hiring a governess raises the spectres of murder, disguise, and adultery. Her sensation novel was devoured by readers from the Prince of Wales to Joseph Conrad and continued to fascinate This edition returns for the first time to the racy, slang-ridden narrative of the first edition, rather than the subsequent stylistically 'improved' versions hitherto reproduced by modern editors.

    Using the paintings of the era as his starting point - in his view, the one mode of Victorian art yet to be rescued from indifference - Paxman explores themes of family, urban life, industry, empire, and imagination to uncover truths (and explode some myths) about Victorian Britain.To Paxman, these paintings were the television of their day, immensely popular visual narratives that attracted crowds by the hundreds of thousands: a single picture show featuring Elizabeth Butler's Balaclava (depicting survivors of the Charge of the Light Brigade) drew 50,000 viewers, some of them openly weeping. The Victorians shows how artists like Butler, William Powell Frith, Sir Lawrence Alma-Tadema, Luke Fildes, and Ford Madox Brown were chronicling a world changing before their eyes, and his overview ranges across the whole of Victorian life and culture: from high gothic architecture to the birth of the football league, from the novels of Dickens to the technological marvels of Brunel.Published to coincide with a landmark BBC series, The Victorians is an opinionated, informed, surprising, and hugely enthusiastic appraisal of the birth of modern Britain - a glorious reminder of how the Victorians made us who we are today.

    Two of these princesses would themselves produce children of immense consequence. All five would curiously come to share many of the social restrictions and familial machinations borne by nineteenth-century women of less-exulted class.Victoria and Albert's precocious firstborn child, Vicky, wed a Prussian prince in a political match her high-minded father hoped would bring about a more liberal Anglo-German order. That vision met with disaster when Vicky's son Wilhelm-- to be known as Kaiser Wilhelm-- turned against both England and his mother, keeping her out of the public eye for the rest of her life. Gentle, quiet Alice had a happier marriage, one that produced Alexandra, later to become Tsarina of Russia, and yet another Victoria, whose union with a Battenberg prince was to found the present Mountbatten clan. However, she suffered from melancholia and died at age thirty-five of what appears to have been a deliberate, grief-fueled exposure to the diphtheria germs that had carried away her youngest daughter. Middle child Helena struggled against obesity and drug addition but was to have lasting effect as Albert's literary executor. By contrast, her glittering and at times scandalous sister Louise, the most beautiful of the five siblings, escaped the claustrophobic stodginess of the European royal courts by marrying a handsome Scottish commoner, who became governor general of Canada, and eventually settled into artistic salon life as a respected sculptor. And as the baby of the royal brood of nine, rebelling only briefly to forge a short-lived marriage, Beatrice lived under the thumb of her mother as a kind of personal secretary until the queen's death.Principally researched at the houses and palaces of its five subjects in London, Scotland, Berlin, Darmstadt, and Ottawa-- and entertainingly written by an experienced biographer whose last book concerned Victoria's final days-- Victoria's Daughters closely examines a generation of royal women who were dominated by their mother, married off as much for political advantage as for love, and finally passed over entirely with the accession of their n0 brother Bertie to the throne. Packard provides valuable insights into their complex, oft-tragic lives as daughters of their time.

    British High Commissioner Sir Henry Bartle-Frere seeks to dismantle the powerful neighbouring kingdom of the Zulus and uses an incursion along the disputed border as his justification for war. He issues an impossible ultimatum to the Zulu king, Cetshwayo, demanding he disband his armies and pay massive reparations. With a heavy heart, the king prepares his nation for war against their former allies. Leading the invasion is Lieutenant General Sir Frederic Thesiger, Baron Chelmsford, a highly experienced officer fresh off a decisive triumph over the neighbouring Xhosa tribes. He and Frere are convinced that a quick victory over the Zulus will negate any repercussions from the home government for launching what is, in essence, an illegal war. Recently arrived to South Africa are newly-recruited Privates Arthur Wilkinson and Richard Lowe; members of C Company, 1/24th Regiment of Foot under the venerable Captain Reginald Younghusband. Eager for adventure, they are prepared to do their duty both for the Empire and for their friends. As Frere’s ultimatum expires, the army of British redcoats and allied African auxiliaries crosses the uMzinyathi River at Rorke’s Drift into Zululand. Ten days later, the British and Zulus will meet their destiny at the base of a mountain called Isandlwana.

