Many new archaeological materials have been recovered since its publication in 1975, requiring changes in the earlier descriptions and interpretations of Philippine prehistoric society and culture." -- www.kabayancentral.com

    It does not attempt to reconstruct that society by consideration of present Philippine societies, or of features believed to be common to all Austronesian peoples. Nor does it seek similarities with neighboring cultures in Southeast Asia, though the raw data presented should be of use to scholars who might wish to do so. Rather, it seeks to answer the question: What did the Spaniards actually say about the Filipino people when they first met them? It is hoped that the answer to that question will permit Filipino readers today to pay a vicarious visit to the land of their ancestors four centuries ago.Part 1 describes Visayan culture in eight chapters on physical appearance, food and farming, trades and commerce, religion, literature and entertainment, natural science, social organization, and warfare. Part 2 surveys the rest of the archipelago from south to north.

    imperialism. Constantino provides a penetrating analysis of the productive relations and class structure in the Philippines, and how these have shaped―and been shaped by―the role of the Filipino people in the making of their own history. Additionally, he challenges the dominant views of Spanish and U.S. historians by exposing the myths and prejudices propagated in their work, and, in doing so, makes a major breakthrough toward intellectual decolonization. This book is an indispensible key to the history of conquest and resistance in the Philippine.

    Taguiwalo.

    The narrative moves from a pre-Hispanic Philippines in the 16th century through the Spanish American War, the nation's tumultuous relationship with the United States, and General MacArthur's controlling presence during WWII, up to its independence in 1946 and subsequent years of Islamic insurgency.Luis H. Francia creates an illuminating portrait that provides the reader valuable insights into the heart and soul of the modern Filipino, laying bare the multicultural, multiracial society of modern times.

    Drawing from anthropology, history, contemporary events, popular culture, and the author’s field experiences and travels, the essays draw connections between nature and culture, self and society, the local and the global, as well as the past and the present in order to arrive at a deeper, fuller, critical, yet hopeful view of a country that is larger than many imagine it to be.Published in 2020.

    Jose Protasio Rizal Mercado y Alonso Realonda (1861-1896) was a Filipino polymath, nationalist and the most prominent advocate for reforms in the Philippines during the Spanish colonial era. He attended the Ateneo Municipal de Manila, earning a Bachelor of Arts degree sobresaliente. Rizal enrolled in Medicine and Philosophy and Letters at the University of Santo Tomas and then travelled alone to Madrid, Spain, where he continued his studies at the Universidad Central de Madrid, earning the degree of Licentiate in Medicine. He was a prolific poet, essayist, diarist, correspondent, and novelist whose most famous works were his two novels, Noli me Tangere (1887) and El Filibusterismo (1891). As a political figure, Rizal was the founder of La Liga Filipina, a civic organization that subsequently gave birth to the Katipunan led by Andres Bonifacio and Emilio Aguinaldo. He is considered the Philippines' national hero and the anniversary of Rizal's death is commemorated as a Philippine holiday called Rizal Day.

    The Samurai spirit, Bushido, is an integral component of Japanese tattooing that is traced through the imagery and interpersonal dynamics of this veiled subculture. The eloquent text is based largely on Takahiro Kitamura's experiences as client and student of the famed Japanese tattoo master, Horiyoshi III. Over 200 beautiful photos by Jai Tanju capture the breathtaking tattoo artistry of Horiyoshi III. Five original, unpublished prints by Horiyoshi III, like those in his acclaimed book, 100 Demons of Horiyoshi III, are included here. Bushido: Legacies of the Japanese Tattoo is certain to fascinate everyone with an interest in tattoo culture.

    Lolas’ House tells the stories of sixteen surviving Filipino “comfort women.” M. Evelina Galang enters into the lives of the women at Lolas’ House, a community center in metro Manila. She accompanies them to the sites of their abduction and protests with them at the gates of the Japanese embassy. Each woman gives her testimony, and even though the women relive their horror at each telling, they offer their stories so that no woman anywhere should suffer wartime rape and torture.Lolas’ House is a book of testimony, but it is also a book of witness, of survival, and of the female body. Intensely personal and globally political, it is the legacy of Lolas’ House to the world.

    Includes Pre-Spanish life and culture, Spanish rule, the Filipino -American War, American rule, and the campaign for Independence, among other subjects.