    Their dramatic lives are here unfolded in a rich historical biography certain to appeal to fans of Downton Abbey, ‘Georgiana’ and Stella Tillyard’s ‘Aristocrats’.Mary, Madeline and Pamela – the three Wyndham sisters – were painted by John Singer Sargent in 1899. For The Times it was, quite simply, ‘the greatest picture of modern times’. But these beautiful, fin de siecle gentlewomen came to epitomize a vanished world. The languor of their pose reflects the leisured, gilded, existence of the late Victorian aristocracy that was to be dealt a deathblow by the First World War.Yet the lives of these three Wyndham sisters were far more turbulent than their air of calm suggests. Brought up in artistic circles, their childhood was liberal and romantic. Their parents were intimate friends with the Pre-Raphaelites and the girls grew to become leaders of the aesthetic movement. Bowing to convention, they made excellent marriages but found emotional support from others – Mary with Arthur Balfour and the poet Wilfrid Scawen Blunt; Pamela with Liberal statesman and ornithologist Edward Grey. Their liaisons shocked society, while the First World War devastated their way of life.‘Those Wild Wyndhams’ is their first ever biography, and is based on the many letters they have left behind – compelling, humorous and brilliantly illuminating. This sparkling debut by Claudia Renton captures them and their age in an unforgettable piece of historical and political biography.

    Having spent her first full year away at college, she has gained a new appreciation for her peaceful home and new friend, Walter. Walter jumps at the chance to work at Quail Crossings when the opportunity presents itself. Not only does Walter want to learn his chosen trade of agriculture, but he also wants to be closer to Alice who has resisted his romantic advances. The peaceful summer Alice has envisioned with her family and friend quickly dissolves as a stranger arrives proclaiming Quail Crossings as his own. Between the stranger and a natural disaster, the only home Alice has ever known could be destroyed forever. Alice and the whole clan must put their lives in danger to save the very thing that has brought them together … Quail Crossings ... or say goodbye to it forever.

    Newly designed and typeset in a modern 5.5-by-8.5-inch format by Waking Lion Press.

    There the divide between the classes looms large. The absence of learning and want of knowledge is a constant cause of misery among the downtrodden. Ignorance is the reason the poor live - that is to say, they have not yet died - in ruinous places on dangerous streets that are avoided by all but those who live there.” Mentored in his youth by the wealthy patron Octavius Joy, Antonio was apprenticed to a baker and able to improve his station through this opportunity. So his heart is deeply moved when, on a frigid winter’s night, Christopher Spriggs and his four-year-old niece Ruby —characters that we first met in The Final Recollections of Charles Dickens — arrive on his doorstep. Having suffered the loss of her mother one year previous, the child is in desperate need of food, shelter, and as Antonio can feel firsthand, a way out of their crushing poverty.He takes them both under his wing and watches as they blossom under his tutelage. Ruby grows into a smart, precocious teenager, instilled with a love of books and learning by the everpresent Octavius Joy. But she’ll discover that a life of learning and comfort and security is not enough of a barrier against the machinations of life in nineteenth century London, and soon she’ll have new challenges to face to become the woman her mother wanted her to be.With gorgeous prose brimming with the atmosphere of historical London, The Legacy of Charles Dickens is wonderfully infused with everything the famous author believed in: education, literacy, the need to support the lower classes, and the redemption found in the strong bond of community. The novel is filled with the influence of his journalism and his classic Oliver Twist, as well as a deeply felt love story, an unpleasant villain, a full range of other Dickensian characters, and the unequaled passion of Dickens’s social conscience.

    A fascinating excursion into a bizarre episode in 19th century Ethiopian and British imperial history, The Barefoot Emperor recalls the reign of the Emperor Theodore, who defended his mountain-top stronghold with a massive 70-ton gun.

    While still in her mid-twenties, Braddon scored two remarkable hits with the sensational Lady Audley's Secret and Aurora Floyd. In John Marchmont's Legacy, Braddon offers a plot charged with drama and mystery, its eerie atmosphere and, above all, the depiction of an extraordinary woman.In remote Lincolnshire, 'fenny, misty, and flat always', Olivia Arundel can find no outlet for either her intellectual abilities or her fierce passions, but is compelled to look on as the man she loves has thoughts only for a woman whose gifts are vastly inferior to her own. Braddon once declared that Wilkie Collins, the master of the 'sensation novel', was 'assuredly my literary father'; she herself has the same skill in weaving a story of mystery, conspiracy, menace and violence, while the energy and vivacity of her narrative are all her own.Expertly edited with an introduction by Norman Page and Toru Sasaki, this is the only edition available of this work that deserves its place alongside Braddon's great works.

    Policemen could only stand in awe of the occupations and illegal practices which grew up.Kellow Chesney begins his book by taking a general look at the society and its penal methods. Then, ranging over the whole spectrum of underworld life from travelling showmen and religious fakes to cracksmen, garrotters, and incorrigible pickpockets, he recreates in detail the squalid lives and the 'lays' of those who thronged the rookeries and alleys of Victorian cities. Curious stories emerge from this world of crime and penury, and, throughout, the study highlights the vast substratum of vice feeding on that 'most enlightened age'.