    Filipino Americans, for example, helped establish the Asian American movement and are classified by the U.S. Census as Asian. But the legacy of Spanish colonialism in the Philippines means that they share many cultural characteristics with Latinos, such as last names, religion, and language. Thus, Filipinos' "color"—their sense of connection with other racial groups—changes depending on their social context.The Filipino story demonstrates how immigration is changing the way people negotiate race, particularly in cities like Los Angeles where Latinos and Asians now constitute a collective majority. Amplifying their voices, Ocampo illustrates how second-generation Filipino Americans' racial identities change depending on the communities they grow up in, the schools they attend, and the people they befriend. Ultimately, The Latinos of Asia offers a window into both the racial consciousness of everyday people and the changing racial landscape of American society.

    Light is shed on events surrounding the Declaration of Independence of June 1898 and the subsequent (violent) US Occupation and colonisation. Several stories focus on the role and personality of Emilio Aguinaldo, titular President of the Philippines 1898-1901. Black-and-white illustrations.

    However, very little is known about how their historical and contemporary relationship with America may shape their psychological experiences. The most insidious psychological consequence of their historical and contemporary experiences is colonial mentality or internalized oppression. Some common manifestations of this phenomenon are described below: Skin-whitening products are used often by Filipinos in the Philippines to make their skins lighter. Skin whitening clinics and businesses are popular in the Philippines as well. The "beautiful" people such as actors and other celebrities endorse these skin-whitening procedures. Children are told to stay away from the sun so they do not get "too dark." Many Filipinos also regard anything "imported" to be more special than anything "local" or made in the Philippines. In the United States, many Filipino Americans make fun of "fresh-off-the-boats" (FOBs) or those who speak English with Filipino accents. Many Filipino Americans try to dilute their "Filipino-ness" by saying that they are mixed with some other races. Also, many Filipino Americans regard Filipinos in the Philippines, and pretty much everything about the Philippines, to be of "lower class" and those of the "third world." The historical and contemporary reasons for why Filipino -/ Americans display these attitudes, beliefs, and behaviors - often referred to as colonial mentality - are explored in Brown Skin, White Minds. This book is a peer-reviewed publication that integrates knowledge from multiple scholarly and scientific disciplines to identify the past and current catalysts for such self-denigrating attitudes and behaviors. It takes the reader from indigenous Tao culture, Spanish and American colonialism, colonial mentality or internalized oppression along with its implications on Kapwa, identity, and mental health, to decolonization in the clinical, community, and research settings. This book is intended for the entire community - teachers, researchers, students, and service providers interested in or who are working with Filipinos and Filipino Americans, or those who are interested in the psychological consequences of colonialism and oppression. This book may serve as a tool for remembering the past and as a tool for awakening to address the present."

    forces battle to possess the Philippine Islands, the Karangalan family hides with their neighbors in a cramped cellar, where they glean hope from the family stories and folktales they tell each other. These stories of love, survival, and family blend the supernatural with the rich, little known history of the Philippines, the centuries of Spanish colonization, the power of the Catholic church, and the colorful worlds of the Spanish, Mestizo, and Filipino cultures.As the villagers tell their stories in the darkened cellar below, Holthe masterfully weaves in the stories of three brave Filipinos--a teenage brother and sister and a guerilla fighter--as they become caught in the battle against the vicious Japanese forces above ground.Inspired by her father's firsthand accounts of this period, Tess Uriza Holthe brings to magical and terrifying life a story of the hope and courage needed to survive in wartime.

    It would take a young warrior to survive it.Cinelle Barnes was barely three years old when her family moved into Mansion Royale, a stately ten-bedroom home in the Philippines. Filled with her mother’s opulent social aspirations and the gloriously excessive evidence of her father’s self-made success, it was a girl’s storybook playland. But when a monsoon hits, her father leaves, and her mother’s terrible lover takes the reins, Cinelle’s fantastical childhood turns toward tyranny she could never have imagined. Formerly a home worthy of magazines and lavish parties, Mansion Royale becomes a dangerous shell of the splendid palace it had once been.In this remarkable ode to survival, Cinelle creates something magical out of her truth—underscored by her complicated relationship with her mother. Through a tangle of tragedy and betrayal emerges a revelatory journey of perseverance and strength, of grit and beauty, and of coming to terms with the price of family—and what it takes to grow up.